(interview & editing by Thomas Kennedy)
Questions asked in the course of this interview:
Please explicate the psychosocial significance, economic impact, and historical resonance of the of the AKAI MPC 2000. Just kidding. But seriously though can you just talk a little bit about the AKAI?
How do you relate or not relate to the whole plunderphonic philosophy? (That the sampler is a legitimate instrument, not just a way to steal other people’s sounds, and that music should belong to the commons once it’s been recorded and distributed)
Did the CIA, in cooperation with the FBI & COINTELPRO, intentionally manufacture the crack epidemic by selling crack to young black men in the Watts neighborhood of LA in order to fund their illegitimate support of counter-insurgent paramilitary forces in Nicaragua? Yes or no?
Episode 19 – Doug Lussenhop (DJ Douggpound)* Yoni meets up with new friend, Doug, to record a joint podcast for THE WANDERING WOLF and DJ Douggpound’s Poundcast. They recorded over at The Poundcast hq. They learn some new vocabulary and talk about music, videos, love (or lack of), wooing women, and lots of other stuff. Doug incorporates his signature drops.
*Editor’s Note- Joyful Noise Recordings will be co-broadcasting The Wandering Wolf for…as long as Yoni feels like allowing us to co-broadcast the Wandering Wolf on our site. For previous Episodes of the Wander Wolf,check out WHY?’s website by clicking here.
I scored the new Assassin’s Creed IV trailer with my longtime cohort Judson Crane
. Here it is on YouTube
, which of course sounds awful. So I’ve made my very own mix on Vimeo (see above). And over here
is an alternate score I wrote for it.
Son Lux, a contributor to the Assassin’s Creed 4 soundtrack, new album entitled “Lanterns” is available HERE.