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"...their twisted amalgam of psychedelia, sexuality, and off-kilter melodicism remains undeniably unique. It's more than a little devious, yet strangely soothing at the same time; resistance isn't quite futile, but you know you want to give in for a few. Rating: 7.8" "Marmoset has created an album of Velvet Underground-inspired pop dirges for the ADD set...dreamy, distilled noise-pop. It's a testament to the strength of Dave Jablonski and Jorma Whittaker's songwriting that no song seems disjointed or incomplete: each one is a fully realized entity, simple and direct." "Florist Fired kicks ass... unique, weird, and equally intriguing... never bland or void of charm." "Subversively weird, eerily hypnotic, lo-fi slacker trance-thems... But where Florist ultimately sets itself apart is in its engaging drone. These 16 (mostly) sub-three-minute tracks are like an air conditioner whose quiet hum becomes an unlikely lullaby on a muggy summer night... if that air conditioner was subtly smothering you in ambiguous perversities and general oddness. And yes, that's a good thing." "Spare, surreptitious tracks suffused in a creepy and very British (Soft Boys, Syd Barrett) atmosphere. The record reaches a level of sinister, lurky perfection more expanceive and free ranging than its predecessor... Marmoset capture a mysterious, lasting unease that makes even music itself suspect." "Marmoset is the quintessential un-band of almost-pop; unprolific, unorthodox, unforgiving, underdogs unable to show affection. Their latest is a brilliant underachievement compounding equal parts dark, motley madness and bright, childlike innocence tossed off as songs half-baked or conceived from happy accidents... their infrequent romps through weeping sex ballads and quirky existentialist pop feel like sleeping with genius, if only for a night. Rating: A-" "Marmoset's shambling, chugging indie-rock - a dry, droll, Midwestern take on the looser side of British post-punk and psychedelic pop - seems more in sync with the sound the style's heroes were making back in the early-to-mid '90s than with any of their late '90s or 2000s contemporaries... Marmoset's elliptical, cryptic almost-pop is out of sync with the instant-gratification nature of a lot of late-2000s indie music, but Florist Fired is worth savoring instead of downing in one big gulp. (4 out of 5)" "This erratic collection of lo-fi art-rock is a poetically distorted vision of the past. Pop with a knife held to its throat. As if the wheels came off an early rock band, disenfranchised by the scene, Florist Fired is a sarcastic, fractured take on what would otherwise be popular melodies... Florist Fired is sixteen short tracks of wonderfully bruised pop songs from a generation ago. Marmoset pushes that pop world down in the dirt and wipes that smile of its face. Rating: 7.9" "The songs on Florist Fired suggest a youthful innocence befitting the new crop of fresh-faced indies making the scene nowadays... Florist Fired has a little bit of everything. Yet, they're just the tiniest bit inaccessible, which will make you that much cooler for having them in your record collection." |
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