{"title":"VIP Latest Downloads","description":"","products":[{"product_id":"goody-goody-gumdrops","title":"Goody Goody Gumdrops","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTracklist \/ Listen\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe width=\"100%\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/ak7aIV1z0G8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"100%\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/drFVBu_Tr6E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVinyl Track Listing:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNew Romeo Agent\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/joyfulnoiserecordings.us4.list-manage.com\/track\/click?u=0ea13401c4c64990bafde608b\u0026amp;id=8d1668d2b3\u0026amp;e=c71554ea12\" target=\"_blank\"\u003eMaria 63\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eBraindrops\u003c\/li\u003e\n\u003cli\u003eThe Greatest Story Ever Told\u003c\/li\u003e\n\u003cli\u003eYou Let My Tyres Down\u003c\/li\u003e\n\u003cli\u003eBumma Sanger\u003c\/li\u003e\n\u003cli\u003eParadise\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/JNR.lnk.to\/tfsgggWE\" target=\"_blank\"\u003eDigital Track Listing\u003c\/a\u003e:\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003col\u003e\n\u003cli\u003eNew Romeo Agent (GGG)\u003c\/li\u003e\n\u003cli\u003eAspirin (GGG)\u003c\/li\u003e\n\u003cli\u003eMaria 63 (GGG)\u003c\/li\u003e\n\u003cli\u003eBraindrops (GGG)\u003c\/li\u003e\n\u003cli\u003eThe Donkey (GGG)\u003c\/li\u003e\n\u003cli\u003eYou Let My Tyres Down (GGG)\u003c\/li\u003e\n\u003cli\u003eBumma Sanger (GGG)\u003c\/li\u003e\n\u003cli\u003eThe Greatest Story Ever Told (GGG)\u003c\/li\u003e\n\u003cli\u003eParadise (GGG)\u003c\/li\u003e\n\u003cli\u003eBazza The Bushwacker (GGG)\u003c\/li\u003e\n\u003cli\u003eGarry O Garry (GGG)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFilmed across three locations at Gareth Liddiard's and Fiona Kitschin's ranch in the Australian countryside, \u003c\/span\u003e\u003ca href=\"https:\/\/JNR.lnk.to\/tfsgggWE\" target=\"_blank\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGoody Goody Gumdrops\u003c\/em\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e is part live performance, part documentary, part absurdist comedy, described by Gaz as their version of \"Magical Mystery Tour.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVinyl ships immediately. VHS tapes are expected to ship late August.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tropical Fuck Storm","offers":[{"title":"VHS + Digital (Limited to as many as we can sell. Includes download of the film and audio album.)","offer_id":45616409575734,"sku":"JNR396_VHSb","price":22.0,"currency_code":"USD","in_stock":false},{"title":"Hot Pink Vinyl + Digital (Limited to 2000 Worldwide. Includes instant download in high quality MP3 \/ AIFF \/ WAV.)","offer_id":39545088802887,"sku":"JNR396_LPC1_TFS_HPink","price":22.0,"currency_code":"USD","in_stock":false},{"title":"Digital (Instant download in high quality MP3 \/ AIFF \/ WAV.)","offer_id":39545088901191,"sku":"JNR396_GGG_Digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Limited Edition VHS + Digital (Limited to 199 copies. Includes download of the film and audio album.)","offer_id":45531881374006,"sku":"JNR396_VHSa","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/GGGCoverArtFinal_web.jpg?v=1638921863"},{"product_id":"heap-of-ashes","title":"Heap of Ashes","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003c!-- BANDCAMP EMBED --\u003e\n\u003cdiv style=\"margin-top: 15px; margin-bottom: 15px; padding: 25px 0px 0px 0px; overflow: hidden; border-top: 1px solid grey; height: 400px;\"\u003e\u003ciframe title=\"Bandcamp player\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494035131\/size=large\/bgcol=ffffff\/linkcol=ffffff\/artwork=none\/transparent=true\/\" style=\"position: relative; top: -75px;\" border=\"0\" height=\"600\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c!-- END BANDCAMP EMBED --\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/aQgHXGnXX2U\" height=\"400\" width=\"100%\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zON5FHe7PU0\" height=\"400\" width=\"100%\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"100%\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/SB_DSe2Wrb0\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\n\u003col\u003e\n\u003cli\u003eIt Won't Be Cinematic\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/lnk.to\/spp-tideWE\" target=\"_blank\"\u003eTide\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/lnk.to\/spider-cracksWE\" target=\"_blank\"\u003eSpider Cracks\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eMoldering Fragments (feat. k Hover of Sound of Ceres)\u003c\/li\u003e\n\u003cli\u003eNo. 3147\u003c\/li\u003e\n\u003cli\u003eLabyrinth\u003c\/li\u003e\n\u003cli\u003eParched Bodies\u003c\/li\u003e\n\u003cli\u003ePagan Flames\u003c\/li\u003e\n\u003cli\u003eNeedle (feat. Gnom)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll lyrics by Brian Batz\u003cbr\u003eAll music by Brian Batz except \"Needle\" by Brian Batz \u0026amp; Gnom\u003cbr\u003eProduced by Brian Batz except \"Needle\" by Brian Batz \u0026amp; Gnom\u003cbr\u003eMixed by Brian Batz\u003cbr\u003eRecorded at Batz Studio and at The Village by Brian Batz \u0026amp; Aske Bode\u003cbr\u003eMastered by Brian Mørk\u003cbr\u003eOrchestration arranged by Brian Batz \u0026amp; Anders Bach\u003cbr\u003eConducted by Anders Bach\u003cbr\u003eFront photography by Marcin Nagraba\u003cbr\u003eCover artwork by Ryan Hover\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to Leavy, Anders Bach, Jacob Haubjerg, Kristian Paulsen, Aske Bode, K Hover, Halvcirkel, Malthe Rostrup, Brian Mørk, Karl Hofstetter for doing more than you had to \u0026amp; everyone at Joyful Noise Recordings, Marcin Nagraba, Ryan Hover, Daan De Bruyne, Katrine Stochholm, Kaspar Kaae, Morten Søgaard, Daniel Kolind, Tue Ebert, Thomas Ipsen, Statens Kunstfond, DJBFA and family \u0026amp; friends, too many to mention but you have my deepest gratitude and love.\u003cbr\u003e\/Brian Batz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e Sleep Party People\u003c\/strong\u003e’s Brian Batz dives into the darker edges of orchestral pop on new album \u003cem\u003e\u003cstrong\u003eHeap of Ashes\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInfluenced by primarily Bulgarian choral music, \u003cspan data-mce-fragment=\"1\"\u003ethe worn-out sound of old tape\u003c\/span\u003e, and 21st century experimental composition, the music of \u003cstrong\u003eSleep Party People\u003c\/strong\u003e exposes every facet, every moment, and every wound, finding beauty even when the last glow of hope looks like it’s ready to fade into the ashes. \u003cem\u003e\u003cstrong\u003eHeap of Ashes\u003c\/strong\u003e\u003c\/em\u003e includes contributions from Halvcirkel, GNOM, and Sound of Ceres’ k Hover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sleep Party People","offers":[{"title":"Blood Red Vinyl + Digital (Includes MP3, AIFF + WAV download.)","offer_id":39689455632455,"sku":"JNR413_HoA_Oxblood_LP-C1","price":22.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Includes MP3, AIFF + WAV download.)","offer_id":39710221205575,"sku":"JNR413_HoA_CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette + Digital (Includes MP3, AIFF + WAV download.)","offer_id":39710221729863,"sku":"JNR413_HoA_Cass","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (MP3, AIFF + WAV)","offer_id":39689455697991,"sku":"JNR413_digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":39710221271111,"sku":"JNR413_HoA_VIP22","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/JNR413CoverArtFinal.jpg?v=1655148325"},{"product_id":"valley-of-fire","title":"Valley of Fire","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\" data-mce-style=\"vertical-align: top;\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv style=\"margin-top: 15px; padding: 25px 0px 0px 0px; overflow: hidden; border-top: 1px solid grey; height: 300px;\"\u003e\u003ciframe width=\"100%\" height=\"600\" border=\"0\" style=\"position: relative; top: -75px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3379130480\/size=large\/bgcol=ffffff\/linkcol=ffffff\/artwork=none\/transparent=true\/\" title=\"Bandcamp player\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e CREDITS:\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProduced by Sonny DiPerri \u0026amp; El Ten Eleven.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKristian Dunn: Basses \u003cbr\u003eTim Fogarty: Drums \u003cbr\u003eRecorded at Sonic Ranch by Sonny DiPerri, assisted by Ram Cantu. \u003cbr\u003eMixed by Sonny DiPerri. \u003cbr\u003eMastered by Dave Cooley. \u003cbr\u003eDesigned by Ron Fleming, YYES.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\" data-mce-style=\"vertical-align: top;\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThere are some places where words can’t tread. There is no vocabulary for beauty that leaves us tongue-tied and speechless. There isn’t a word for the places that pluck the breath out of our bodies. Kristian Dunne learned the deficits of language when trying to describe his travels to Nevada’s Valley of Fire State Park. The only way to chronicle the journey was through music, making way for El Ten Eleven's 13th album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn 2020, Dunn and his wife and daughter packed up a camper van and headed westward, roaming from Los Angeles to Zion National Park in Utah. As their first night of driving winded to a close, the Dunnes staked claim on what they believed was a lowly patch of desert, made a fire, and swiftly fell asleep. It wasn’t until the Dunn family awoke that they realized what grandeur they had stumbled into. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“It’s like having someone describe the Grand Canyon to you—you don’t really understand until you’re standing at the very edge,” Dunn said. “You realize in staring at this great big void how insignificant you and your problems are in the grand scheme of the world.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSoon after this road trip, Dunn and bandmate Tim Fogarty began blending the sonic palette that would become an ode to the Valley of Fire. For El Ten Eleven, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eValley of Fire \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eis unique in inspiration and conception: This album is the first in which Dunn did not consider – or care, for that matter – about the music's live translation. That clear-eyed mindset offered the duo a renewed sense of adventure in the studio. Dunn recorded his unplugged bass with an SM57 mic, Fogarty punched out rhythms with a bowl of coins and a mallet, loops were stacked and hacked beyond recognition. Recorded at Sonic Ranch’s Neve Control Room, which houses a 48-channel board once owned by Madonna, even the room in which \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eValley of Fire\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was recorded captures the superhuman specter of its inspiration. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eValley of Fire\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is an accidental – but no less meaningful – spiritual sequel to the duo’s 2022 release of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNew Year’s Eve\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, a frenzied, discotheque fever dream. Compare the album covers, both designed by Ron Fleming (YYES), and the two stand as foils of one another: The watery abstraction of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eNew Year’s Eve \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003ecounterbalances the fiery distortions of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eValley of Fire\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“The \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eValley of Fire\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was created by shifting dunes and erosion — we see it as a static image — a vertical moment in its history, but it is the result of constant change and the forces exerted upon the result,” Fleming said of the \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eValley of Fire \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eartwork. “It's all those forces coming together to create something larger, more complex, and continually influenced by things beyond our control.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eValley of Fire\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is El Ten Eleven’s most thematically committed record, merging personal anecdotes with the larger ecosystem of the Valley of Fire. While the album was inspired by organic beauty, its seven songs are still rife with El Ten Eleven's trademark technical flair. From the heavy tremolos of “Volsens” to the enduring presence of the SuperEgo pedal on “Days of Our Lives,” the duo use technology to mimic the complexity and gravity of the waking world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Two Views of a Secret” is the duo’s homage to bassist Jaco Pastorius and shared kinship with nature. “White Domes” directly references a hiking trail of the same name that loops through a slot canyon guarded by lofty white peaks. The album’s titular track, with its sweeping reverb personifying the echo of voice against a cliff, is an ode to the Valley of Fire itself, and a meditation on the eternal tenure of the valleys amidst the mortal coil. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile the Valley of Fire has existed for thousands of years and its brilliance has never wavered, it has been struck by waves of change – incremental alterations that come with time. El Ten Eleven has evolved with a similar cadence; the trials of age and experience have ushered in something altogether new. Both the Valley of Fire and El Ten Eleven bear the results of many forces within and beyond human control, both symbolizing grit and fortitude. And that sort of endurance holds a beauty all its own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"El Ten Eleven","offers":[{"title":"VIP","offer_id":39762220580935,"sku":"JNR411_VIP","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Bone Vinyl + Digital","offer_id":44115880116534,"sku":"JNR411_LP-C1_bone","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":39871080595527,"sku":"JNR411_CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":39709025009735,"sku":"JNR411_digital","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/JNR411_ETEVOFCover-Digital.jpg?v=1657554712"},{"product_id":"miracle-level","title":"Miracle-Level","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003c!-- BANDCAMP EMBED --\u003e\n\u003cdiv style=\"margin-top: 15px; padding: 25px 0px 0px 0px; overflow: hidden; border-top: 1px solid grey; height: 530px;\"\u003e\u003ciframe title=\"Bandcamp player\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2895607267\/size=large\/bgcol=ffffff\/linkcol=ffffff\/artwork=none\/transparent=true\/\" style=\"position: relative; top: -75px;\" border=\"0\" height=\"530\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c!-- END BANDCAMP EMBED --\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003emusic and lyrics by Deerhoof \u003cbr\u003eJohn Dieterich - guitar, bass on 11 \u003cbr\u003eSatomi Matsuzaki - bass, vocals, drums on 11 \u003cbr\u003eEd Rodriguez - guitar, drums on 6\u003cbr\u003eGreg Saunier - drums, vocals, piano, organ \u003cbr\u003eFirst Regiment of the Zumiko Sakumura Brass Band - horns on 10 \u003cbr\u003erecorded and mixed by Mike Bridavsky at No Fun Club, Winnipeg, June 25-July 3 2022 \u003cbr\u003eJ Riley Hill, assistant engineer \u003cbr\u003emastered by Mike Bridavsky at Russian Recording \u003cbr\u003efront cover image ©Kunie Sugiura, courtesy of Taka Ishii Gallery, Tokyo \u003cbr\u003ehandwriting by Satomi \/ layout by Ryan Hover \u003cbr\u003especial thanks to Rob Hill, Sierra Noble, Sophie Daws, Keiko Beers, and everyone at Joyful Noise.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cp\u003e\u003cb\u003eMIRACLES WANTED!\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(EVERYTHING IS A MIRACLE EXCEPT WAR AND GASOLINE)\u003cbr\u003e\u003c\/span\u003e\u003cb\u003ePHASE-OUT ALL REMAINING NON-MIRACLES BY 2028\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(LUCKILY THERE AREN’T THAT MANY ANYWAY)\u003cbr\u003e\u003c\/span\u003e\u003cb\u003eWE NEED ONLY *LOVE* SONGS\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(YES, THIS WORD GETS USED OFTEN)\u003cbr\u003e\u003c\/span\u003e\u003cb\u003eBUT I MEAN HIGH-LEVEL\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eI MEAN MIRACLE-LEVEL\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eLET’S WASH OUR DIRTY HANDS WITH LOVE\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eLET’S LIVE\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eLET’S WALK CLOSELY TOGETHER\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eI CAN HOLD AN UMBRELLA FOR YOU FOR A LONG TIME\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eDeerhoof’s new album, Miracle-Level, was produced, recorded, and mixed by Mike Bradavski at No Fun Studios in Winnipeg, Manitoba. It’s the band’s 19th album and the first to be produced, recorded and mixed entirely in a recording studio. All of the songs are in Japanese.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Deerhoof","offers":[{"title":"White Vinyl + Digital","offer_id":39789513801799,"sku":"JNR429_ML_LP-C1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital","offer_id":39789513834567,"sku":"JNR429_ML_CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette + Digital","offer_id":39789513867335,"sku":"JNR429_ML_CASS","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":39789513900103,"sku":"JNR429_ML_DIG","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":39789513932871,"sku":"JNR429_ML_VIP","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/JNR429Miracle-LevelCoverArtFINAL.jpg?v=1670599696"},{"product_id":"take-a-look-inside","title":"Take a Look Inside","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTracklist \/ Listen\u003c\/div\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Scw2oijGB5Y\" height=\"400\" width=\"100%\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!-- BANDCAMP EMBED --\u003e\n\u003cdiv style=\"margin-top: 15px; padding: 25px 0px 0px 0px; overflow: hidden; border-top: 1px solid grey; height: 600px; width: 350px;\"\u003e\u003ciframe title=\"Bandcamp player\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210717871\/size=large\/bgcol=ffffff\/linkcol=ffffff\/artwork=none\/transparent=true\/\" style=\"position: relative; top: -75px;\" border=\"0\" height=\"600px\" width=\"350px\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp\u003eThey say there's always something special about the first time and this record is that first time for the Folk Implosion. The band left the acoustic guitars and fragmentary sketch modus operandi of their earlier cassette behind to focus on an eccentric version of home studio craft, held together by a few cheap microphones (including a Radio Shack PZM) and a Tascam cassette 4-track recorder sequestered under the eaves of a 3rd floor, Cambridge Massachusetts double-decker house apartment.\u003c\/p\u003e\n\u003cp\u003eWood floors and Christmas lights were as much a part of the vibe as an Ampeg VT 40 guitar amp and a small chord organ. The duo would wait until the downstairs neighbor went to work in the morning and then would play until the tunes snapped like a high-pitched snare drum. The setup would close down just before the neighbor came home from work, keeping the peace long enough to see the project through to completion. Once tracked, the band snuck into Fort Apache studios with Tim O'Heir (producer of Sebadoh's 'Bakesale' LP) early one morning, freeloading off the Sebadoh sessions that were set to get going that afternoon.\u003c\/p\u003e\n\u003cp\u003eTim mixed the songs through a very hi-fi Neve board in a matter of hours with the Tascam sitting right on the giant board like a tugboat keeping time with an oil tanker. The duo hoped that the spirits of ancestors like The Troggs, Devo, Al Green, and The Bee Gees would be pleased with the scent of tribute that arose from the ashes of the pyre. Today, they are pleased to see the Slaps and the Sputniks on view again nearly 30 years later.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Folk Implosion","offers":[{"title":"Clear Vinyl + Digital (Includes instant download in MP3, AIFF + WAV.)","offer_id":45495320641846,"sku":"JNR421_TaLI_LPC1_Clear","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Instant download in MP3, AIFF + WAV.)","offer_id":39885408567367,"sku":"JNR421_digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"Limited Edition Cassette + Digital (Limited to 400 copies on silver cassettes. Includes instant download in MP3, AIFF + WAV.)","offer_id":39885408534599,"sku":"JNR421_cass","price":12.0,"currency_code":"USD","in_stock":false},{"title":"VIP","offer_id":45495314645302,"sku":"JNR421_TaLI_VIP","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/JNR421_The-Folk-Implosion_cover.jpg?v=1667236658"},{"product_id":"submersive-behaviour","title":"Submersive Behaviour","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTracklist \/ Listen\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sixKZP8ed_I\" height=\"400\" width=\"100%\"\u003e\u003c\/iframe\u003e\n\u003col\u003e\n\u003cli\u003e1983 (A Merman I Should Turn To Be) - 17:52\u003c\/li\u003e\n\u003cli\u003eMoonburn - 5:08\u003c\/li\u003e\n\u003cli\u003eThe Golden Ratio - 4:08\u003c\/li\u003e\n\u003cli\u003eAspirin (Slight Return) - 4:56\u003c\/li\u003e\n\u003cli\u003eAnn - 4:05\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eCredits: \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section group\"\u003eTFS is Gareth Liddiard, Fiona Kitschin, Erica Dunn, and Lauren Hammel\u003c\/div\u003e\n\u003cdiv class=\"section group\"\u003eProduced by Aaron Cupples, Gareth Liddiard \u003c\/div\u003e\n\u003cdiv class=\"section group\"\u003eMixed by Aaron Cupples, Gareth Liddiard\u003c\/div\u003e\n\u003cdiv class=\"section group\"\u003eMastered by Aaron Cupples\u003c\/div\u003e\n\u003cdiv class=\"section group\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"section group\"\u003e“1983 (A Merman I Should Turn To Be)” - Written by Jimi Hendrix\u003c\/div\u003e\n\u003cdiv class=\"section group\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"section group\"\u003e“Ann” - Written by The Stooges \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp\u003eEnter the wonderful world of the amazing \u003cstrong\u003eTROPICAL FUCK STORM\u003c\/strong\u003e!\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eSubmersive Behaviour\u003c\/strong\u003e\u003c\/em\u003e is our favorite Australian art-punk combo’s take on the tried and true “covers record” concept. Over the course of 36 minutes, TFS puts their deranged spin on classics by \u003cstrong\u003eJimi Hendrix, Middle Aged in the Middle East in the Middle Ages, Men Men Menstruation, Compliments to the Chef, and The Stooges\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eGuest starring their old kangaroo mates and collaborators Dan Kelly, the Bard of Beenleigh and Aaron Cupples, the Earl of East Gippsland on octopus like strings-man-ship, falsetto and apocalyptic vibes.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tropical Fuck Storm","offers":[{"title":"Non-Harmful Algae Bloom Vinyl + Digital (Limited Edition, mail order + band only, ltd to 1000 copies. 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Panda Panda Panda (First live performance 2002)\u003cbr\u003e2. My Diamond Star Car (Live 2002)\u003cbr\u003e3. Dummy Discards a Heart (Live 2003)\u003cbr\u003e4. The Forbidden Fruits (Chris demo)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDeerhoof's fan-favorite breakthrough album, Apple O', gets a 20th-anniversary edition after years of being out of print in the physical realm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThey say the fruit from the Tree of Knowledge was actually a pomegranate. But \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePomegranate O’\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e did not sound as catchy. Of course, knowledge of what, exactly? Could be the serene and orderly discipline of music. Could be the ability to instantaneously destroy the entire species in an apocalyptic fireball. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis album is a love story. It is about Satomi’s mom being a Japanese girl when Truman got that ecstatic glint in his eye and blew up chunks of her country in a mushroom cloud, and next thing you know Satomi has moved to San Francisco and taken over an American noise-rock band. It is also about a different US president with an ecstatic glint in his eye, selling a criminal invasion with lies about weapons of mass destruction. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Deerhoof","offers":[{"title":"Pink Vinyl + Digital (Includes bonus rarities 7\" on orange vinyl, and instant download in high quality MP3 \/ AIFF \/ WAV.)","offer_id":44016732111158,"sku":"JNR433_LP-C1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Instant download in high quality MP3 \/ AIFF \/ WAV)","offer_id":44016732209462,"sku":"JNR433_digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":44016732242230,"sku":"JNR433_VIP","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/Apple_O_DigitalCover.jpg?v=1669142065"},{"product_id":"hope-despair","title":"Hope \u0026 Despair","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\" data-mce-style=\"vertical-align: top;\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/2qZoXQuyQ9uSD95aLzQk9V?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eHope \u0026amp; Despair\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eYour Angry Face\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTolerance\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eDouble Dream\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eFatigue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eSong For A Scavenger\u003c\/li\u003e\n\u003cli\u003eWatching The Sleeping Lover\u003c\/li\u003e\n\u003cli\u003eSavage\u003c\/li\u003e\n\u003cli\u003eA Tale Of A Snake\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eAgainst The Sky\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eComposed \u0026amp; produced by Kato Hideki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded by Bryce Goggin at Baby Monster Studio \u0026amp; Kato Hideki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed \u0026amp; remastered by Kato Hideki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReissue coordinated by Michael Kaufmann (THIS IS MERU)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum cover photograph by Alec Soth (MAGNUM PHOTOS)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e© \u0026amp; ℗ Kato Hideki \/ Open Circuit Music (BMI)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKato Hideki: acoustic bass, slide guitar \u0026amp; percussion\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDougie Bowne: drums\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZeena Parkins: acoustic harp\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMasahiko Kono: trombone \u0026amp; electronics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKeitaro Terasaki: piano (“Tolerance”)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJohn Zorn: piano (“Double Dream”)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMakio Tada: electronics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichiaki Tanaka: percussion\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGen Ogimi: percussion\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\" data-mce-style=\"vertical-align: top;\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: Oswald, sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase; text-align: left;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: Oswald, sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase; text-align: left;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px; text-align: left;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px; text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eOriginally inspired by Robert Frank’s photography, Kato Hideki created music based on an idea - taking sonic snapshots of New York and its most inspiring musicians - including John Zorn, Zeena Parkins, Dougie Bowne and Masahiko Kono, along with musicians from Tokyo. The result was an evocative album filled with acoustic and electronic sounds of New York City in the mid 1990’s. The music morphs from one scene to another, as if turning the pages of photographic images. The album, originally released on the Australian label Extreme in 1996, has been newly remastered in 2021, with new album art by the critically acclaimed photographer Alec Soth (Magnum Photos).\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kato Hideki","offers":[{"title":"Limited Edition Black Vinyl + Digital (Ltd. to 500, one time pressing. Includes download in high quality MP3)","offer_id":44397859569974,"sku":"JNR407LP","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Instant digital download in high quality MP3)","offer_id":44397859602742,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/katohideki.jpg?v=1675122391"},{"product_id":"winters-eve","title":"Winter's Eve","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ LISTEN\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe width=\"100%\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/iuDS_jYYero\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003col\u003e\n\u003cli\u003eWinter's Eve (4:17) [\u003ca href=\"https:\/\/lnk.to\/winters-eveWE\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSTREAM HERE\u003c\/a\u003e]\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003eI was invited by Polar Bears International and my filmmaker friend, Max Lowe,\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eto visit the sub-arctic Churchill, Manitoba, nicknamed the “Polar Bear Capital of the World”, where I began writing this song.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe polar bears hibernate for most of the summer and awaken in the fall to trek across the frozen Hudson Bay to hunt for seals. As apex predators, they keep the seal populations in check, securing a healthy balance of fish and crustacean populations crucial to the survival of the human and the more-than-human inhabitants in the region. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Winter’s Eve” is about perspective.  While many of us associate the winter with darkness, restraint, and lifelessness, polar bears see the opposite. It is a time of vitality and vigor, and the anticipation of hunting and mating can be seen and felt when visiting them as they gaze upon the unfrozen ocean, waiting for it to freeze.  Unfortunately, due to global warming, the arctic ice is melting, and the winter is setting on later and later is remarkably shorter, causing an incredible strain on the polar bear population. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Winter’s Eve” is about embracing the perspective that all living things on this planet are infinitely intertwined within a delicate ecosystem, and climate change will cause catastrophic failures that will ultimately leave this world uninhabitable for our future children.  \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMy fiancé, Dr Kimberly Dill, an environmental philosopher, painted the cover art inspired by my trip to the Arctic.  \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis song will be a part of a short film about my visit that will premiere at EarthX’s “Party for the Planet” event at South By Southwest (SXSW) film festival this year. \"\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e–Kishi Bashi\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kishi Bashi","offers":[{"title":"Digital","offer_id":44859484602678,"sku":"","price":1.0,"currency_code":"USD","in_stock":true},{"title":"Lathe-Cut 7\" + Digital (Limited to 250 hand-made copies)","offer_id":44545963852086,"sku":"JNR455_lathecut","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/JNR455_Kishi-Bashi_Winters-Eve.jpg?v=1677087325"},{"product_id":"austere","title":"Austere","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003cbr\u003e\n\u003c\/div\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S0tldbD9PaU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDrought Shears\u003c\/li\u003e\n\u003cli\u003eChanhassen\u003c\/li\u003e\n\u003cli\u003eInverness\u003c\/li\u003e\n\u003cli\u003eMirrors Secured\u003c\/li\u003e\n\u003cli\u003eFalse River\u003c\/li\u003e\n\u003cli\u003eHaunt Blue\u003c\/li\u003e\n\u003cli\u003eSlow Ghosts\u003c\/li\u003e\n\u003cli\u003eTruss\u003c\/li\u003e\n\u003cli\u003ePrisms \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePost-rock band \u003cstrong\u003eAtivin\u003c\/strong\u003e returns from a 19-year hiatus with \u003cem\u003eAustere\u003c\/em\u003e, the group’s most expansive and cinematic work to date and first album for Joyful Noise Recordings. \u003cem\u003eAustere\u003c\/em\u003e is a co-release with our Polish friends Fonoradar Records who are handling the physical release in the UK and EU: \u003ca data-mce-fragment=\"1\" href=\"https:\/\/fonoradar.com\/?post_type=product\u0026amp;p=1336\u0026amp;preview=true\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/fonoradar.com\/?post_type%3Dproduct%26p%3D1336%26preview%3Dtrue\u0026amp;source=gmail\u0026amp;ust=1681820156783000\u0026amp;usg=AOvVaw16hVbo0qdXcdXbJJiWaaYx\" target=\"_blank\"\u003ehttps:\/\/fonoradar.com\/produkt\/\u003cspan data-mce-fragment=\"1\" id=\"m_-2650044474051365864editable-post-name\"\u003e\u003cwbr data-mce-fragment=\"1\"\u003eativin-austere-lp\u003c\/wbr\u003e\u003c\/span\u003e\/\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEschewing the explosive and aggressive playing that characterizes their earlier work, \u003cem\u003eAustere\u003c\/em\u003e finds the guitar duo of Daniel Burton (Early Day Miners) and Chris Carothers (Hunting People, Grizzly Daughter) enlisting Chris Brokaw (Codeine, Come) on drums for a more stripped down and skeletal sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe result is a work of beauty that will undoubtedly evoke a wide range of emotions in those who hear it.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLimited Austere T-shirts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eChannel \u003cem\u003eAustere\u003c\/em\u003e on your body with a limited run red t-shirt! Sold exclusively on \u003ca title=\"Austere T-Shirt (Limited)\" href=\"https:\/\/ativin.bandcamp.com\/merch\/austere-t-shirt-limited?fbclid=IwAR2nWBphmZ9vQMACQGqdSKojOaTDJRAl01vnBpOnuSR0Frd66WeAZqn6_ow\" target=\"_blank\"\u003eAtivin's Bandcamp page\u003c\/a\u003e - grab yours before they run out.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Experience Box\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe ATIVIN 'Austere' Experience Box features a unique selection of hand-made and custom designed items related to the themes, aesthetics, and music of ATIVIN and the 'Austere' album. This specially curated collection is intended to be used, consumed and \u003ci\u003eexperienced\u003c\/i\u003e as a compliment to the album.\u003cbr\u003e\u003cbr\u003eHang the prints. Send the postcards. Burn the incense, and gather with friends to download \u0026amp; listen the bonus ambient tracks simultaneously with the included standard edition vinyl LP.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e100% of the proceeds from the sale of the limited-edition hand-numbered Experience Box will be split evenly between \u003ca title=\"MusiCares home page\" href=\"https:\/\/www.musicares.org\/\" target=\"_blank\"\u003eMusiCares\u003c\/a\u003e and \u003ca href=\"https:\/\/www.unconditionalgiving.org\/\" target=\"_blank\"\u003ePoverty Alleviation Charities\u003c\/a\u003e\u003c\/strong\u003e. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWhat's in the box:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSTICKER \u0026amp; PIN PACK   \u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/stickers_button_160x160.jpg?v=1681827516\"\u003e\u003c\/strong\u003e\u003cbr\u003eA classic album accessory set featuring black \u0026amp; maroon coyote heads and maroon ATIVIN logo brushed aluminum stickers, vinyl ATIVIN 'Austere' album cover sticker, and coyote head button pin.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eVELLUM SCREEN PRINT\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/vellum_prints_160x160.jpg?v=1681827592\"\u003e\u003c\/strong\u003e\u003cbr\u003eEnjoy one of three randomly selected frameable ATIVIN 'Austere' coyote illustration prints (maroon, black or silver), hand silkscreened on 11 inch vellum sheets.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003ePHOTO CARD SET\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/photo_cards_160x160.jpg?v=1681827788\"\u003e\u003c\/strong\u003e\u003cbr\u003eFour high quality custom printed original photo postcards and a metallic silver photo print of a Chris Carothers photograph from Detroit photographer \u0026amp; artist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.christopherbennett.net\/\" target=\"_blank\"\u003eChristoper Bennett\u003c\/a\u003e, packaged in a hand stamped glassine envelope.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eFORTUNE TELLING FISH\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/fortune_telling_fish_edecf8cc-2597-4d23-8f27-9a99a3f041ea_160x160.jpg?v=1681827877\"\u003e\u003c\/strong\u003e\u003cbr\u003eA refence to a fan favorite song from the 1998 album \"German Water,\" place the Fortune Telling Fish in your open hand and watch it telepathically sense your mood.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eCHROMADEPTH™ 3D PRINT \u0026amp; GLASSES\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/chromadepth_print_and_glasses_160x160.jpg?v=1681827894\"\u003e\u003c\/strong\u003e\u003cbr\u003eUsing only color to create 3D perspective from 2D images, don the hand-stamped Chromadepth™ stereoscopic glasses and cast your gaze at the included cardstock print featuring art \u0026amp; elements from the 'Austere' album.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\"FALSE RIVER\" SHEET MUSIC\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/false_river_sheet_music_160x160.jpg?v=1681827909\"\u003e\u003c\/strong\u003e\u003cbr\u003eA black envelope hand-stamped with metallic silver ink containing copies of the seven pages of Alison Chesley's hand written sheet music for her cello parts performed on the 'Austere' track, \"False River,\" so you can play along at home.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e'AUSTERE' INCENSE PACK \u0026amp; MATCHES\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/matches_incense_1_160x160.jpg?v=1681827923\"\u003e\u003c\/strong\u003e\u003cbr\u003eWooden matches in a custom coyote head box with a package of 12 different incense varieties specially selected for the 'Austere' album tracks (try figure out how they match). 2 inch brass lotus flower burner base also included.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e\"ATIVINCENSE\" AMBIENT TRACK DL CARD\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/ambient_download_160x160.jpg?v=1681827938\"\u003e\u003c\/strong\u003e\u003cbr\u003eThese bonus tracks created by Chris Carothers and special guest Mark Shippy can be played simultanously with the album or on their own. Use the included QR code for a link to download three different options, or a pre-mixed version containing the complete album and ambient tracks.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003eThe band encourages people to donate to \u003cstrong\u003e\u003ca title=\"MusiCares Donation Page\" href=\"https:\/\/www.musicares.org\/?form=donate\" target=\"_blank\"\u003eMusiCares\u003c\/a\u003e and \u003ca href=\"https:\/\/www.unconditionalgiving.org\/donate\" title=\"Poverty Alleviation Charities Donation Page\" target=\"_blank\"\u003ePoverty Alleviation Charities\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMusiCares provides a safety net of critical health and welfare services to the music community for things like support for dental services to mental health and supporting basic living expenses.\u003cbr\u003e\u003cbr\u003ePoverty Alleviation Charities is a nonprofit organization on a mission to use Art as a conduit to transform passive compassion into immediate assistance through the distribution of money given, without expectation or judgment, directly to families suffering poverty.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ativin","offers":[{"title":"Oxblood Vinyl + Digital (Includes instant download in MP3, AIFF, and WAV.)","offer_id":44896234864950,"sku":"JNR428_Ativin_LP-C1","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Oxblood Vinyl + Experience Box + Digital (Limited to 100 hand-numbered copies, the box features a unique selection of items intended to be consumed alongside the album. 100% of proceeds split evenly between MusiCares and Poverty Alleviation Charities.)","offer_id":44896235127094,"sku":"JNR428_Ativin_BOX","price":50.0,"currency_code":"USD","in_stock":false},{"title":"Digital (Instant download in MP3, AIFF, and WAV.)","offer_id":44896235389238,"sku":"JNR428_Ativin_Digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/Ativin_Austere_1400px.jpg?v=1678982784"},{"product_id":"alternate-forms","title":"Alternate Forms","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003ciframe width=\"100%\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLsuIZcQ_7RoP2TSr5lgGBA9wVIWMnrlib\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cb\u003e01) Alternate World (Alternate Life) - Kishi Bashi\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced and performed by Kishi Bashi\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eMixed by Brandon Peralta\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e02) Lost It To Trying (Rise) - Sen Morimoto + KAINA\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced and performed by Sen Morimoto and Kaina Castillo\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e03) Ransom (All Innocence) - Sedcairn + Sound of Ceres\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced and performed by Sedcairn + Sound of Ceres\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eAdditional vocal production and engineering by Peter Silberman\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e04) Easy (Fight to Forget) - Chris Pattishall + Vuyo Sotashe\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003ePerformed by Chris Pattishall + Vuyo Sotashe\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced and mixed by Chris Pattishall\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eEngineered by Katie Von Schleicher\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eRecorded at Figure 8 Recording, Brooklyn NY\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e05) No Crimes (New History) - Jordan Munson + Isaiah Robinson\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eRemixed with additional elements by Jordan Munson\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eAdditional vocals and vocal arrangement by Isaiah Robinson\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSaxophone by Alan Tyson\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eMixed by Michael Hammond\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e06) Pyre (Alarm Bells) - Anna B Savage + DM Stith \u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced by DM Stith\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eVocals by Anna B Savage and DM Stith \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e07) Enough Of Our Machines (Walk Away) - vōx + Alexander Vincent\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eP\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eroduced and performed by vōx and Alexander Vincent\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eMixed by Alexander Vincent\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e08) Plan the Escape (Sirens and Tremors) - Kilamanzego\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eRemixed with additional elements by Kilamanzego\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eGuitar by Andrea Okorley\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eLive Drums by Thia Schreyer \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e09) Lanterns Lit (Singing Light) - Omari Jazz\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eRemixed with additional elements by Omari Jazz\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eArt + Design by Anthony Ciannamea and Ryan Sievert\u003cbr\u003eAll songs originally written and performed by Son Lux \u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe release of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.joyfulnoiserecordings.com\/products\/lanterns\" title=\"Lanterns\"\u003e\u003ci\u003eLanterns\u003c\/i\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ein 2013 was a breakout moment for \u003cstrong\u003eSon Lux\u003c\/strong\u003e. Fans, critics, and musicians were drawn into the album’s otherworldly vortex of sound. NPR described\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/www.joyfulnoiserecordings.com\/products\/lanterns\" title=\"Lanterns\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.joyfulnoiserecordings.com\/products\/lanterns\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLanterns\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eas the \"most fully realized\u003cstrong\u003e Son Lux\u003c\/strong\u003e album,\" noting that the music rested “comfortably at the nexus of 21st-century R\u0026amp;B, hip-hop and synthpop.” Album tracks like “Easy”, and “Lost It To Trying” earned millions of streams online, and were covered\/sampled by pop stars around the globe. The glowing success of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLanterns\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ecast a bright light on the future of \u003cstrong\u003eSon Lux\u003c\/strong\u003e, providing a strong signal of things to come. \u003cbr\u003e\u003cbr\u003eSon Lux has evolved in unexpected ways since the release of\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/www.joyfulnoiserecordings.com\/products\/lanterns\" title=\"Lanterns\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.joyfulnoiserecordings.com\/products\/lanterns\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLanterns\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e, as evidenced in their recent Oscar performance with David Byrne and Stephanis Hsu (\u003cstrong\u003eSon Lux\u003c\/strong\u003e’s score for the 2022 film\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEverything Everywhere All at Once\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas nominated for two Academy Awards).\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAlternate Forms\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ecelebrates that journey, while honoring the collaborative spirit of\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/www.joyfulnoiserecordings.com\/products\/lanterns\" title=\"Lanterns\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.joyfulnoiserecordings.com\/products\/lanterns\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLanterns\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003eCollaboration is a foundational element in the creative process of \u003cstrong\u003eSon Lux\u003c\/strong\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAlternate Forms\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eoffers a formidable set of contributors, including \u003ca href=\"https:\/\/www.joyfulnoiserecordings.com\/collections\/kishi-bashi\"\u003eKishi Bashi\u003c\/a\u003e, \u003cstrong\u003eSen Morimoto\u003c\/strong\u003e, \u003cstrong\u003eKAINA\u003c\/strong\u003e, \u003ca href=\"https:\/\/www.joyfulnoiserecordings.com\/collections\/sedcairn\"\u003eSedcairn\u003c\/a\u003e, \u003ca href=\"https:\/\/www.joyfulnoiserecordings.com\/collections\/sound-of-ceres\"\u003eSound of Ceres\u003c\/a\u003e, \u003cstrong\u003eChris Pattishall\u003c\/strong\u003e, \u003cstrong\u003eVuyo Sotashe\u003c\/strong\u003e, \u003cstrong\u003eJordan Munson\u003c\/strong\u003e,\u003cstrong\u003e Isaiah Robinson\u003c\/strong\u003e, \u003cstrong\u003eAnna B Savage\u003c\/strong\u003e, \u003cstrong\u003eDM Stith\u003c\/strong\u003e, \u003cstrong\u003evōx\u003c\/strong\u003e, \u003cstrong\u003eAlexander Vincent\u003c\/strong\u003e, \u003cstrong\u003eKilamanzego\u003c\/strong\u003e, and \u003cstrong\u003eOmari Jazz\u003c\/strong\u003e. The album’s artwork has also been reimagined by\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/www.joyfulnoiserecordings.com\/products\/lanterns\" title=\"Lanterns\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.joyfulnoiserecordings.com\/products\/lanterns\"\u003e\u003ci data-mce-fragment=\"1\"\u003eLanterns\u003c\/i\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ecover art designers Ryan Sievert and Anthony Ciannamea.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Son Lux","offers":[{"title":"VIP","offer_id":44895486345526,"sku":"JNR444_VIP","price":25.0,"currency_code":"USD","in_stock":false},{"title":"White Vinyl + Digital","offer_id":44895486214454,"sku":"JNR444_LP-C1_white","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/JNR444_Son-Lux_cover-art.jpg?v=1680021229"},{"product_id":"strange-tourist","title":"Strange Tourist","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTracklist \/ Listen\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003col\u003e\n\u003cli\u003eBlondin Makes An Omelette\u003c\/li\u003e\n\u003cli\u003eHighplains Mailman\u003c\/li\u003e\n\u003cli\u003eStrange Tourist\u003c\/li\u003e\n\u003cli\u003eYou Sure Ain't Mine Now\u003c\/li\u003e\n\u003cli\u003eThe Collaborator\u003c\/li\u003e\n\u003cli\u003eDid She Scare All Your Friends Away\u003c\/li\u003e\n\u003cli\u003eShe's My Favourite\u003c\/li\u003e\n\u003cli\u003eThe Radicalisation Of D\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eMade by Gareth Liddiard and Burke Reid at Blackburn Castle near Yass NSW in the Winter of 2010.\u003c\/div\u003e\n\u003cdiv\u003eGareth Liddiard\u003c\/div\u003e\n\u003cdiv\u003eRecorded and mixed by Burke Reid\u003c\/div\u003e\n\u003cdiv\u003eRemastered by Aaron Cupples\u003c\/div\u003e\n\u003cdiv\u003eCover photo by Daniel Campbell\u003c\/div\u003e\n\u003cdiv\u003eInterior photo by Burke Reid\u003c\/div\u003e\n\u003cdiv\u003eDesign by David Woodruff \u003c\/div\u003e\n\u003cdiv\u003eInterior layout by Amy Burrows\u003c\/div\u003e\n\u003cdiv\u003e(C)+(P) Gareth Liddiard \u0026amp; Tropical Fuck Storm Records under exclusive license to Joyful Noise Recordings\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eThanks: Fiona Kitschin, Cara-Joy Purkis, Nick Treweek, James Harker-Mortlock, Courtney Collins, Decent Dick, Kathryn Liddiard, Jasmin Tarasin, Amanda Ro, Max the dog, Paul Kelly, Jane and Ian Duhig, Greg and Janet Ivone.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eBecause you demanded it: \u003cstrong\u003eGareth Liddiard\u003c\/strong\u003e's 2010 solo album \u003cem\u003eStrange Tourist\u003c\/em\u003e is finally reissued on double LP. Celebrated for his work as the frontman of cult acts \u003cstrong\u003eTropical Fuck Storm\u003c\/strong\u003e, \u003cstrong\u003eThe Drones\u003c\/strong\u003e, and \u003cstrong\u003eSpringtime\u003c\/strong\u003e, \u003cem\u003eStrange Tourist\u003c\/em\u003e is a stripped-down acoustic set from one of our greatest living songwriters.\u003cbr\u003e\u003cbr\u003e\"Superlative... Liddiard's screeds demand and reward the listener's full attention.\" - MOJO\u003cbr\u003e\u003cbr\u003e\"Superbly engaging... crystalline and austere.\" - The Quietus\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Gareth Liddiard","offers":[{"title":"VIP","offer_id":44895576162614,"sku":"JNR451_VIP","price":32.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl (2xLP, gatefold jacket. Includes digital download.)","offer_id":44895576195382,"sku":"JNR451_LP-black","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":45837513818422,"sku":"JNR451_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/JNR451_GL-ST.jpg?v=1759331241"},{"product_id":"stick-to-the-mystical-i","title":"Stick To The Mystical I","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eWatch \/ Track Listing \u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Pml7aj_-E1g\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\n\u003col\u003e\n\u003cli\u003eSo Let Them Come\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eA Finger Pointing at the Moon\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCastle in the Sky\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDust on the Windowsill\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFeel Good!\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThis Is Just a Mountain Song\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSundrops\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBicycle Knight\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpirit of '95\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGroupon Massage\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eWritten and composed by Mike Savino \u0026amp; Josiah Wolf. Savino wrote the lyrics and then sang them. Recorded and produced at GalleyTapes in Asheville, North Carolina by Savino. Mixed and Mastered by KRAMER. The Cover Art is a painting entitled “Nock 79” by JJ Cromer from Pound, VA with additional elements supplied by Savino \u0026amp; David Woodruff. \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eMike Savino, the multi-instrumentalist and songwriter behind Tall Tall Trees, had big plans for getting through the pandemic with his sanity intact. He built a recording studio in the basement of his home in Asheville, North Carolina, setting himself up to lay down the tracks for a new album. \u003c\/span\u003eTo help see them across the finish line, Savino invited his longtime friend and member of indie rock mainstays WHY? Josiah Wolf to help him out. But everything changed once they set up their gear and started playing together.\u003cbr\u003e\u003cbr\u003e“I had a bunch of songs, but we didn’t use any of those at all,” Savino remembers. “We were so into improvising that we just started recording until we stumbled onto something that excited us both and chased that. Josiah’s knack for quirky and experimental beats brought me into places I’d never go alone.”\u003cbr\u003e\u003cbr\u003e\u003cspan data-preserver-spaces=\"true\"\u003eRather than fight the creative tide, Savino and Wolf went with the flow. What came out of these sessions at Savino’s home studio, affectionately called GalleyTapes, was \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eStick to the Mystical I\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e, a playful collection of songs that pulls liberally from the pair’s collective influences — folk, jazz, pop, hip-hop, noise rock — and ties all those strands together into one delirious psychedelic bundle. Savino, with his heavily modified 6-string electric banjo dubbed the Banjotron 6500 is a master of looping textures, creating the perfect foil to Josiah’s explosive improvisatory drumming.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-preserver-spaces=\"true\"\u003eThe bulk of the music on \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eStick to the Mystical I\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e came about in spontaneous bursts, some of them built from first-take improvisations that they would then shape into the finished material heard on the album. It’s a new way of working for Savino, especially, who admits to being something of a perfectionist when it comes to his music. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e“As a producer and songwriter who often self-records, I have an inclination to overwork the dough and try and shape it into something,” he says. “In this case, the dough just came out good. I was inspired by my recent work with the legendary producer Kramer, who ended up mixing and mastering the album. Working with Kramer in the studio was enlightening because he instantly deletes everything he doesn’t like. It’s a very Zen way of working that I’ve since adopted entirely.” \u003cbr\u003e\u003cbr\u003eThe proof of that is there for all to hear as Savino and Wolf quickly poured out an Art of Noise-like instrumental (“A Finger Pointing at the Moon”), nostalgic power pop (“Spirit of ’95”), broken beat balladry (“Feel Good!”), and a hot mixture of UK folk and downtempo sounds (“Sundrops”). \u003cbr\u003e\u003cbr\u003e\u003cspan data-preserver-spaces=\"true\"\u003eEven more impressive about \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eStick to the Mystical I\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e is how Savino and Wolf maintained the uptempo spirit of the music amid the continued stream of horrors in the news and some personal pain that each man brought with them to the sessions. Before the sessions began, Savino was rattled by the sudden death of the neighbor who helped him build his home studio, and Wolf was coming to North Carolina in the wake of his marriage of 10 years ending. Both men clearly needed a cathartic release and found it in their friendship and creative spirits. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e“We went through some heavy times together,” Savino admits. “We cried together. We had some bonding moments. And I’m not gonna lie; we got into some heavy psychedelics. It was beautiful and became the easiest record I’ve ever made.” \u003cbr\u003e\u003cbr\u003e\u003cspan data-preserver-spaces=\"true\"\u003eSavino and Wolf both hope that \u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003eStick to the Mystical I\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e can do something similar for anyone who listens to it. To provide a little burst of light or a cooling spiritual salve during these increasingly dark days we are all living through. To stay connected to the spirit of creation and, when in doubt, stick to the mystical. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tall Tall Trees","offers":[{"title":"Blue Vinyl + Digital (Includes instant MP3 digital download.)","offer_id":44895724273974,"sku":"JNR448_LP-C1","price":22.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Includes instant MP3 download.)","offer_id":47269948948790,"sku":"","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Includes instant MP3 download.)","offer_id":44895723815222,"sku":"JNR448_digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":44895723847990,"sku":"JNR448_VIP","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/products\/JNR448_TTT_STTMI_art.jpg?v=1680024384"},{"product_id":"guess-for-thrills","title":"Guess For Thrills","description":"\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe width=\"100%\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/lQl5dAFGwNE?si=MMx3Y9kyOpY-eA8Z\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003col\u003e\n\u003cli\u003eStS\u003c\/li\u003e\n\u003cli\u003eBasement Spacemen\u003c\/li\u003e\n\u003cli\u003eCrystal Crumb\u003c\/li\u003e\n\u003cli\u003eEvery Choice the Highest Mountain\u003c\/li\u003e\n\u003cli\u003ePyramid Schemes\u003c\/li\u003e\n\u003cli\u003eMLM\u003c\/li\u003e\n\u003cli\u003eGolden Rule Breakdown\u003c\/li\u003e\n\u003cli\u003eStung Tongue\u003c\/li\u003e\n\u003cli\u003eHalf Fool\u003c\/li\u003e\n\u003cli\u003eEverything Nonstop\u003c\/li\u003e\n\u003cli\u003eTrigger Trap\u003c\/li\u003e\n\u003cli\u003eGrass-Green Weeds\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\" data-mce-style=\"vertical-align: top;\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eA “pop savant of the first order” (AllMusic) who “projects an outsize persona from the stage” (Pitchfork), Mike Adams has created a singular homespun entertainment universe since 2011’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOscillate Wisely\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e. He’s an appealingly confident showman on his cable access-style variety show (The Mike Adams Show), and an affably humble Hoosier touring musician on his podcast (Tan Van Tour Talk). As Mike Adams at His Honest Weight, he’s a hooky songwriter and multi-instrumentalist with a knack for embodying contradictions. The latest in a prolific stream of recordings, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eGuess for Thrills\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e gets deep, blending 70’s-inspired pop songs with synthesizer-driven atmospherics and emerging with a wild and searching album that treats ambiguity as a place of discovery.\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAfter 2019’s epic \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThere Is No Feeling Better\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, recorded with a large group of his musical pals in Bloomington Indiana, Adams returned to writing and recording songs alone at home. He created dozens of new songs in his usual fashion – playing every instrument, harmonizing with himself, and generally having control over each element before sending selected materials to his long-time engineer and creative partner Adam Jessup. The tracks had copious variety. Adams pulls from an enormous set of influences, from Kris Kristofferson to Low, that make his own music “a charismatic thumbnail history of American guitar-pop” (Bandcamp Daily). One set of flashy guitar pop songs became 2022’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eGraphic Blandishment\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e (produced by Ben Lumsdaine instead of Jessup). Remaining were a set of instrumental synthesizer experimentations and a handful of mellow singer-songwriter tunes. Somehow, they seemed to fit together as a thesis statement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eGuess for Thrills\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e sees Adams on a threshold between his early music career when he exercised an admittedly-troubling amount of self-control to maintain a prolific output, and now, entering his 40s as a father of two. In these songs, Adams is interested in staving off a calcified middle age, and instead considering what could happen if he became more tolerant, open to experience, and accepting of his own failings and weaknesses. In “Pyramid Schemes,” Adams reckons with the impulse of people in his own communities to get suckered into the prosperity gospel. Over a bed of sliding guitar and a foreboding chord progression, he’s digging deep for empathy instead of judgment. “I’m not messing around no more \/ Time to feel good, time to look good, time to be good,” he intimates. On the Super Furry Animals-like “Basement Spacemen”, Adams asks if he’s “the last ape or the first caveman”, backed by an epic flurry of keyboards and pulsing drums. “Half Fool,” sonically dense with an orchestral groove and earnest lyrics that would be at home on \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePet Sounds\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, delves with a lazy sense of danger into the eroticism of storms and surrender to selfish whims.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eBetween songs, Adams included keyboard instrumentals inspired by Talk Talk’s \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSpirit of Eden, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eas well as ephemeral audio. There’s the sound of Indiana river clam farmers at work, found on a 1960s public television documentary. The words “loose him, set him free” in “Basement Spacemen” came from a videotape Adams had of an Easter play at his childhood church. “Golden Rule Breakdown” ends abruptly when Adams, vocals still swathed with reverb, gently reprimands his daughter for bothering their pet cat. An avid media collector with a day job at the local public access TV station, Adams wanted to share some of the soundbites and moments that play on repeat in his head and make up his inner landscape. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThis combination of ephemera, vulnerable songwriting, and sonic homage to his many influences makes \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eGuess for Thrills \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ea new leap for Adams. It’s kicking around somewhere between levity and gravity, sincerity and satire, and retro and contemporary stylings, but with a new level of intimacy and self-realization. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch6 style=\"text-align: right;\" data-mce-style=\"text-align: right;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e-\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"il\" data-mce-fragment=\"1\"\u003eJosephine\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e McRobbie\u003c\/span\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mike Adams At His Honest Weight","offers":[{"title":"VIP","offer_id":45624602689846,"sku":"JNR447_VIP_Mike-Adams","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl + Digital (Includes download in high quality MP3, AIFF + WAV.)","offer_id":45624362303798,"sku":"JNR447_LP-black","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Digital download in high quality MP3, AIFF + WAV.)","offer_id":45624362336566,"sku":"JNR447_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR447_Mike-Adams_Guess_web-scale.jpg?v=1687958466"},{"product_id":"magic-sword-and-metavari-omni","title":"OMNI","description":"\u003cdiv\u003eThe Immortals have joined forces with Metavari once again for 2 brand new collaborative tracks...\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe release of the OMNI EP corresponds with Gen Con Indy 2023 where Magic Sword and Metavari will play these tracks for the first time live. Limited to 110 copies, an exclusive 7\" lathe-cut has be manifested to celebrate this occasion and will be sold at Gen Con featuring the title track \"OMNI\".\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d8p4xZ85v3E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"Magic Sword","offers":[{"title":"Digital Download","offer_id":46001942593846,"sku":"JNR467_MSMV_OMNI","price":3.0,"currency_code":"USD","in_stock":true},{"title":"7\" Lathe-Cut (Limited to 110 copies)","offer_id":46071207362870,"sku":"JNR467_MSMV_OMNI_GenCon_Lathe","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR467_DSP.png?v=1690578470"},{"product_id":"the-runners-four","title":"The Runners Four","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 30px; padding: 15px 0px 0px 0px;\"\u003e\n\u003c!-- BANDCAMP EMBED --\u003e\n\u003cdiv style=\"margin-top: 15px; padding: 25px 0px 0px 0px; overflow: hidden; border-top: 1px solid grey; height: 600px;\"\u003e\u003ciframe title=\"Bandcamp player\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3304289889\/size=large\/bgcol=ffffff\/linkcol=ffffff\/artwork=none\/transparent=true\/\" style=\"position: relative; top: -75px;\" border=\"0\" height=\"600\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c!-- END BANDCAMP EMBED --\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cp\u003e\u003ci\u003eThe Runners Four\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis Deerhoof’s double-LP concept album about friends banding together as honorable outlaws in a corrupt world, deciding what to save in an apocalypse, passing secret messages of warning and hope from a remade future back to a soon-to-be-destroyed present. Abundant with lyrical allusions to the flood, where cargo hold claustrophobia inside meets a watery chaos outside, it was written and self-produced by Satomi Matsuzaki, John Dieterich, Chris Cohen and Greg Saunier while they holed up in a rented Oakland rehearsal room for the winter months 2004-5.\u003cbr\u003e\u003cbr\u003e“a heavy football, a no-half-stepping opus, a defining statement…\u003ci\u003eThe Runners Four\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eshould occasion a moment to notice how a little band has gotten its scale and balance right: producing strong and inexpensive-sounding records in its own studio, making converts through frequent touring, changing its sound every six months or so. It’s not easy, especially without becoming part of any movement…”\u003cbr\u003e - \u003cem\u003eThe New York Times\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“Deerhoof…has succeeded at something that’s very hard to do: It has made records and built a devoted international following on the sheer power of its imagination. And it’s a mad, wild imagination...”\u003cbr\u003e - \u003cem\u003eThe Boston Globe\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“Deerhoof has forged yet another delightfully odd pop gem, multifaceted and sparkling with creativity.”\u003cbr\u003e - \u003cem\u003eRolling Stone\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“Deerhoof…makes the difficult wonderful.”\u003cbr\u003e - \u003cem\u003eThe New Yorker\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e“At first,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Runners Four\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis close to incomprehensible. Songs stop as soon as a hook seems to form; rhythms shift and cut like they’re running for their lives…but when the mystery lifts and the melodies finally stick—and they do—the album has the undeniable power of complete originality.”\u003cbr\u003e - \u003cem\u003eTIME\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003ci\u003eThe Runners Four\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas nominated for New Pantheon Award by Ric Ocasek and John McCrea.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Deerhoof","offers":[{"title":"Pink and Blue Vinyl + Digital (2xLP, includes instant download in MP3, AIFF, and WAV.)","offer_id":46263653007670,"sku":"JNR436lp-C1","price":33.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Instant download in MP3, AIFF, and WAV.)","offer_id":46263653105974,"sku":"JNR436_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/jnr429LP-C1cover.jpg?v=1692028772"},{"product_id":"the-comeback-kid","title":"The Comeback Kid","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe width=\"100%\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/3fr1ZVdrauQ?si=D9Gcx8OREQr-U-eg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003col\u003e\n\u003cli\u003ePlain Speak\u003c\/li\u003e\n\u003cli\u003eBelieving Is Seeing\u003c\/li\u003e\n\u003cli\u003eThe Natural\u003c\/li\u003e\n\u003cli\u003eOh Are They\u003c\/li\u003e\n\u003cli\u003eForward\u003c\/li\u003e\n\u003cli\u003eWorking Memory\u003c\/li\u003e\n\u003cli\u003eIl Girotondo Della Note\u003c\/li\u003e\n\u003cli\u003eTil It's Over\u003c\/li\u003e\n\u003cli\u003eNested\u003c\/li\u003e\n\u003cli\u003eEarth Eater\u003c\/li\u003e\n\u003cli\u003eGet It Good\u003c\/li\u003e\n\u003cli\u003eOne And The Same\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003emusic and lyrics by Marnie Stern\u003cbr\u003emixed and mastered by Mikey Young\u003cbr\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cp\u003eIt’s been a decade since we last heard from \u003cstrong\u003eMarnie Stern\u003c\/strong\u003e, and in her absence the indie music world has become overrun with an army of anti-Marnies i.e. corporate clones making banal playlist rock lacking in the whimsy, creativity, and virtuosity that made Stern’s take on rock music such a singular sound in the late 2000s. But when Stern’s guitar bursts in like a shower of stardust on \u003cem\u003eThe Comeback Kid\u003c\/em\u003e, her long-awaited follow-up to 2013’s \u003cem\u003eThe Chronicles of Marnia\u003c\/em\u003e, it’s like no time has passed. Marnie Stern is back—and not a moment too soon.\u003cbr\u003e\u003cbr\u003eWhere has Stern been? She cops to having been lulled by the gentle rhythm of a nine-to-five job as the guitarist in the band on The Late Show with Seth Meyers; she’s also been raising two kids. But when it came time to start working on a new record, the ease with which she picked up right where she left off was surprising even to her. “I expected that all those years of playing other kinds of stuff would have influenced me—and it didn't at all! I was fully back where I was before,” Stern says.\u003cbr\u003e\u003cbr\u003eEven so, \u003cem\u003eThe Comeback Kid\u003c\/em\u003e is no nostalgia trip: it’s a statement of intent, as Stern makes clear on anthemic opening track “Plain Speak”. “I can’t keep on moving backwards,” she repeats, her fingers furiously tapping the fretboard as the song joyfully zips forward like a rocket hitting warp speed. She follows that up with “Believing is Seeing,” a song about overcoming alienation with nose-to-the-grindstone creative effort. “The sound is hard to hear right\/ You can’t take it,” she sings. “What if I add this! And this! And this!” punctuating each “this” with another layer of sound, gleefully rifling through her bag of musical tracks and trying each one on for size, building the song up as she goes along—it’s fun and colorful and imaginative; it’s also weird. But being unafraid to embrace her oddball impulses has always been part of Stern’s musical DNA, and something she missed in her years of being a player for hire. “It was so great to be able to start being myself again and when I would think, ‘Oh, is that too, too weird?’ I'd remember I'm allowed to do whatever I want! This is mine. It's me,” says Stern of writing songs for \u003cem\u003eThe Comeback Kid\u003c\/em\u003e. “I'm trying to go against the grain of this bullshit that when you get older, you lose your sense of taste. I want to empower people to not be so homogenous and go against the grain a little bit.”\u003cbr\u003e\u003cbr\u003eStern empowered herself on \u003cem\u003eThe Comeback Kid\u003c\/em\u003e by continually pushing outside of her comfort zone, which included trying not to lean too heavily on the tapping technique that launched a thousand Eddie Van Halen comparisons—”I think I was relying on it as a crutch a little bit,” she admits. To that end, some of her favorite tracks on \u003cem\u003eThe Comeback Kid\u003c\/em\u003e are the ones that challenged her the most, such as “Til It’s Over,” as straight-ahead an “alternative rock” song as Stern has ever made (“Prettier songs are always harder for me to do.''), or the cover of Ennio Morricone’s “Il Girotondo Della Note,” where Stern pushes her vocals to uncomfortable heights in order to mimic the original’s choral arrangements. “I’m all about individuality and trying to be different and sticking out instead of blending in and taking risks with yourself; that's what I try and do in my music because if it embarrasses me, then I force myself to keep going with it,” says Stern.\u003cbr\u003e\u003cbr\u003eThat sense of taking joy in your individuality is all over \u003cem\u003eThe Comeback Kid\u003c\/em\u003e, which really is what the title says: the story of an artist coming back to the world with the hard-earned wisdom that making music which truly reflects who you are in all your brightness, boldness, and (yes) weirdness, is always something worth celebrating, and maybe the key to happiness in the end. “This record is about reassuring yourself that happiness is not about what kind of things you have or how many things you have or what you don’t have—it’s about all the good things you do,” says Stern.\u003cbr\u003e\u003cbr\u003e- Mariana Timony\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Marnie Stern","offers":[{"title":"Black Vinyl + Digital (Includes download in high quality MP3, AIFF + WAV.)","offer_id":46624311574838,"sku":"JNR441_LP_black","price":22.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Includes download in high quality MP3, AIFF + WAV.)","offer_id":46624311673142,"sku":"JNR441_CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette + Digital (Includes download in high quality MP3, AIFF + WAV.)","offer_id":46625054327094,"sku":"JNR441_Cassette","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital (High quality MP3, AIFF + WAV.)","offer_id":46624311935286,"sku":"JNR441_digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":46624311968054,"sku":"JNR441_VIP","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR441CoverArtFinal.jpg?v=1692819810"},{"product_id":"music-from-the-song-film-omoiyari","title":"Music from the Song Film: Omoiyari","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-2zdk2gNw2w?si=HTWTCkhVk_Rx6wXa\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c!-- BANDCAMP EMBED --\u003e\n\u003cdiv style=\"margin-top: 15px; padding: 25px 0px 0px 0px; overflow: hidden; border-top: 1px solid grey; height: 600px;\"\u003e\u003ciframe title=\"Bandcamp player\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1612364883\/size=large\/bgcol=ffffff\/linkcol=ffffff\/artwork=none\/transparent=true\/\" style=\"position: relative; top: -75px;\" border=\"0\" height=\"600\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c!-- END BANDCAMP EMBED --\u003e \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDisc 1 (The Songs)\u003c\/strong\u003e\n\u003col\u003e\n\u003cli\u003eIntro at the Piano\u003c\/li\u003e\n\u003cli\u003eRed, White, and Blue\u003c\/li\u003e\n\u003cli\u003eImprovisation at Heart Mountain\u003c\/li\u003e\n\u003cli\u003eSummer of ’42 (Orchestral Edition)\u003c\/li\u003e\n\u003cli\u003eImprovisation in the Root Cellar\u003c\/li\u003e\n\u003cli\u003e伊賀上野城 (Iga Ueno Castle)\u003c\/li\u003e\n\u003cli\u003eImprovisation at Jerome, AR\u003c\/li\u003e\n\u003cli\u003eTheme for Jerome (Orchestral Edition)\u003c\/li\u003e\n\u003cli\u003e涙そうそう (Nada Sou Sou)\u003c\/li\u003e\n\u003cli\u003e上を向いて歩こう (Ue O Muite Arukou)\u003c\/li\u003e\n\u003cli\u003eA Safe Place for Animals\u003c\/li\u003e\n\u003cli\u003eManchester (Acoustic Edition)\u003c\/li\u003e\n\u003cli\u003eRemoval (with Kara Kondo)\u003c\/li\u003e\n\u003cli\u003eViolin Tsunami for the Victims of Tacoma Detention\u003c\/li\u003e\n\u003cli\u003eEpilogue from Improvisations on EO9066\u003c\/li\u003e\n\u003cli\u003eFor Every Voice That Never Sang\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cstrong\u003eDisc 2 (The Score)\u003c\/strong\u003e\n\u003col\u003e\n\u003cli\u003eWar\u003c\/li\u003e\n\u003cli\u003eRemoval\u003c\/li\u003e\n\u003cli\u003eArrival at Heart Mountain\u003c\/li\u003e\n\u003cli\u003eColdest of the Camps\u003c\/li\u003e\n\u003cli\u003eKnow Your Enemy: Japan\u003c\/li\u003e\n\u003cli\u003eImprovisation for the Tokyo Firebombing\u003c\/li\u003e\n\u003cli\u003eIntro to 1853\u003c\/li\u003e\n\u003cli\u003e1853: Commodore Perry and His Black Ships\u003c\/li\u003e\n\u003cli\u003eBach's Double Violin Concerto in The Key of Gypsy Swing\u003c\/li\u003e\n\u003cli\u003eKeiko Ishibashi\u003c\/li\u003e\n\u003cli\u003eMy Name is Kishi Bashi\u003c\/li\u003e\n\u003cli\u003eProud American\u003c\/li\u003e\n\u003cli\u003eThe 442nd - Go For Broke\u003c\/li\u003e\n\u003cli\u003eChicago Meditation\u003c\/li\u003e\n\u003cli\u003eA New Life\u003c\/li\u003e\n\u003cli\u003eThe Pilgrimage\u003c\/li\u003e\n\u003cli\u003eOmoiyari and the Model Minority Myth\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Omoiyari” means to have  empathy and consideration for others, and act on it. This fall, the American indie-folk multi-instrumentalist and singer-songwriter Kishi Bashi is set to release the companion album to his forthcoming documentary song film\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e,\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e titled \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMusic from the Song Film: Omoiyari\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. Consisting of two LPs—“The Songs” and “The Score”—the release showcases what is essentially the soundtrack to \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eOmoiyari\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the feature-length motion picture co-directed by Kishi Bashi, aka Kaoru Ishibashi or “K,” which is being released via MTV Documentary Films in November. Focusing on K’s own six-year journey of discovery surrounding his research of the incarceration of 120,000 Japanese Americans that followed the attack on Pearl Harbor in 1941, the film is part social justice documentary and part song-film experiment. The album includes K’s live improvisations, which are featured in the documentary, many recorded on the sites where the concentration camps stood. Written during and about the artist’s transformational dive into his personal identity and serving as a broad survey of the Japanese American experience as well as the incarceration—\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMusic from the Song Film: Omoiyari \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eserves as an evocative musical accompaniment to the lessons of empathy and compassion portrayed in the film and highlights the process and power of one of modern indie’s most talented musicians.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kishi Bashi","offers":[{"title":"2xLP Blue and Sky Blue Vinyl + Digital (Includes digital download in high quality MP3, AIFF + WAV.)","offer_id":46723595534646,"sku":"JNR461_LPC1_Blue_KishiOSDTRK","price":32.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Includes digital download in high quality MP3, AIFF + WAV.)","offer_id":46723948118326,"sku":"JNR461_CD_KishiOSNDTRK","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital (In high quality MP3, AIFF + WAV.)","offer_id":46723595567414,"sku":"JNR461_Digital_KishiOSNDTRK","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":46723595501878,"sku":"JNR461_VIP_KishiOSDTRK","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR461_Kishi-Bashi_OST.jpg?v=1693322150"},{"product_id":"halloween-party-2023","title":"Joyful Noise Halloween Party, Vol. 1 (2023)","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\" data-mce-style=\"vertical-align: top;\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eVideo Special\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eComing soon.\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GibPNyNhXbA?si=eRfXtFUyhzf8Itcw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cul\u003e\u003c\/ul\u003e\n \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\" data-mce-style=\"vertical-align: top;\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom 2017 to 2022, we at Joyful Noise had a holiday tradition in which we enlisted our roster to record new and improved songs for the winter season. Well, we are doing things a little differently in 2023 (and likely for years to come)... In 2023 we continue our holiday tradition, but we're focusing on a very different holiday...\u003cbr\u003e\u003cbr\u003eThe Joyful Noise Halloween Party, Vol 1 is, frankly, one of the best various artist collections we have ever produced. Swamp Dogg does Screamin' Jay Hawkins, Magic Sword does Philip Glass, Eerie Wanda does Daniel Johnston, Oneida does Siouxsie and the Banshees, SUUNS does Zappa, Tall Tall Trees\/Kramer do fuckin' Stevie Wonder, and Marnie Stern\/Fred Armisen do more cowbell... It's ridiculous.\u003cbr\u003e\u003cbr\u003eJust as with past years, we are cutting a very limited number of specialty lathe-cuts: spider web-shaped 7\" records we are calling “SpiderLathes”. Each copy is hand-made right here at JNR, die-cut, screen-printed on side B, and features artwork by Jad Fair.\u003cbr\u003e\u003cbr\u003eThis series is limited to just 1000 copies across all 10 tracks (i.e. made to order, roughly 100 copies of each track).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e100% of net profits benefit the \u003ca href=\"https:\/\/churchofnoise.org\/collections\/jonathan-lee-horne-memorial-music-fund\"\u003eJonathan Lee Horne Memorial Fund\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e--\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eTRACK LISTING:\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003col\u003e\n\u003cli\u003eDanielson - All Hallow's Eve\u003c\/li\u003e\n\u003cli\u003eSwamp Dogg - I Put a Spell on You\u003c\/li\u003e\n\u003cli\u003eTall Tall Trees \u0026amp; 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margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTracklist \/ Listen\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RQbN7w41_gk?si=50eO4dsOAJRffQ4R\" height=\"400\" width=\"100%\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!-- BANDCAMP EMBED --\u003e\n\u003cdiv style=\"margin-top: 15px; padding: 25px 0px 0px 0px; overflow: hidden; border-top: 1px solid grey; height: 450px;\"\u003e\u003ciframe title=\"Bandcamp player\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3915136730\/size=large\/bgcol=ffffff\/linkcol=ffffff\/artwork=none\/transparent=true\/\" style=\"position: relative; top: -75px;\" border=\"0\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c!-- END BANDCAMP EMBED --\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003ejess joy is a magnificent creature to have in your biome, part friendly space visitor, part swamp witch, and part stage panther on the scent of something new. SOURCEHEIRESS, her sophomore album, is a work of “maximal pop” created in collaboration with producer Mike Byrne (ex-Smashing Pumpkins.) But, that genre description is but the lightning bug’s shell trying to hold in a radiant glow. Think Animal Collective and Bjork if you must, but also think of a transistor radio falling through a dream vortex. Think the Aurora borealis or the appearance of a whale’s tale in a calm sea. jess is a fairy, an explosion, a figment. A model for how to live in this curious universe. Dig it.\u003cbr\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"jess joy","offers":[{"title":"VIP","offer_id":47076134977846,"sku":"JNR465_VIP","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl + Digital (Includes instant download in MP3 \/ AIFF \/ WAV)","offer_id":47076135010614,"sku":"JNR465_blackLP","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Instant download in MP3 \/ AIFF \/ WAV)","offer_id":47076135043382,"sku":"JNR465_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR465CoverArtFinal.jpg?v=1759331219"},{"product_id":"ohmme","title":"OHMME","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ LISTEN\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n  \u003ciframe width=\"100%\" height=\"400\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=245obSfJCX90Y7OL\u0026amp;list=PLoB11Z8A5Nz_qAAzMh1hGvfEyTn3EpGK5\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003col\u003e\n\u003cli\u003eWoman\u003c\/li\u003e\n\u003cli\u003eFingerprints\u003c\/li\u003e\n\u003cli\u003eIthaca\u003c\/li\u003e\n\u003cli\u003eFurniture\u003c\/li\u003e\n\u003cli\u003eBully Clouds ft. Jeff Parker\u003c\/li\u003e\n\u003cli\u003eYou, Your Face\u003c\/li\u003e\n\u003cli\u003eYou, Your Face (claire rousay Remix)\u003c\/li\u003e\n\u003cli\u003eFingerprints (NNAMDÏ Remix)\u003c\/li\u003e\n\u003cli\u003eWoman (Yuka C Honda Remix)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\nRecorded at Fox Hall Studio in Chicago, IL\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eAll instruments performed by Finom except track 5 which features Jeff Parker on Lead Guitar.\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eTracks 1,3,6 written by: Macie Stewart\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eTracks 2,4,5 written by: Sima Cunningham\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eEngineered by: Dorian Gehring\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eProduced by: Dorian Gehring\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eAssistant produced by: Felix \"Rambo\" Rumback\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eMixed by: Dorian Gehring\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eMastered by: Neil Strauch\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eArt by: Liz Born\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp class=\"p1\"\u003eShape-shifting Chicago duo Finom (fka OHMME) announces the re-release of their somewhat eponymous record, OHMME. Founded in 2014 by multi-instrumentalists\/songwriters Macie Stewart and Sima Cunningham, the music of Finom is an exploratory journey filled with gritty guitar madness, experimental vocal harmonies, and some pure, heartfelt songwriting.\u003cbr\u003e\u003cbr\u003eRecorded at the band’s Fox Hall home studio and self-released in 2014, OHMME launched a career that has seen Stewart and Cunningham touring and recording with acts like Wilco, Japanese Breakfast, Twin Peaks, Iron \u0026amp; Wine, and many more. Now, this bold and beautiful collection of songs has been mixed and mastered anew by original co-producer and engineer, Dorian Gehring. Added in are three remixes by friends and musical inspirations to the band: NNAMDÏ, the preeminent Chicago wizard of music remixes their dare-to-sing-a-long, “Fingerprints”; the legendary Yuka C Honda turns the anthemic “Woman” on its head; and the brilliant emo-ambient composer, claire rousay, takes the gorgeously painful song “You, Your Face” to new sonic depths. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Finom","offers":[{"title":"Digital (MP3\/AIFF\/WAV)","offer_id":47212751978806,"sku":"JNR463_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR463_FINOM_EP.jpg?v=1696955120"},{"product_id":"not-god","title":"Not God","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ LISTEN\u003c\/div\u003e\n\u003cbr\u003e\u003c!-- begin YT embed --\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/U7-uw9OwdjU?si=HTdE9czAm7Pb4sEU\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!-- end YT embed --\u003e \u003cbr\u003e\u003c!-- begin YT embed --\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WJ_exIdtek4?si=7cHcBq6g1iKJKy7i\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!-- end YT embed --\u003e \u003cbr\u003e\u003c!-- begin YT embed --\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cWeHKel7QVQ?si=UDc51iEe_rcaUcGU\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!-- end YT embed --\u003e \u003cbr\u003e\u003c!-- begin YT embed --\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wfRA7t0vIJM?si=FliA9KxZxiCKtUE9\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c!-- end YT embed --\u003e \n  \u003cbr\u003e\u003cbr\u003e\n  \u003c!-- Spotify EMBED --\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/0al6F1660N7PZz5Ryt9jN8?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"352\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e \u003c!-- END Spotify EMBED --\u003e\n  \u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFinom is Macie Stewart \u0026amp; Sima Cunningham\u003cbr\u003eProduced by Jeff Tweedy with Finom\u003cbr\u003eAll tracks written and performed by Finom\u003cbr\u003eDrums by Spencer Tweedy\u003cbr\u003ePercussion on tracks 1, 7, 9 and drums on track 7 by Matt Carroll\u003cbr\u003eAux Vox on track 4 by Zulal\u003cbr\u003eSynth on track 8 by Jeff Tweedy\u003cbr\u003eEngineered \u0026amp; Mixed by Tom Schick at The Loft, Chicago\u003cbr\u003eAdditional engineering by Dorian Gehring at Fox Hall, Chicago\u003cbr\u003eMastered by Heba Kadry, NYC Album\u003cbr\u003eArt by Claire Shivar, Layout by David Woodruff\u003cbr\u003eAdvice by V.V. Lightbody\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eNot God\u003c\/i\u003e is the new album from Chicago’s beloved two-headed monster, Finom (fka Ohmme). You can ask them to go into more detail about the boring reasons why they changed their name, but for now, the answer is going to be polite refusal. No.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eCo-fronted by Sima Cunningham and Macie Stewart, Finom’s influences run vast and varied, and they put a premium on \u003ci\u003echange\u003c\/i\u003e. Produced by Jeff Tweedy in the Wilco Loft, \u003ci\u003eNot God \u003c\/i\u003eis a marvel of growth, a progression from the roots of this collaborative band whose history can be traced back to its improvised conception. This is owed in no small part to their hometown of Chicago, the life raft to so many persisters in musical adventurosity. That energy combined with Finom's dramatic vocal and musical gifts puts them in the peripheries of the legacies cemented by The Roches, Roxy Music, the B52s, Kate Bush, Cate Le Bon, and Wilco. \u003c\/span\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCunningham and Stewart are brilliant harmonizers, but harmony doesn't equate to a utopia. In Finom's maws harmony can also be a fight, holding the line until the volcano erupts. This realistic depiction of a creative relationship jolts throughout the songs of \u003ci\u003eNot God\u003c\/i\u003e, and brings the whole damn thing to life. Finom are more than one person with more than one dream. But still, they grow together, harnessed by their shared love of pop songwriting, control, chaos, and being generally freaky-deaky. Freaky in that way that is only really fun when you're doing it with a friend. As the globe spins and advancements advance, it can feel essential to return to relationships that make us feel whole, that generate energy of strength and relief. Which puts double the weight on the reality that Sima and Macie continue to pledge allegiance to each other, at the base of the volcano, in the front seat of the car as it pulls off the highway. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Finom","offers":[{"title":"VIP","offer_id":47613909336374,"sku":"JNR468_VIP","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Red Vinyl + Digital (MP3\/AIFF\/WAV)","offer_id":47613909205302,"sku":"JNR468_LPC1","price":22.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (MP3\/AIFF\/WAV)","offer_id":48119162077494,"sku":"JNR468_cd","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (MP3\/AIFF\/WAV)","offer_id":47613909303606,"sku":"JNR468_Digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR468-Finom_Not-God_cover-art_sm.jpg?v=1707927148"},{"product_id":"reveille","title":"Reveille","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003c!-- BANDCAMP EMBED --\u003e\n\u003cdiv style=\"margin-top: 15px; padding: 25px 0px 0px 0px; overflow: hidden; border-top: 1px solid grey; height: 675px;\"\u003e\u003ciframe title=\"Bandcamp player\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2682772893\/size=large\/bgcol=ffffff\/linkcol=ffffff\/artwork=none\/transparent=true\/\" style=\"position: relative; top: -75px;\" border=\"0\" height=\"675\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c!-- END BANDCAMP EMBED --\u003e\n\u003col\u003e\n\u003cli\u003eSound the Alarm\u003c\/li\u003e\n\u003cli\u003eThis Magnificent Bird Will Rise\u003c\/li\u003e\n\u003cli\u003eThe Eyebright Bugler\u003c\/li\u003e\n\u003cli\u003ePunch Buggy Valves\u003c\/li\u003e\n\u003cli\u003eNo One Fed Me So I Stayed\u003c\/li\u003e\n\u003cli\u003eFrenzied Handsome, Hello!\u003c\/li\u003e\n\u003cli\u003eDays \u0026amp; Nights in the Forest\u003c\/li\u003e\n\u003cli\u003eTop Tim Rubies\u003c\/li\u003e\n\u003cli\u003eHark the Umpire\u003c\/li\u003e\n\u003cli\u003eOur Angel's Ululu\u003c\/li\u003e\n\u003cli\u003eThe Last Trumpeter Swan\u003c\/li\u003e\n\u003cli\u003eTuning a Stray\u003c\/li\u003e\n\u003cli\u003eHoly Night Fever\u003c\/li\u003e\n\u003cli\u003eAll Rise\u003c\/li\u003e\n\u003cli\u003eCooper\u003c\/li\u003e\n\u003cli\u003eHallelujah Chorus\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\u003cbr\u003e BONUS 7\"\u003cbr\u003e 1. Friday Night Fever\u003cbr\u003e 2. Tub Tim McGrob\u003cbr\u003e 3. Uh-Un\u003cbr\u003e 4. Almuatin\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBack in print on vinyl! Deerhoof debuts their new guitarist John Dieterich and achieves widespread critical acclaim for the first time. 2002’s \u003cem\u003eReveille\u003c\/em\u003e is a defiant expression of artistic rebirth, spilling over with madcap exuberance, apocalyptic imagery, newfound technical confidence belying their no-budget DIY recording methods, and jarring stylistic about-faces in which no two songs sound alike. The contrast of Satomi’s ever-catchy, ever-charming melodiousness with John and Greg’s noisy, cinematic bombast still has the power to thrill and tickle and upset, more than 20 years after its initial release.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIncludes reimagined cover art with the faint morning glow the band had always envisioned, pressed on clear sun-colored vinyl. Complete lyrics included for the first time, written by Satomi on the center labels.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cem\u003eThis record was our resurrection from oblivion. We didn’t realize it at the time of course. We were only making it for giggles. In 1999 Satomi and I thought we were surely finished as a band. Our founder and guitarist Rob Fisk had quit. I went back to school in defeat. It’s incredible to me that Satomi and I then asked the first guitar player I met at school to join and that man turned out to be John Dieterich. He’d just moved to Oakland and didn’t mind playing for the 20 people we always played to at the Stork Club. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver two years we recorded and rejected endless songs, casting around randomly in all different styles that we never played when Rob was in the band. Things started making sense when we hit on Judgement Day as our central image. But instead of a Western god allowing capitalist Christians like George Bush through the gates, a Deergod damned them in favor of populating heaven with animals. It was very Rob Fisk. Deerhoof charged back to life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd \u003c\/em\u003eReveille\u003cem\u003e turned into an actual new dawn for us. It was well received and we started touring more and now we still are doing so and it’s fun.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e---Greg Saunier, 2024\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDeerhoof has never had a single “breakout” album. For Deerhoof fans, everyone’s favorite album seems to be whichever one they first heard. For me, \u003c\/em\u003eReveille\u003cem\u003e is that album. I remember first hearing it when I was about 19 years old. At first, my brain couldn’t make sense of it… How could music like this be created? What approach to songwriting or playing would possibly produce songs that sounded like this? The fluttering chaotic drums. The time signatures yo-yoing up and down a sliding scale, according to some hidden logic—or perhaps by virtue of a devotion to the void underlying all such logic. Satomi’s vocals, perfectly juxtaposing the crunching feedback-laden guitars and explosively complex percussion. I had never heard anything that sounded so savage and cute at once. So chaotic and yet so precise. Persistently playful…yet *aggressively* playful. A cartoonish but authentic other world seemed to lie just beyond this sonic fringe or hem of the mystery.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn my mind, both order and accident seemed equally impossible as explanations for the sounds that I was hearing. Could it be that they had no idea what they were doing? But elements of an intelligent design also seemed clearly and unmistakably present. What kind of method or psychic bag-of-tricks during band practice or recording would generate the living, shapeshifting quality of this sound spread out over the length of this album? With absolute bewilderment, I had to come to grips with the fact that I had no idea.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe urban legend that I heard about how the album was crafted evoked an image of the group’s cultic adherence to a stringent DIY extremism as a major element of what sets them apart in their sound. As it was related to me (based on the account of a friend, who’d read about it in Tape Op or somewhere): not only had the album been self-recorded, but the band members had to network three different MacBooks together, each pressing the spacebar simultaneously in order to capture and track each of their instruments onto the free version of ProTools which only allows for two tracks total before the pay gate went back up. There was only one bass note cloned and then pitch-shifted across the whole LP.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOr, at any rate, these are the details that I recall being included in this friend’s account of the mythical Tape Op article about how \u003c\/em\u003eReveille\u003cem\u003e was created (which, as it turns out, does exist, but refers specifically to the \u003c\/em\u003eMilk Man\u003cem\u003e sessions). As I have been able to confirm in the fullness of time, though this account is not quite accurate in the application of its particulars, all of the particulars it mentions are themselves true—they just happened on other albums, and are more generally descriptive of the period and the ethos of the band itself, rather than of \u003c\/em\u003eReveille\u003cem\u003e. As for \u003c\/em\u003eReveille\u003cem\u003e: its secrets remain obscure both to myself and perhaps to the band themselves as well, even unto this day. And it still sounds that way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs such: It is a great honor to reissue \u003c\/em\u003eReveille\u003cem\u003e by Deerhoof. May we never find out how this kind of music is made, on the condition that we get to keep making it in the meantime.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e---Karl Hofstetter, 2024\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Deerhoof","offers":[{"title":"VIP","offer_id":47614692491574,"sku":"JNR432_VIP","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Clear Sun Vinyl + Digital (Includes instant download in high quality MP3 \/ AIFF \/ WAV.)","offer_id":47614692426038,"sku":"JNR432_LP-C1","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Instant download in high quality MP3 \/ AIFF \/ WAV)","offer_id":47614692458806,"sku":"JNR432_Digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR432CoverArtFinal.jpg?v=1702924106"},{"product_id":"ashes-instrumental","title":"Ashes Instrumental","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1765806798%3Fsecret_token%3Ds-pHk3esYU6Nx\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=false\u0026amp;show_user=false\u0026amp;show_reposts=false\u0026amp;show_teaser=false\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/joyful-noise-recordings\" title=\"Joyful Noise Recordings\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eJoyful Noise Recordings\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/joyful-noise-recordings\/sets\/sleep-party-people-ashes\" title=\"Sleep Party People - Ashes Instrumental\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eSleep Party People - Ashes Instrumental\u003c\/a\u003e\n\u003c\/div\u003e\n\u003col\u003e\n\u003cli\u003eIt Won't Be Cinematic - Instrumental\u003c\/li\u003e\n\u003cli\u003eTide - Instrumental\u003c\/li\u003e\n\u003cli\u003eSpider Cracks - Instrumental\u003c\/li\u003e\n\u003cli\u003eMoldering Fragments - Instrumental\u003c\/li\u003e\n\u003cli\u003eNo. 3147 - Instrumental\u003c\/li\u003e\n\u003cli\u003eLabyrinth - Instrumental\u003c\/li\u003e\n\u003cli\u003eParched Bodies - Instrumental\u003c\/li\u003e\n\u003cli\u003ePagan Flames - Instrumental\u003c\/li\u003e\n\u003cli\u003eNeedle - Instrumental\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll lyrics by Brian Batz\u003cbr\u003eAll music by Brian Batz except \"Needle\" by Brian Batz \u0026amp; Gnom\u003cbr\u003eProduced by Brian Batz except \"Needle\" by Brian Batz \u0026amp; Gnom\u003cbr\u003eMixed by Brian Batz\u003cbr\u003eRecorded at Batz Studio and at The Village by Brian Batz \u0026amp; Aske Bode\u003cbr\u003eMastered by Brian Mørk\u003cbr\u003eOrchestration arranged by Brian Batz \u0026amp; Anders Bach\u003cbr\u003eConducted by Anders Bach\u003cbr\u003eFront photography by Marcin Nagraba\u003cbr\u003eCover artwork by Ryan Hover\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to Leavy, Anders Bach, Jacob Haubjerg, Kristian Paulsen, Aske Bode, K Hover, Halvcirkel, Malthe Rostrup, Brian Mørk, Karl Hofstetter for doing more than you had to \u0026amp; everyone at Joyful Noise Recordings, Marcin Nagraba, Ryan Hover, Daan De Bruyne, Katrine Stochholm, Kaspar Kaae, Morten Søgaard, Daniel Kolind, Tue Ebert, Thomas Ipsen, Statens Kunstfond, DJBFA and family \u0026amp; friends, too many to mention but you have my deepest gratitude and love.\u003cbr\u003e\/Brian Batz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cstrong\u003eAshes Instrumental\u003c\/strong\u003e\u003c\/em\u003e is an instrumental version of Sleep Party People's most recent full-length release \u003cem\u003e\u003cstrong\u003eHeap of Ashes\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eSleep Party People\u003c\/strong\u003e’s Brian Batz dives into the darker edges of orchestral pop on new album \u003cem\u003e\u003cstrong\u003eHeap of Ashes\u003c\/strong\u003e\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInfluenced by primarily Bulgarian choral music, \u003cspan data-mce-fragment=\"1\"\u003ethe worn-out sound of old tape\u003c\/span\u003e, and 21st century experimental composition, the music of \u003cstrong\u003eSleep Party People\u003c\/strong\u003e exposes every facet, every moment, and every wound, finding beauty even when the last glow of hope looks like it’s ready to fade into the ashes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sleep Party People","offers":[{"title":"Digital (MP3, AIFF + WAV)","offer_id":47849718087990,"sku":"JNR458_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/AshesInstrumentalCoverArtFinal.jpg?v=1704994238"},{"product_id":"sixteen","title":"Sixteen","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_p2uxY9S2Ig?si=E4MTH8Gqyh6J0jIr\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003col\u003e\n\u003cli\u003eSixteen\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003emusic and lyrics by Marnie Stern\u003cbr\u003emixed and mastered by Mikey Young\u003cbr\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNYC guitar legend \u003c\/span\u003e\u003cb\u003eMarnie Stern\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e returns with new single “\u003c\/span\u003e\u003ca href=\"https:\/\/marniestern.lnk.to\/sixteen\" target=\"_blank\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSixteen\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e,” the follow-up single to her universally acclaimed album \u003c\/span\u003e\u003ca href=\"https:\/\/www.joyfulnoiserecordings.com\/products\/the-comeback-kid\" target=\"_blank\"\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Comeback Kid\u003c\/span\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e. Described by Marnie as a “slow, heavy rock song equally inspired by Royal Trux and AC\/DC,” new song “\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eSixteen\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e” is a master class in shredding by one of Rolling Stone’s Greatest Guitarists of All Time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMarnie Stern tours the West Coast this Spring, including dates at Treefort Music Festival and KEXP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003ca href=\"https:\/\/linktr.ee\/marniestern\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eMarnie Stern tour dates\u003c\/a\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e3\/19 Seattle, WA @ KEXP in-studio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e3\/20 Portland, OR @ Wonder Ballroom w\/ Nick Normal \u0026amp; Sea Moss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e3\/21 Tacoma, WA @ Spanish Ballroom w\/ Wimps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e3\/23 Boise, ID @ Treefort Music Festival\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e3\/26 Santa Cruz, CA @ Moe’s Alley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e3\/28 San Diego, CA @ Soda Bar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e3\/29 Los Angeles, CA @ Zebulon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e3\/30 Oakland, CA @ Thee Stork Club w\/ Grex\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e4\/1 Seattle, WA @ The Sunset Tavern w\/ Wimps, DJ Martin Douglas\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Marnie Stern","offers":[{"title":"Digital (High quality MP3, AIFF + WAV.)","offer_id":47976430960950,"sku":"JNR459_dig_single","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR459CoverArtFinal.jpg?v=1705952051"},{"product_id":"tusko","title":"Tusko","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ LISTEN\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n  \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vNa07zM47z4?si=aIDcaqxJmzc-AYrH\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRecorded live at All Tomorrow’s Parties “Nightmare Before Christmas” festival, December 2010 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Tusko” sees Oneida-plus-Watt at turbo-thrust levels of improv splatter-choogle, 8 hours or so into one of the near-mythic Ocropolis installation performances mounted by the O at a series of ATP festivals. Hours deep into this nonstop collaborative set, Watt takes the stage on crutches, someone passes a bass over, and he throws the fucking crutches into the audience and proceeds to rip into the heart of the groove. The result: pachydermic rampage – Tusko. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCover photo by Erica Fletcher. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOneida has long straddled gray-area boundaries between the NYC punk\/psych\/rock world and the art\/experimental world, playing at gritty rock clubs and elevated cultural institutions, including the Guggenheim, MoMA PS1, ICA London, MassMOCA and the Knoxville Museum of Art. The band has been known for extended live improvisational performances, collaborating onstage with Mike Watt, members of Flaming Lips, Portishead, Boredoms, Yo La Tengo, Dead C, Godspeed You! Black Emperor, and many others.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Oneida with Mike Watt","offers":[{"title":"Lathe-Cut 7\" + Digital (Limited to 150 hand-made copies)","offer_id":48119172563254,"sku":"JNR470_lathe","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":48119174037814,"sku":"JNR470_digital","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR470CoverArtFinal.jpg?v=1707928036"},{"product_id":"we-sang-therefore-we-were","title":"We Sang, Therefore We Were","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003cbr\u003e\u003c!-- YT --\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_YCOJATAFW0?si=Ixswf028cj4Zj2vv\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003c!-- END YT --\u003e \u003cbr\u003e\u003cbr\u003e\u003c!-- BANDCAMP EMBED --\u003e\n\u003cdiv style=\"margin-top: 15px; padding: 25px 0px 0px 0px; overflow: hidden; border-top: 1px solid grey; height: 600px;\"\u003e\u003ciframe title=\"Bandcamp player\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1619521200\/size=large\/bgcol=ffffff\/linkcol=ffffff\/artwork=none\/transparent=true\/\" style=\"position: relative; top: -75px;\" border=\"0\" height=\"600\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c!-- END BANDCAMP EMBED --\u003e \u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003emusic and lyrics by Greg Saunier\u003cbr\u003eall instruments \u0026amp; vocals by Greg Saunier\u003cbr\u003erecorded and mixed by Greg Saunier\u003cbr\u003emastered by Greg Saunier\u003cbr\u003eart \/ layout by Ryan Hover\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn April 8th, 2024 drummer, composer and founding member of \u003c\/span\u003e\u003cb\u003eDeerhoof Greg Saunier \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eannounced his debut solo LP \u003c\/span\u003e\u003cb\u003e\u003ci\u003eWe Sang, Therefore We Were\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThat founding took place 30 years ago to the day. “It was 1994 and I was playing in a grunge band in San Francisco,” says Greg. “The two guitarists were literally living with members of the \u003c\/span\u003e\u003cb\u003eMelvins\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. Rob Fisk, the bass player, and I had been listening to an \u003c\/span\u003e\u003cb\u003eAMM\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e CD at home and decided we wanted to give free improv a try. So we came to practice an hour early. That was Deerhoof’s first rehearsal. An hour later our two bandmates walked through the door with the bad news: \u003c\/span\u003e\u003cb\u003eKurt Cobain\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e had just been found dead.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDespite the ominous start their band, Deerhoof has gradually gone on to achieve legendary status in the ears of many, releasing 19 strange and wonderful albums in the process. And during those 30 years, Greg has produced, mixed, composed, or played on hundreds of others (Discogs has him credited on over 300 albums). So it is remarkable that this is, in fact, his very first solo record. He sings and plays all the instruments, save for a few birds who join in now and again. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“When Satomi, Ed, John and I were chatting between shows in Austin in early December, they encouraged me to make a record on my own, as a way to cope with the restlessness I’ve been feeling,” says Greg. “It came together quick. Intrigued by the announcement that the new\u003c\/span\u003e\u003cb\u003e Rolling Stones \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003erecord was going to sound ‘angry,’ I thought, ‘Good, I’m angry too.’ But when \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHackney Diamonds\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e turned out more like cotton candy than punk rock, I ironically went back to \u003c\/span\u003e\u003cb\u003eNirvana\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e: not just the clever melodies over massive distortion, but also that dark Cobain sarcasm which still resonates in this age of phony blue-check-washing of fascism.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe lyrics, “on the familiar topic of interspecies absurdist operatic anti-Cartesian revolution,” are drawn from the text that spreads itself across front and back of the album cover. In this long poem Greg recasts White House spokespersons as “The Queen of the Night” from\u003c\/span\u003e \u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Magic Flute\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, recasts The Queen of the Night as a mockingbird singing \u003c\/span\u003e\u003cb\u003eMozart\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e’s famous aria in an all-night battle for survival, and ultimately recasts the mockingbird as a campy drag artist taking pleasure in her own relentless, aggressive musicianship.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eJust how relentless Greg’s musicianship is is something that even fans of his celebrated drumming may not have realized. It turns out Greg is an excellent guitarist and bassist, if a bit more rudimentary and slicing compared to his Deerhoof bandmates. He does play more angry guitar solos. \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eWe Sang, Therefore We Were\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e’s self-production is shambling and anti-slick, the arrangements in a constant state of impatient agitation. Big-hit earwigs abound but are delivered in a delicate, whispery falsetto, tending towards three-part harmony, sometimes sounding almost like Deerhoof fronted by\u003c\/span\u003e\u003cb\u003e The Andrews Sisters\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. The hints of Mozartian\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eeuphony that insinuate themselves here and there finally take over in an unexpected climax at the end, the drums breaking off into a laugh-or-cry orchestral outpouring that may be the rawest part of the album.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Greg Saunier","offers":[{"title":"VIP","offer_id":48241229857078,"sku":"JNR457_VIP","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Neon Purple Vinyl + Digital (Includes digital download in MP3\/AIFF\/WAV.)","offer_id":48241229726006,"sku":"JNR457_LP-C1","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Digital (MP3\/AIFF\/WAV)","offer_id":48241229824310,"sku":"JNR457_Digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR457CoverArtFinal.jpg?v=1759331208"},{"product_id":"walk-thru-me","title":"Walk Thru Me","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack listing \/ Listen\u003c\/div\u003e\n\u003c!-- begin YT embed --\u003e \u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YcniERH5TO4?si=CTvYl3BWlQa1i5Aw\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LEyYcgAeQAw?si=NrU6AH7McFeMycox\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c!-- end YT embed --\u003e \u003cbr\u003e\u003cbr\u003e\u003c!-- Spotify EMBED --\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/79IUTrcQtcEzJSEjZG7r39?utm_source=generator\u0026amp;theme=0\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!-- END Spotify EMBED --\u003e \u003cbr\u003e\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eCrepuscular\u003c\/li\u003e\n\u003cli\u003eThe Day You Died\u003c\/li\u003e\n\u003cli\u003eWalk Thru Me\u003c\/li\u003e\n\u003cli\u003eMy Little Lamb\u003c\/li\u003e\n\u003cli\u003eBobblehead Doll\u003c\/li\u003e\n\u003cli\u003eThe Fable and the Fact\u003c\/li\u003e\n\u003cli\u003eRight Hand Over the Heart\u003c\/li\u003e\n\u003cli\u003eWater Torture\u003c\/li\u003e\n\u003cli\u003eO.K. to Disconnect\u003c\/li\u003e\n\u003cli\u003eMoonlit Kind\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e \u003cbr\u003eThe Folk Implosion is John Davis and Lou Barlow \u003cbr\u003eProduced, recorded, and mixed by Scott Solter \u003cbr\u003eMastered by Stefan Betke\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e“How the fuck are we going to turn this into a song?” That’s the question Lou Barlow and John Davis have asked themselves since co-founding the Folk Implosion in the early 1990s. Beginning with improvised jams featuring Barlow on bass and Davis on drums, the duo develop their beat-driven pop collages from the ground up. It’s the process they used on their debut cassette, \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eWalk Through This World with the Folk Implosion\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, and one they’ve returned to 30 years later on their spellbinding, self-referencing reunion, \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eWalk Thru Me\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e.\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":0,\"335559740\":259}'\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eSeparated from their homes in Massachusetts and North Carolina, Barlow and Davis collaborated remotely, flashing back to their early friendship as penpals. A sweaty bass and drums session went down in Barlow’s attic, before they booked studio time with producer Scott Solter (St. Vincent, Spoon, The Mountain Goats).\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":0,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eContrasts and comparisons are the keys to unlocking \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eWalk Thru Me\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, and the Folk Implosion as a whole. Beyond the audible differences between Barlow’s soft voice and Davis’s urgent, reedy proclamations, their approaches to songwriting are strikingly distinct. While Barlow approached his lyrics from a protective paternal perspective (“My Little Lamb”), Davis paid tribute to his late father, shining a light on their complicated relationship (“The Day You Died”).\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":0,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eFinally, Davis’s Persian music studies in weekly Zoom lessons inspired him to integrate traditional Middle Eastern instruments such as the setar, oud, saz, and tombak.\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":0,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e“Because we’re so separate, part of this album is me desperately trying to telepathically communicate to John and Scott, who are 700 miles away from me,” Barlow concludes. “A big part of what I consider to be the Folk Implosion is taking disparate things and turning them into pop.” \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":false,\"134233118\":false,\"201341983\":0,\"335559738\":0,\"335559739\":0,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Folk Implosion","offers":[{"title":"White Vinyl + Digital (Includes digital in MP3\/AIFF\/WAV.)","offer_id":48354905915702,"sku":"JNR450_lp-C1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Includes digital in MP3\/AIFF\/WAV.)","offer_id":48354921185590,"sku":"JNR450_cd","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette + Digital (Includes digital in MP3\/AIFF\/WAV.)","offer_id":48354905981238,"sku":"JNR450_cass","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (MP3\/AIFF\/WAV.)","offer_id":48354905948470,"sku":"JNR450_digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":48354906014006,"sku":"JNR450_vip","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR450CoverArtFinal.jpg?v=1710875239"},{"product_id":"kantos","title":"Kantos","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing\/Listen\u003c\/div\u003e\n\u003c!-- begin YT embed --\u003e \u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5Am8m6MU-s0?si=mq0y9rjk6O4WMAB0\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/sAUJex2wVsQ?si=TWtcuVZRQ1WHEmhi\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7l8aDcG8Bqk?si=aac1N3RCCfpUF1GE\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!-- end YT embed --\u003e \u003cbr\u003e\u003cbr\u003e\u003c!-- Spotify EMBED --\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/7aLh1vRyyb9ejdERr7LlZL?utm_source=generator\u0026amp;theme=0\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!-- END Spotify EMBED --\u003e \u003cbr\u003e\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eViolin Akai\u003c\/li\u003e\n\u003cli\u003eChiba Funk\u003c\/li\u003e\n\u003cli\u003eLate Night Comic\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/kishibashi.lnk.to\/colorfulstateWE\" rel=\"noopener\" target=\"_blank\"\u003eColorful State\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eEscape from Knossos\u003c\/li\u003e\n\u003cli\u003eIcarus IV\u003c\/li\u003e\n\u003cli\u003eHollywood Intermission\u003c\/li\u003e\n\u003cli\u003eLilliputian Chop (feat. Augie Bello)\u003c\/li\u003e\n\u003cli\u003eAnalógico Brasil\u003c\/li\u003e\n\u003cli\u003eMake Believe (feat. Linqua Franqa)\u003c\/li\u003e\n\u003cli\u003eCall it Off\u003c\/li\u003e\n\u003cli\u003eTokyo Love Story (Love Story Wa Totsuzen Ni)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKishi Bashi - Vocals, Violin, Guitar, Keyboards, Additional Instruments\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFraser Blanchflower - Electric Guitar, Piano, Background Vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuinn Humphreys - Rickenbacker and Fender Bass*, Background Vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJames Clark - Drums, Background Vocals, Commentary on Lilliputian Chop\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEmily Hope Price - Cello on Violin Akai, Icarus IV, and Call It Off\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSola Ishibashi - Vocals on Icarus IV\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGarbiel Rodriguez - Percussion on Analógico Brasil and Tokyo Love Story\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGraham Richards - Electric Piano on Analógico Brasil and Tokyo Love Story\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eZorina Andall - Vocals on Lilliputian Chop\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAugie Bello - Alto and Tenor Sax on Lilliputian Chop\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePip The Pansy - Flute and Vocals on Analógico Brasil\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMike Savino - Banjola on Call It Off\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e*Kellen Harrison - Bass on Analógico Brasil\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLinqua Franqa - Vocals on Make Believe\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMark B - Hammond Organ on Violin Akai\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProduced by Kishi Bashi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Tucan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by Greg Calbi \/ Steve Falcone for Sterling Sound\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLive band recorded by Drew Vandenberg at Chase Park Transduction Athens, GA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEverything else recorded at Home Studios\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSequenced by Karl Hofstetter\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll Songs by Kishi Bashi (Kizmoda Music Inc\/ASCAP).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e©\/℗ 2024 Kishi Bashi \u0026amp; Joyful Noise Recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExcept...\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLiliputian Chop Kishi Bashi (Kizmoda Music Inc\/ASCAP)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand Augie Bello (ASCAP).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMake Believe by Kishi Bashi (Kizmoda Music Inc\/ASCAP)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand Mariah Parker (ASCAP).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTokyo Love Story (Love Story Wa Totsuzen Ni) by Kazumasa Oda.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOrigami and Photography by Kishi Bashi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Icarus” designed by Takashi HOJYO (© 2001)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDesign and Layout by Jerrod Landon Porter at \u003c\/span\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/iheartjlp.com\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003eiheartjlp.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eThe latest full-length from Kishi Bashi, \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e is a work of exquisite duality: a party album about the possible end of humanity as we know it, at turns deeply unsettling and sublimely joyful. In a sonic departure from the symphonic folk of his critically lauded 2019 LP \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eOmoiyari\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e—a career-defining body of work born from his intensive meditation on the mass incarceration of Japanese-Americans during World War II—the Seattle-born singer\/songwriter\/producer’s fifth studio album encompasses everything from Brazilian jazz and ’70s funk to orchestral rock and city pop (a Japanese genre that peaked in the mid-’80s). Informed by an equally kaleidoscopic mix of inspirations—the cult-classic sci-fi novel series \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eHyperion Cantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, the writings of 18\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eth\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003e century enlightenment philosopher Immanuel Kant, a revelatory trip to ancient ruins on the island of Crete—\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003eultimately serves as an unbridled exaltation of the human spirit and all its wild complexities.\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e“At a time when so many people had begun to panic about AI and what it might mean for our future, I started working on this record as a way to explore the concept of grounding ourselves in our humanity,” says the Santa Cruz, California-based multi-instrumentalist otherwise known as Kaoru Ishibashi. “The album title is a nod to \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eHyperion Cantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e and to Immanuel Kant, but it also refers to ‘canto’ meaning ‘I sing’ in Spanish. The idea is that even with so much technological advancement, songs are still something we very much rely on to connect with other people.”\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, the follow-up to his bluegrass-infused 2021 EP \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eEmigrant\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, marks Kishi Bashi’s first full-length since \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eOmoiyari\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e—an album accompanied by a feature-length documentary film and praised by such outlets as \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eNPR\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, who hailed it as “another sure-footed surprise from an artist who never stops seeking new ways to engage, connect and delight.” During the earliest stages of creating songs for the album, Ishibashi’s main intent was to return to his highly eclectic musical roots, in part by tapping into his jazz background and by delving into the dance-rock-leaning sensibilities he previously embraced as co-founder of Brooklyn-bred indie band Jupiter One. But not too long into the songwriting process, he stumbled upon an AI-equipped website capable of composing catchy song hooks based on a prompt—a turn of events that quickly catalyzed the existential inquiry at the heart of \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos.\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e “On the one hand I’m very intrigued by the possibilities of AI: it’s extremely powerful, and has the potential to solve a lot of important problems,” says Ishibashi. “But there’s also a great deal of value in human innovation, and I’m worried about what happens if we lose sight of that. Because if we don’t value our humanity, what are we valuing at all?”\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eProduced by Kishi Bashi and mixed by Tucan (Hot Chip, Jungle, Aluna), \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e unfolds with a potent and palpable energy that has much to do with his revisiting of the dance-punk acts who infiltrated the zeitgeist back in his Jupiter One days. “Being immersed in that whole scene in New York in the 2000s was very formative for me, and a lot of this record was heavily influenced by bands like The Rapture and LCD Soundsystem,” notes Ishibashi, whose past experience also includes touring and recording as a violinist for Regina Spektor. The album also partly draws its galvanizing power from his lockdown-era infatuation with electric guitar. “During the pandemic I got a Fender Strat and got really excited about the tone,” he says. “It reminded me of the stuff Nile Rodgers was making with Chic in the ’70s, and I made a conscious decision to build the demos around the guitar and all these cool drums loops I was playing around with.” When it came time to record \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, Ishibashi headed to Chase Park Transduction (a studio in his former home of Athens, Georgia) and joined forces with engineer Drew Vandenberg (Faye Webster of Montreal, Toro y Moi), his long time collaborator, and a group of British musicians, Sweet Loretta, he’d met on tour in Europe in summer 2023. “The structure of the songs didn’t really change from the demo version, but the feel of everything completely transformed,” he says. “It was definitely an affirmation of how working with live musicians can add a real element of purpose to the track.”\u003c\/span\u003e\u003cspan data-ccp-props='{\"335557856\":16777215}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eNot only a showcase for the sophisticated musicianship Kishi Bashi has displayed since his acclaimed 2012 debut \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003e151a\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003eendlessly embodies a certain ineffable quality that sets it worlds apart from artificially generated art: an infectious effervescence that echoes the playful sense of discovery that fueled every step of its creation. To that end, side A offers up a series of love songs shaped by a spontaneous shift in his vocal approach, including the euphoric and otherworldly “Chiba Funk” and the dizzyingly epic “Colorful State.” “With ‘Chiba Funk’ I was singing in Japanese and really enjoyed what it brought out of me as a vocalist, which gave me the idea to create English lyrics that I could sing in that same throaty style,” Ishibashi explains. “With a lot of these songs I allowed myself the luxury of experimenting with my vocals, almost as if I were pretending to be some other kind of singer.” Meanwhile, on “Icarus IV,” \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e takes on a stratospheric intensity as Kishi Bashi shares a glittering and groove-driven track sparked from his reading of Madeline Miller’s \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eCirce\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e (a 2018 novel set in the Greek Heroic Age) and by his journey to the site of Icarus and Daedalus’ mythical flight from Crete. “It was incredible to visit a place you’ve only known from a myth,” he points out. “Reading \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eCirce\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e and seeing those myths challenged from a feminist perspective led me to write ‘Icarus IV,’ which is essentially a classic tale of human hubris.”\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eAll throughout side B of \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, Kishi Bashi pushes further into the album’s genre-bending abandon and untamed imagination, enlisting several guest musicians to add unexpected color and texture to his sonic explorations. “Lilliputian Chop,” featuring the spellbinding vocals of Zorina Andall and frenetic saxophone work of Augie Bello, arrives as an exuberant dance song capturing what Ishibashi sums up as “that breezy feeling of new love.” Pip The Pansy lends her lush flute melodies to “Analógico Brasil,” a gorgeously ethereal piece inspired by George Duke’s 1980 jazz-fusion classic \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eBrazilian Love Affair\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e. (“It’s a song about love and desire, like a lot of the songs on this record, but the word ‘analógico’ refers to how producers tend to romanticize analog gear from the ’60s and ’70s,” Ishibashi reveals.) With its bass-heavy grooves and soulful guitar tones, the R\u0026amp;B-flavored “Make Believe” finds activist\/rapper Linqua Franqa dropping in for a guest verse that immediately magnifies the track’s electrifying impact. And after the melancholy reverie of “Call It Off,” \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003ecloses out with Kishi Bashi’s cover of the titular theme song to the early-’90s Japanese mini-series \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eTokyo Love Story\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, ending the album on a moment of dreamlike surrender.\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eIn bringing \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e to life, Ishibashi found a wealth of inspiration in his partner Dr. Kimberly Dill, a philosophy professor at Santa Clara University. Dill, who also shares his love of \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eHyperion Cantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e (a series set in a future in which humans uneasily coexist with AI civilization in colony worlds throughout the galaxy), introduced Ishibashi to the work of Immanuel Kant (who emphasized “reason above all else”) and illuminated him on the evolution of human thought—including the potentially disastrous consequences of the transhumanist movement espoused by the likes of Elon Musk. “Those who subscribe to transhumanism are looking toward a distant future where humans exist on the mainframe, as if that’s a form of enlightenment,” says Ishibashi. “In many ways that’s fascinating to me, but I think runaway futurism becomes dangerous when we devalue the living. When you put reason above all else, it’s another way of detaching from humanity.” \u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eAlthough his ruminations on AI, transhumanism, and humanity’s troubled fate indelibly guided the making of \u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eKantos\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, Ishibashi nonetheless views the album as “less of a warning about this kind of hubris but more a celebration of the very characteristics that make us human: desire, passion, empathy, and love.” “If there’s anything I want people to come away with when they hear this record, it’s a feeling of excitement about the possibilities of human-created art,” he says. “Even as we’re learning more about all the amazing things AI can do, I think humans will always be one step ahead in terms of our creativity and innovation. There’s still no limit to what we have to offer.” \u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kishi Bashi","offers":[{"title":"Purple Vinyl + Digital (Includes digital download MP3\/AIFF\/WAV.)","offer_id":48590228029750,"sku":"JNR475_LP-C1","price":24.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Includes digital download in MP3\/AIFF\/WAV.)","offer_id":48590228062518,"sku":"JNR475_CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (In high quality MP3, AIFF + WAV.)","offer_id":48590228095286,"sku":"JNR475_digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":48590228128054,"sku":"JNR475_VIP","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/COVER-4000px-300ppi_d10bfc2d-a0da-44eb-aa18-eb10910c1e3a.jpg?v=1713283834"},{"product_id":"your-silent-face-live-in-studio","title":"Your Silent Face (Live In Studio)","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ LISTEN\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fqIGMjrbMdw?si=03k6iSfruXbeofkO\" height=\"400\" width=\"100%\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp\u003eRecorded live in the El Ten Eleven rehearsal studio on August 8, 2023.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Your Silent Face (Live in Studio)” sees El Ten Eleven cover New Order in a track that further sculpts a post-rock atmosphere that the group has carefully cultivated over their career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\"Your Silent Face\", off the influential, monumental record 'Power, Corruption \u0026amp; Lies' from New Order, holds an emotional connection for El Ten Eleven. For El Ten Eleven's Kristian Dunn, it's one of his favorite songs and being a bass player, he was drawn to Peter Hook's absolutely essential lead playing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEl Ten Eleven has toured with Hook several times and have watched him play \"Your Silent Face\" again and again, building an even stronger connection. Dunn said this about their cover, \"hopefully we did it justice.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"El Ten Eleven","offers":[{"title":"Digital","offer_id":48833617822006,"sku":"JNR449_ETE_YSF_Digital","price":1.0,"currency_code":"USD","in_stock":true},{"title":"Lathe-Cut 7\" + Digital (Limited to 150 hand-made copies)","offer_id":48833617789238,"sku":"JNR449_ETE_YSF_Lathe","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR449CoverArtFinal.jpg?v=1714480888"},{"product_id":"the-breaks","title":"The Breaks","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003cbr\u003e\u003c!-- YT embed --\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4bp3WgdCC3Q?si=ntAsVj57TFgq9RYc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4j7A6dRyaHU?si=hGT4hS3PRZJyR426\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jfBOLI6u-OY?si=wzD9ekZax4r1m5sH\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c!-- end YT embed --\u003e \u003cbr\u003e\u003cbr\u003e\u003c!-- Spotify EMBED --\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/0Mnv2aEY3GFzanoZd0dPIN?utm_source=generator\u0026amp;theme=0\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!-- END Spotify EMBED --\u003e \u003cbr\u003e\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eVanishing Point\u003c\/li\u003e\n\u003cli\u003eFish on a String\u003c\/li\u003e\n\u003cli\u003eRage\u003c\/li\u003e\n\u003cli\u003eRoad Signs and Meanings\u003c\/li\u003e\n\u003cli\u003eOverture\u003c\/li\u003e\n\u003cli\u003eWave\u003c\/li\u003e\n\u003cli\u003eDoreen\u003c\/li\u003e\n\u003cli\u003eThe Breaks\u003c\/li\u003e\n\u003c\/ol\u003e\n[BONUS FLEXI] 12 Tone\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Liam O'Neill and SUUNS\u003cbr\u003eEngineered by Adrian Popovich at Mountain City and Breakglass-Montreal 2022-2023\u003cbr\u003eMixed by Adrian Popovich\u003cbr\u003eMastered by Heba Kadry, NYC\u003cbr\u003eJacket photographs by Joseph Yarmush\u003cbr\u003eInsert by Alexander Ortiz\u003cbr\u003eLayout by Ryan Hover and Joseph Yarmush\u003c\/p\u003e\n\u003cp\u003eAll Songs by SUUNS\u003cbr\u003eBen Shemie, Liam O'Neill, Joseph Yarmush\u003c\/p\u003e\n\u003cp\u003eThanks\u003cbr\u003eEstelle, Shaun, Jess C., Karl, Bob, Matt C., Hove, Joyful Noise, Secret City, fam, friends\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eOn their sixth long player \u003cem\u003e\u003cstrong\u003eThe Breaks\u003c\/strong\u003e\u003c\/em\u003e – their second for Joyful Noise Recordings – \u003cstrong\u003eSUUNS\u003c\/strong\u003e find themselves lost in limbo. For some artists, being caught in flux may result in songs that are either naive, out of touch or both, simply as a consequence of being cut off from human civilization. But for SUUNS, a band who have grown more than comfortable in the oblique and the intermediate, it actually had the opposite effect. The Breaks marks the Montreal experimental rock outfit’s most emotionally resonant and tonally rich collection of music to date.  \u003cbr\u003e \u003cbr\u003eThe trio of Ben Shemie, Joseph Yarmush and Liam O’Neill leans more zealously than ever into their pop instincts. Yet remarkably enough, with that same dauntless abandon, SUUNS have mined a more extreme sonic palette this time around, one that stretches far beyond their core fundamentals as a band. “Before we had a kind of rule that we wouldn't have any instruments on the record that we weren't actually playing,” drummer\/percussionist O'Neill says. “The recordings we made were always more of a document. There were no overdubs. And now…we don't care about that! Now we do whatever just sounds good.”  \u003c\/p\u003e\n\u003cp\u003e“The Breaks became sort of the opposite of our last record. Nothing was really played together. We were caught in a little bit of a wormhole, trying new things, throwing different things against the wall,” multi-instrumentalist Yarmush adds. Bands less experienced might have been forever trapped in said wormhole, but SUUNS’ mutual chemistry and trust turned out to be a reliable tether to explore these novel sonic ecosystems.  \u003c\/p\u003e\n\u003cp\u003eThe Breaks finds Shemie, O’Neill and Yarmush gleefully experimenting with loops, synths, samples and MIDI instruments like a post-millennial Tangerine Dream messing with downtempo triphop beats. The album doesn’t capture a band looking to move in one specific direction: SUUNS simply aim to advance. The band took inspiration from the freedom of long, aimless drives where fully-formed thoughts manifest out of stillness, slowly surrendering to a quixotic wanderlust. On some moments, SUUNS sound like a tight-knit band 16 years into their restless creative journey. On other moments, the whole idea of being a band scatters asunder like a swarm of moths.  \u003c\/p\u003e\n\u003cp\u003e“Would you hold me baby\/and free up my mind?” we catch Shemie singing mid-comedown on “Vanishing Point”. A flirtatious sax flourish lifts us skyward into a space-pop nirvana, dissolving into a lotus-eating swell of arpeggiated synths. “Fish On A String” revisits the serpentine grooves of The Witness, if only briefly. The song was actually written by Shemie during the band’s formative years – the epoch when their single “2020” became a hot pick for Hollywood blockbuster movie trailers. In those days, SUUNS would almost certainly have broken “Fish On A String” into taut walls of distortion and feedback.  \u003c\/p\u003e\n\u003cp\u003eBut SUUNS in the year 2024 have become a more malleable, self-navigating operation. “I’m stuck in this glass bowl\/but I believe that I’m free\/Free to dream in colors\/ colors I’ll never see,” Shemie sings, the acidic disenchantment in his voice gradually congealing into the hardened swagger of a Sergio Leone-protagonist. Like a beacon, an aura of synths casts a light on the song’s supple pulse, signaling a way out from SUUNS’ long-held sway with disarray and disillusionment. “Of all the SUUNS songs we’ve ever recorded, “Fish On A String” is by far the most confrontational and direct,” Shemie comments. “I feel I wouldn’t have been able to record this song in years past, because I wouldn’t have had the confidence to bring that kind of delivery.” \u003c\/p\u003e\n\u003cp\u003eLikewise, The Breaks summons back some of the daredevil experimentations of 2018’s Felt, the band’s final album released under Secretly Canadian. During those days, the band still shared a rehearsal space together, which allowed them to quickly capture ideas in their rudimentary phase without being too precious about revisiting them. Now SUUNS’ dynamic is of course drastically different: founding member Max Henry left the band prior to The Witness, and Shemie has since moved to Paris, making SUUNS a more long-distance musical affair.  \u003c\/p\u003e\n\u003cp\u003eBy fate and circumstance, O’ Neill took point in the producer’s chair for The Breaks, arranging, structuring and editing many of Shemie and Yarmush’s ideas from sporadic rehearsal sessions into Pro Tools, reimagining the songs over and over during a two-year time frame. “We were making this album at a time I just didn't really have a lot going on in my life other than music,” O’Neill says. “Sometimes we arrived at these moments of impasse and where we didn't know what to do. And I just found myself really getting into it. Let’s try this and this! And just try everything. I had a lot of energy, and I felt really passionate about it.” \u003c\/p\u003e\n\u003cp\u003eOne of O’Neill’s ‘babies’ is the sublime, piano-driven “Road Signs and Meanings”, which sounds like a deconstructed Bowie\/Visconti-esque art pop opus. Shemie’s processed vocals hover above the arrangements like a spectral entity, drunk and dazed with pure euphoria. The hypnagogic “Rage”, despite its venereal synth-arpeggios and pitched-up vocals, is a deceptively simple pop song warped into something surreal.”Unlike our material in the past, the songs on The Breaks – and “Rage” in particular” – are pretty conventional. If you wanted to, you could just sit down at a piano and play the chords and sing them or play them on a guitar,” Shemie states.  \u003c\/p\u003e\n\u003cp\u003eOne of The Breaks’ most spectacular moments arrives in the shape of “Overture”, which unfolds almost like a corrupted classical anthem. “We bummed a ride on dead end streets\/And lost our way on the road to Mecca,” Shemie seethes, as the music smolders into sinister overdrive. Yarmush: “I pushed for that song to make it on the record. It’s so bonkers, like a little two-and-a-half-minute bomb. I think the vocals for me are what actually draws me the most to that song. I never heard that type of singing from Ben before. It just hit me in a way that I was like, ‘we have to put this on the record’.” \u003cbr\u003e \u003cbr\u003eForged between countless plane rides, road trips, van tours and text threads, The Breaks became a product of endurance and a lot of trial-and-error. It’s a record composed in tight fissions of freedom, where spells of whispered intimacy – like on the stunning ballad “Doreen” – are allowed to branch out into the vast glacial dreamscapes of the album’s majestic title track. It captures SUUNS at their most panoramic, curious and exuberant: a constant relay of being adrift and enlightened anew, geared up to eleven. And guess what: the wheels keep on spinning. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SUUNS","offers":[{"title":"VIP","offer_id":48904553464118,"sku":"JNR456_VIP_SUUNS","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Red Vinyl + Digital (Includes digital download in high quality MP3 \/ AIFF \/ WAV.)","offer_id":48904553431350,"sku":"JNR456_LP-C1_SUUNS","price":24.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Includes digital download in high quality MP3 \/ AIFF \/ WAV.)","offer_id":48904553365814,"sku":"JNR456_CD_SUUNS","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Digital download in high quality MP3 \/ AIFF \/ WAV.)","offer_id":48904553398582,"sku":"JNR456_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR456_SUUNS_the-breaks.jpg?v=1759331196"},{"product_id":"expensive-air","title":"Expensive Air","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing + Listen\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003c!-- begin YT embed --\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s8Q_bVGzM2A?si=-9Ait_osGWPTrNuB\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DcMxMuVx8E8?si=eBdOOAoMptipZozt\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZNvymduvmtk?si=8AYfwuACuulbJxjo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003c!-- end YT embed --\u003e \u003cbr\u003e\u003cbr\u003e\u003c!-- Spotify EMBED --\u003e \u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1vp7494kQi1UjXT6nxJxFE?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e \u003c!-- END Spotify EMBED --\u003e \u003cbr\u003e\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eReason to Hide\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpill\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLa Plage\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStranger\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHere It Comes\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExpensive Air\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSalt\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGunboats\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eCREDITS:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eOneida is:\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eKid Millions \u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eBobby Matador\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eHanoi Jane\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eBarry London\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eShahin Motia\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eProduced by Oneida\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eMixed by Colin Marston, and Tom Tierney on Gunboats\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003eMastered by Alan Douches\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW84887332 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW84887332 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eA song is a song until it isn’t, until it’s pushed to its limits and beyond\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e to become\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e harder, faster and more dissonant.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eThe music on Oneida’s 17\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun Superscript SCXW84887332 BCX0\" data-fontsize=\"11\"\u003eth\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e full-length album, \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eExpensive Air\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e, all started as tightly structured, melodic rock songs—very much in line with the non-stop bangers of \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eSuccess\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e from 2022—but along the way, they changed\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW84887332 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW84887332 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW84887332 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eBobby Matador sketched the structures of these songs\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003efrom his home base in Boston, then sent the demos to Oneida’s New York contingent\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e: \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eKid Millions, Hanoi Jane, Shahin Motia and Barry London.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e“We were working out the songs in New York without Bobby.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eWe would start out\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e riding the riff\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e, and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003ethen \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eShahin and Jane \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003ewould\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e add wild, out-of-tune licks,” said Kid Millions.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e“It seemed so perfect.”\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW84887332 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW84887332 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW84887332 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eOneida has long straddled gray-area boundaries between the NYC punk\/psych\/rock world and the art\/experimental world, playing at gritty rock clubs and elevated cultural institutions, including the Guggenheim, MoMA PS1, ICA London, MassMOCA and the Knoxville Museum of Art. The band has been known for extended live improvisational performances, collaborating onstage with Mike Watt, members of Flaming Lips, Portishead, Boredoms, Yo La Tengo, Dead C, Godspeed You! Black Emperor, and many others. Oneida’s members juggle a wide variety of other music projects. Drummer Kid Millions has played with Spiritualized, Royal Trux and Boredoms and releases solo compositions under his own name and as Man Forever. Shahin Motia founded noise-punk’s Ex Models and currently plays in Knyfe Hits. Kid and Fat Bobby perform and release music as People of the North, and \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun Highlight SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eBobby's outside projects New Pope and Nurse \u0026amp; Soldier each released new albums in 2023.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW84887332 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW84887332 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW84887332 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eOneida’s previous album, \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eSuccess\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e, came after a four-year hiatus, unleashing the band’s pent up creative energy in a set of catchy, accessible, nearly poppy songs.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eSong structure remained important in the run up towards \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eExpensive Air\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e, but so was the instinctual, improvisatory interplay that has always been a part of Oneida’s process.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eThe band had been playing live together for two years, sharpening its attack and pushing its songs to go harder, faster and wilder\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW84887332 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW84887332 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW84887332 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eOneida recorded \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eExpensive Air\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e in three sessions scattered across 2023, convening at Colin Marston’s \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eMenegroth The Thousand Caves studio in Woodhaven, Queens, whenever they had a few songs ready.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\" lang=\"EN-US\" class=\"TextRun Highlight SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eMarston and the band mixed the album in February 2024 at \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW84887332 BCX0\"\u003eMenegroth\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW84887332 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW84887332 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW84887332 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eThe new album expands on what Oneida achieved with \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eSuccess\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e, but also pushes past it, laying down irresistible song structures then blowing them to psychedelic bits. “I found myself thinking about this record as a darker, looser, louder, counterpart to \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eSuccess\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e,” Bobby explain\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e“Both records charge forward from the jump and mix the elliptical with the blunt, and longing with self-mockery.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eBut \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eSuccess\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e is like laughing in a car gunning carelessly through an ice storm, and \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003eExpensive Air\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-US\" class=\"TextRun SCXW84887332 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e is how you laugh at yourself as the car spins into the ditch, or a tree. Same trip, but a little closer to the bone.”\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW84887332 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Oneida","offers":[{"title":"Glass Green Vinyl + Digital (Includes download in MP3, AIFF, \u0026 WAV.)","offer_id":48906099392822,"sku":"JNR474_LP-C1","price":24.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Includes download in MP3, AIFF, \u0026 WAV.)","offer_id":48906099425590,"sku":"JNR474_CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Download in MP3, AIFF, \u0026 WAV.)","offer_id":48906099491126,"sku":"JNR474_digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":48906099523894,"sku":"JNR474_VIP","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR474-ONEIDA-EXPENSIVE-AIR_cover.jpg?v=1715274468"},{"product_id":"the-free-triple-live-album","title":"The Free Triple Live Album","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eWatch \/ Listen\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003c!-- YT embed --\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1iUuFXKIeNQ?si=gu6qarGyy9UKzzKH\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c!-- end YT embed --\u003e \u003c!-- BANDCAMP EMBED --\u003e\n\u003cdiv style=\"margin-top: 15px; padding: 25px 0px 0px 0px; overflow: hidden; border-top: 1px solid grey; height: 825px;\"\u003e\u003ciframe title=\"Bandcamp player\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1117929876\/size=large\/bgcol=ffffff\/linkcol=ffffff\/artwork=none\/transparent=true\/\" style=\"position: relative; top: -75px;\" border=\"0\" height=\"825\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c!-- END BANDCAMP EMBED --\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAudio recorded by Tobias Lill\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMixed by Greg Saunier \u003cbr\u003eFilmed by Beat Halberschmidt\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSatomi Matsuzaki - bass, vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJohn Dieterich - guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEd Rodríguez - guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGreg Saunier - drums, vocals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cp\u003eTHE FREE TRIPLE LIVE ALBUM in which Deerhoof plays their songs at legendary Berlin club SO36 to a full house that sings and dances along. It was February 7, 2024 and the opener was none other than Rob Fisk, aka Curse All Kings, aka the very founder of Deerhoof in 1994.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe accompanying video is an unedited one-shot video of the entire performance, filmed by Beat Halberschmidt: \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/1iUuFXKIeNQ\" rel=\"nofollow ugc\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003eyoutu.be\/1iUuFXKIeNQ\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Deerhoof","offers":[{"title":"Digital - Name Your Price - $0 (High quality download in MP3\/WAV\/AIFF)","offer_id":49101954580790,"sku":"JNR478-dig-0","price":0.0,"currency_code":"USD","in_stock":true},{"title":"Digital - Name Your Price - $5 (High quality download in MP3\/WAV\/AIFF)","offer_id":49101954613558,"sku":"JNR478-dig-5","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Digital - Name Your Price - $10 (High quality download in MP3\/WAV\/AIFF)","offer_id":49101954646326,"sku":"JNR478-dig-10","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital - Name Your Price - $15 (High quality download in MP3\/WAV\/AIFF)","offer_id":49101954679094,"sku":"JNR478-dig-15","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/TFTLACoverArtV2.jpg?v=1717097794"},{"product_id":"dale-crover-glossolalia","title":"Glossolalia","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\" data-mce-style=\"vertical-align: top;\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTracklist \/ Listen\u003c\/div\u003e\n\u003c!-- YT --\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ca8D7ty0oqY?si=40oBOrknLgKV2THS\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9_cN7KAl17Q?si=cV3DHiMHsjhFzPbl\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c!--end YT --\u003e \u003cbr\u003e\u003cbr\u003e\u003c!-- Spotify EMBED --\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/28n8O2hfwtcJRmIdL0UVnt?utm_source=generator\u0026amp;theme=0\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c!-- END Spotify EMBED --\u003e \u003cbr\u003e\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eGlossolalia\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDoug Yuletide\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eI Quit\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlow'd Up\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRings\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJane\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eI Waited Forever\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDon't Worry About it\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSpoiled Daisies\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eKitten Knife\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePunchy\u003c\/li\u003e\n\u003c\/ol\u003e\nBonus Flexi: \"Rings\" (Rob Mix)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cspan\u003eDale Crover- vocals, guitar, bass, drums, percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDan Southwick- guitar on Doug Yuletide \u0026amp; Punchy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eToshi Kasai- keyboards, Q-Chord, backing vocals \u0026amp; slide guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMindee Jorgensen- percussion\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cspan aria-label=\"\" class=\"c-mrkdwn__br\" data-stringify-type=\"paragraph-break\"\u003e\u003c\/span\u003eSpecial Guests\u003cbr\u003e\u003cspan\u003eKim Thayil- lead guitar on I Quit \u0026amp; Rings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTy Segal- lead guitar on Spoiled Daisies \u0026amp; I Waited Forever\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRob Crow- guitar, vocals on Don’t Worry About It, vocals on Rings \u0026amp; I Waited Forever\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTom Waits - Glossolalia on Glossolalia\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eProduced by Dale Crover\/ Toshi Kasai\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Sound Of Sirens\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEngineered by Nathan Yaccino at The Ballard Baitshop\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by John Golden Mastering\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotography- Harper King\u003cbr\u003eLayout - Ryan Hover\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAnimal Trainer- Karl Hofstetter\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublicity- Monica Seide- Evenson\/ Speak Easy PR\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDale uses Tama Drums, Aquarian Drum Heads, Paiste Cymbals \u0026amp; ProMark Drumsticks\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\" data-mce-style=\"vertical-align: top;\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\" data-mce-style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\" data-mce-style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{75}\" paraid=\"3\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eAs he began plotting his new solo album, Dale Crover realized he was starting from scratch. The Melvins, Nirvana and Redd Kross drummer, and Altamont singer-guitarist, was already more than 30 years into a world-renowned musical career when he started work on what became his full-length solo debut — 2017’s \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eThe Fickle Finger of Fate\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e — so he had a backlog of songs and ideas to draw on. Likewise, he incorporated older material into \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eRat-A-Tat-Tat!\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e, which followed in 2021. But this time around it was different: just Crover and a Tascam 8-track gifted to him by Joyful Noise founder Karl Hofstetter. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{93}\" paraid=\"5\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e“I didn’t have any songs,” Crover says. “So I just went on this writing spree.”\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{103}\" paraid=\"7\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eThe result of that creative burst is \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eGlossolalia\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e, Crover’s third LP under his own name and arguably his most focused statement yet as a solo artist: 11 catchy yet eccentric tracks — demoed at home and later re-recorded with longtime Melvins engineer Toshi Kasai — that move from \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eNuggets\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e-y garage rock to crafty proto-metal riffage and gorgeously hazy psych-pop, and feature Crover’s songwriting, vocals and multi-instrumental talents alongside a number of illustrious guests, from past collaborators like Ty Segall to none other than Tom Waits. Crov\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eer’s prior Joyful Noise releases, including a set of lathe-cut singles that doubled as surreal art objects, took a more experimental tack, blending in oddball textural interludes along with more straightforward songs. This time, the sound is streamlined, with a natural flow that carries the listener straight through from the rollicking album-opening title track to eerily evocative closer “Punchy.” “Just having everything kind of fresh,” Crover says of the project as a whole, “I got really inspired.”\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{119}\" paraid=\"8\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eCrover found the seeds of these new songs in everything from his teenage memory banks to books and films he recently checked out. The idea for “Glossolalia” itself came from a surreal experience Crover had in high school, when he got roped into playing drums at a church. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{133}\" paraid=\"11\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e“They’re doing this service and it’s starting to get kind of crazy: ‘Praise the Lord; praise Jesus!’” Crover recalls. Spotting one of his classmates in attendance, he was surprised to find her participating in a particularly intense way. “All of a sudden, she starts freaking out and speaking in tongues,” Crover says. “I was minding my own \/ You came along \/ Spoke with your tongue,” he sings on the track that grew out of the incident, a jangly stop-start rocker on which Crover plays guitar, bass and drums, w\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eith Kasai adding in groovy, surf-rock-style keyboard.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{145}\" paraid=\"13\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eCrover wanted to kick the track off with some actual glossolalia (the dictionary term for speaking in tongues), and at first he or Kasai was going to do the honors. But Kasai’s offhand mention that he might have an in with Tom Waits’ manager got the pair thinking that, as Crover recalls, “It might be weird enough that he would do it.” Word came back that Waits was game, and just before the album was set to be mastered, he sent in two fragments of brilliantly bizarre wordless mouth sounds that Crover and Kas\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eai ended up layering on top of each other, one in each channel. “We were like, ‘Fuck, they’re both really good,’” Crover says with a laugh. “‘We’ve got to use both.’”\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{157}\" paraid=\"15\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eTwo other tracks, “Doug Yuletide” and “Punchy,” were collaborations with guitarist Dan Southwick, Crover’s longtime friend and Altamont bandmate. “He’s one of those guys that’s always been really easy to write songs with,” Crover says. “Doug Yuletide” — the title of which mashes up the name of Velvet Underground member Doug Yule with a nod to the holiday season in which it was written — pairs Southwick’s rolling midtempo riffs with a tale that Crover describes, in another Velvets hat-tip, as a “vampire-stor\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003ey ‘Venus in Furs.’” “Punchy,” meanwhile, is a swirling sonic tapestry matched with lyrics inspired by a dream Southwick had and related to Crover (“It seems so strange \/ To be sitting here telling you these things \/ \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW212240044 BCX0\"\u003e‘Cause\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e in my dream \/ You were wearing purple and green”), and a suitably trance-like vocal delivery from Crover.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{169}\" paraid=\"17\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eRob Crow, of indie-rock institution Pinback, perverse \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW212240044 BCX0\"\u003egrindcore\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e act Anal Trump and countless other projects, contributes guitar and backing vocals to another beautifully melancholy selection, “Don’t Worry About It.” The song — for which Crover took musical cues from the Beatles’ “I’m Only Sleeping” — deals with anxiety about the future, and how “things always seem to work out no matter what.” Crow also turns up on “I’ve Waited Forever,” a hooky, moody power-pop-\u003c\/span\u003e\u003cspan class=\"SpellingError SCXW212240044 BCX0\"\u003eesque\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e rocker that touches on control, a theme \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003ethat surfaces throughout the record in various forms, (whether “being in control, out of control, or controlling,” Crover explains). Liquid-toned lead guitar from Ty Segall ups the song’s stakes. “He’s such a good player,” Crover says of Segall, who also graces “Spoiled Daisies,” a crunchy, \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW212240044 BCX0\"\u003eriffy\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e track inspired by a bad teenage mushroom trip. “He came in and just did it in a few hours.”\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{177}\" paraid=\"18\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eSoundgarden guitarist Kim Thayil, a die-hard Melvins fan since the band’s earliest days, lets loose on both “I Quit” and “Rings,” adding squealing and soaring psychedelic shred, respectively. Crover channeled Gary Numan when singing the former, another song dealing with the theme of control, while he touched on hardboiled-crime-fiction territory, reminiscent of writer Jim Thompson, for “Rings,” a vaguely sinister character sketch whose armed, jailhouse-tatted, “overserved” protagonist seems out to do harm.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{191}\" paraid=\"21\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e“Jane,” with its shimmy-friendly bounce, shows off Crover’s lighter side. Just before the death of singer-actor Jane Birkin last year, Crover had been immersing in 1960s French culture, including \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"SpellingError SCXW212240044 BCX0\"\u003eyé-yé\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e pop sounds and \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eLa Piscine\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e, a psychological thriller that she co-starred in, so he framed the song as a tribute to her: “All the men try to win her over,” he sings. “But they just get the cold shoulder.” (When Crover played a demo of the track for Buzz Osborne, his Melvins bandmate likened it to the taut pop-rock of the Knack.) \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{209}\" paraid=\"23\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eMeanwhile, “Kitten Knife” — an alternately stomping and subtle track that features Crover’s own righteous guitar leads, a reminder that the six-string was actually his first instrument — stemmed from a recent reading of Robert Louis Stevenson’s classic \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eStrange Case of Dr. Jekyll and Mr. Hyde\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e, and “Blow’d Up,” marked by a mambo-like drum groove and a fist-pumping chorus, grew out of reflections on relationship dynamics.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW212240044 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW212240044 BCX0\" paraeid=\"{731c7bb1-3dd5-43de-8180-a44bf87b2bfb}{223}\" paraid=\"25\"\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eTaken as a whole, \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003eGlossolalia\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW212240044 BCX0\" lang=\"EN\" data-contrast=\"auto\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e shows that, just as the Melvins continue to grow and evolve into their fourth decade, Crover is actively taking new steps as a solo artist. Amid the inspired babbling of Waits, the glorious shredding of Segall and Thayil, and more, what stands out across the record is the sturdiness of Crover’s vision. He’s modest about his ambitions — “It’s just kind of like extra credit,” he says, about having a solo outlet apart from his main band — but as this record shows, his overall aesthetic hits just as\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW212240044 BCX0\"\u003e hard as his legendary drum thunder.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559740\":276}' class=\"EOP SCXW212240044 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dale Crover","offers":[{"title":"Hot Pink Vinyl + Digital (Download includes WAV, AIFF \u0026 MP3 formats.)","offer_id":49145731514678,"sku":"JNR484_Crover_LP-C1_pink","price":24.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Download includes WAV, AIFF \u0026 MP3 formats.)","offer_id":49145731580214,"sku":"JNR484_CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Download in WAV, AIFF \u0026 MP3)","offer_id":49145731612982,"sku":"JNR484_digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":49145731645750,"sku":"JNR484_Crover_VIP","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR484CoverArtFinal.jpg?v=1717681892"},{"product_id":"dear-divine","title":"Dear Divine","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: rgb(169, 169, 169); color: rgb(255, 255, 255); font-family: Oswald, sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003cbr\u003e\u003c!--YT--\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9NnkU8w4wP0?si=zebtwmyAhDzrTGBu\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OBpZcUPQfJ8?si=GAxPp7WkWw2OGdcI\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mlAfOP8_K-M?si=yj-wlB39glJ6laZl\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u0026gt;\u003c!--END YT--\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/3OPGaDOcVcrz4DzqeIAKTc?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e1. we fall in our sleep\u003cbr\u003e2. now\u003cbr\u003e3. wonder eye\u003cbr\u003e4. messy love\u003cbr\u003e5. for you\u003cbr\u003e6. holy and sweet \u003cbr\u003e7. blue\u003cbr\u003e8. kind, kind home\u003cbr\u003e9. give you flowers\u003cbr\u003e10. eighteen parts\u003cbr\u003e11. bashful lovers\u003cbr\u003e12. to be a god\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMusic by Emma Hardyman, Produced by Bly Wallentine and Emma Hardyman \u003c\/p\u003e\n\u003cp\u003eMixed and Engineered by Bly Wallentine, Mastered by Kramer, with additional mastering by Lindenfield \u003cbr\u003eArt Direction and Album Design by Ty Davis \u003cbr\u003ePhotography by Mario Alcauter \u003cbr\u003eAlbum Midwife, Sequencer, and Adviser: Karl Hofstetter \u003cbr\u003eRecorded at The Toaster Oven \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBly Wallentine: synths\/programming, bass guitar, percussion, bowed banjo, horns, organ, melodica, clarinet, toy piano, acoustic guitar, backup vocals \u003cbr\u003eBryn Huntington: clarinet and bass clarinet \u003cbr\u003eBridget Jackson: harp \u003cbr\u003eChris Themwell: drums \u003cbr\u003eCassidy Wake: violin \u003cbr\u003eAnne Montgomery Blake: cello \u003cbr\u003eHunter Montgomery: viola \u003cbr\u003eNathan Hardyman: electric guitar and acoustic guitar, backup vocals \u003cbr\u003eKaty Ducos: trombone \u003cbr\u003eCommunity of choir friends: backup vocals \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW140794531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW140794531 BCX0\" paraid=\"2\" paraeid=\"{d53bd655-e16f-472b-ad93-b312c9e996e5}{167}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e\u003cbr\u003eAll her life, Emma Hardyman has wrestled with contradictions. After all, she was practically rendered a living, breathing contradiction the moment she was born into her half-Peruvian, half-white working-class Mormon family. Hardyman never quite fit in, often feeling ostracized no matter who she interacted with, and understandably found refuge in the arts—but even the way she obtained one of her unique talents feels contradictory. As children of musical parents, she and her siblings poked fun at the vocal wa\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003ermups their father would teach his students, but amidst these jokes, one brother frequently challenged Hardyman to sing above the piano’s highest note, unwittingly helping to shape her gorgeous, unusually high vocal range. She was also homeschooled and the youngest of seven, which fueled her nervousness and social anxiety, so when encountering stressful situations, she often sang church hymns to herself, leaning into absurdity when faced with fear.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW140794531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW140794531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW140794531 BCX0\" paraid=\"4\" paraeid=\"{d53bd655-e16f-472b-ad93-b312c9e996e5}{179}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eIn young adulthood, Hardyman felt increasingly disillusioned with Mormonism’s righteous black-and-white thinking, as well as its exclusionary elitism, and decided to leave the church. But she also acknowledged that the institution’s all-or-nothing philosophy had become a part of her, resulting in a considerable test of grace and unlearning. Throughout that process, she began to realize that those parts of her weren’t universally harmful, and she started to ponder what she could lose by denying certain aspec\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003ets of herself. Hardyman also felt drawn to the ways mythology, spirituality, science and imagination give permission to revel in the beauty of paradoxes and regular introspection, and she now proudly relishes her role as a thoroughly contradictory being.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW140794531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW140794531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW140794531 BCX0\" paraid=\"6\" paraeid=\"{d53bd655-e16f-472b-ad93-b312c9e996e5}{191}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eAs the singer-songwriter and visionary behind Little Moon, the Provo, Utah-based \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW140794531 BCX0\"\u003eavant\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e-folk project, Hardyman uses music as an outlet to illuminate, intertwine and contort contradictions of all kinds. Following her self-released 2020 debut LP \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eUnphased\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e, Hardyman set out to write a romantic album about her newlywed husband Nathan, but the universe had other plans. After Nathan’s mother tragically passed away—a loss made more difficult by the fact that he had just informed her of his plans to exit the church—Hardyman recalibrated her vision and started work on a love-as-grief, grief-as-love album titled \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eDear Divine\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW140794531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW140794531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW140794531 BCX0\" paraid=\"8\" paraeid=\"{d53bd655-e16f-472b-ad93-b312c9e996e5}{211}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eBut Nathan is still weaved into the DNA of this LP, contributing vocals and guitar, in addition to a co-write on “wonder eye,” the explosive, ornately layered folk-pop song that won them the Tiny Desk Contest. Their relationship is also explored in Hardyman's mercurial vignettes, which ruminate on what it means to love deeply while also navigating your own insecurities and balancing autonomy with vulnerability. In this context, it becomes clear just how much love and grief have in common: the natural desire\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e to romanticize, a yearning for a home-like calm and an urge to make sense of the inherently nonsensical. Affecting and chaotic, \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eDear Divine\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e serves as a mirror for the darkest parts of ourselves, allowing us to examine our ego—not to dismantle it, but to better understand how we love, process adversity and move through the world. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW140794531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW140794531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW140794531 BCX0\" paraid=\"10\" paraeid=\"{d53bd655-e16f-472b-ad93-b312c9e996e5}{227}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eWhile \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eUnphased\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e was a no-frills album recorded live without a click track, filled with songs shrouded in vagueness, \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eDear Divine\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e is a vast, dense sonic world that mimics the grandiosity and delicate ebbs and flows of nature, peppered with intensely personal, complex lyrical motifs. Co-produced by Hardyman and Bly Wallentine (who also mixed the album and contributed banjo, horns, melodica and numerous other sounds), \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eDear Divine\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e is laced with rich textures, from saintly harp plucks and field recordings of crunchy lea\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eves to harshly distorted vocals and \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eZelda\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e-inspired synths. The LP is also a product of the absurdity Hardyman holds dear, from jarring transitions, oddball effects and a goofy voicemail to perhaps the most absurd (and earnest) choice of all: closing the album with a touching phone-recorded acapella number—a courageous, soul-baring move given that it exceeds five minutes and is the record’s longest track.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW140794531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW140794531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW140794531 BCX0\" paraid=\"12\" paraeid=\"{d53bd655-e16f-472b-ad93-b312c9e996e5}{255}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eCentering the classical music, folk, video game soundtracks and Tabernacle Choir hymns she grew up with, as well as ephemeral snapshots of personal significance, \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e\u003cem\u003eDear Divine\u003c\/em\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eis an abundant tapestry of Hardyman’s life. As enlivening melodies radiate from a string trio, you can envision the classical music that thrums from her parents’ radio 24\/7, as Hardyman sings in an otherworldly coo, you can imagine her younger self swooning over the tranquil records of Vashti Bunyan and Joan Baez, and as arpeggiated synths twinkle, you can visualize the enchanting kingdom of Hyrule from \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e\u003cem\u003eThe Legend of Zelda: Ocarina of Time\u003c\/em\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003ethat she still adores.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW140794531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW140794531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW140794531 BCX0\" paraid=\"14\" paraeid=\"{0713e4bd-b161-4d1c-b945-8ddf09f74dd7}{18}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e“I wanted to play with the imaginative realms of fantasy, as well as imaginative realms of the sacred, like Gregorian choral hymnal music,” Hardyman says. “But I wanted to reimagine the sacred so it’s not ‘I must be righteous to please God,’ and instead more like, ‘You are who you are and that’s beautiful—not because you’re righteous, but because you’re a sinner and you mess up a lot, and you’re held in reverence for that.’”\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW140794531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW140794531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW140794531 BCX0\" paraid=\"16\" paraeid=\"{0713e4bd-b161-4d1c-b945-8ddf09f74dd7}{28}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eSongs like the swirling chamber-folk “now” and the harmony-laden downtempo rocker “messy love” embrace the gloriously jumbled stew of life, with the former chronicling Hardyman’s arduous quest for love and trust—virtues the cultures around her often lacked—and the latter patiently navigating the ways romantic partners can mirror each other’s shortcomings. From references to her parents’ hardships (“holy and sweet”) to memories of her sister’s bicycle (“kind, kind home”), \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eDear Divine\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e is bolstered by a loving examination of familial bonds. “blue,” a dainty, soundtrack-y synth-pop cut, recounts a near-death experience in which Hardyman’s sister rescued her from crashing waves, and “to be a god,” the hauntingly bare, pastoral closer, features a quote from Hardyman’s mother about flawed love as a manifestation of divinity.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW140794531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW140794531 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW140794531 BCX0\" paraid=\"18\" paraeid=\"{0713e4bd-b161-4d1c-b945-8ddf09f74dd7}{42}\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eAs \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003eDear Divine\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e attests, Emma Hardyman may not have it all figured out, but that’s kind of the point. Through grief, faith crises and even all-encompassing love, she’s found the most wisdom in life’s maddeningly consistent inconsistencies, as well as the subtle ways one can cultivate a feeling of home. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003e\u003cem\u003eDear Divine\u003c\/em\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN\" class=\"TextRun SCXW140794531 BCX0\" xml:lang=\"EN\"\u003e\u003cspan class=\"NormalTextRun SCXW140794531 BCX0\"\u003edoesn’t take a red pen to life, it brings an open heart, an open mind and achingly beautiful, opulently weird folk songs.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW140794531 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Little Moon","offers":[{"title":"VIP","offer_id":49480035893558,"sku":"JNR477_VIP_LITTLEMOON","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Moon White Vinyl + Digital (Includes digital download in high quality MP3 \/ AIFF \/ WAV.)","offer_id":49480035926326,"sku":"JNR477_LP-C1_LITTLEMOON","price":24.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Includes digital download in high quality MP3 \/ AIFF \/ WAV.)","offer_id":49480035959094,"sku":"JNR477_CD_LITTLEMOON","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Digital download in high quality MP3 \/ AIFF \/ WAV.)","offer_id":49480035991862,"sku":"JNR477_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR477CoverArtFinal1200px.jpg?v=1759331185"},{"product_id":"see-you-at-the-solipsist-convention","title":"See You at the Solipsist Convention","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eTrack Listing \/ Listen\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ueYFRPMn_rs?si=ZvqoRaWwgwUcVHKX\" height=\"400\" width=\"100%\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/f8Vg4Fmj-fQ?si=E-wbwkbMyqW78hLl\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/2A6QN0yLvHbTwZAkbOdyA8?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003col\u003e\n\u003cli\u003eNot So Sorry Now Are You?\u003c\/li\u003e\n\u003cli\u003eOccasional Grape?\u003c\/li\u003e\n\u003cli\u003eNice Walrus\u003c\/li\u003e\n\u003cli\u003eIf You Say So\u003c\/li\u003e\n\u003cli\u003ePeople Don't Like It When You Call Them Ace\u003c\/li\u003e\n\u003cli\u003eFire, When It's Broken\u003c\/li\u003e\n\u003cli\u003eYour Reverb Is Showing\u003c\/li\u003e\n\u003cli\u003eHorror Snuggle\u003c\/li\u003e\n\u003cli\u003eYou Didn't Need Those Pencils Did You?\u003c\/li\u003e\n\u003cli\u003eThere's No One on Board\u003c\/li\u003e\n\u003cli\u003eSee Through Wolf Costume\u003c\/li\u003e\n\u003cli\u003eNon-incredible Visitor\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eCREDITS:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKristian Dunn - basses, piano, keys on If You Say So \u003cbr\u003eDamon Che - drums, photo stills \u003cbr\u003e\u003cbr\u003eSpecial guests: \u003cbr\u003eKishi Bashi - strings on Nice Walrus \u003cbr\u003eMacie Stewart - strings on Fire, When It’s Broken and Horror Snuggle \u003cbr\u003e\u003cbr\u003eRecorded at Postal Recording Feb. 18-23, 2024 \u003cbr\u003eEngineered, mixed and mastered by Tyler Watkins\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe odd couple of Kristian Dunn (El Ten Eleven) and Damon Che (Don Caballero) was the result of some clever musical matchmaking by Karl Hofstetter, founder and curator of Joyful Noise Recordings. Karl introduced Dunn and Che via email in April 2023 after Dunn’s prolific output outgrew the resources and abilities of his instrumental duo El Ten Eleven. Less than a year later, after countless text messages and song sketches were exchanged, and one fateful meeting at a recording studio was organized, their nascent project’s debut record, \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eSee You at the Solipsist Convention\u003c\/em\u003e,\u003c\/span\u003e\u003cspan\u003e was complete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDespite Che’s initial unfamiliarity with Dunn’s musical output, their personalities bridged any and all gaps—both Che and Dunn share a flair for the comically absurd and musically adventurous, a mindset that shines throughout \u003c\/span\u003e\u003cem\u003eSee You at the Solipsist Convention\u003c\/em\u003e\u003cspan\u003e. Che has become legendary for his calculated polyrhythms and undeniable physicality, while Dunn is known for relentless experimentation and productivity akin to a freight train. Quickly, the unlikely pair transformed into destined collaborators.\u003c\/span\u003e\u003cspan class=\"TextRun SCXW84887332 BCX0\" lang=\"EN-US\" data-contrast=\"auto\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eScaffolded around eight-string bass, knotty percussion, and intricate syncopation, \u003c\/span\u003e\u003cem\u003eSee You at the Solipsist Convention\u003c\/em\u003e\u003cspan\u003e is a carnival of delights for fans of the post-everything persuasion—uncategorizable yet reverent to the altar of instrumental rock. \u003c\/span\u003e\u003cspan class=\"TextRun SCXW84887332 BCX0\" lang=\"EN-US\" data-contrast=\"auto\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW84887332 BCX0\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBeyond all measure, Yesness stands as a testament to the powerful dividends of friendship and collaboration. We are nothing without each other – our partners, our local record store clerks, our neighbors. Music, too, thrives on our entanglements. With twelve tracks, an upcoming tour, and an unexpected friendship stemming from one email, Yesness underscores the brilliant machinery of human connection.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yesness","offers":[{"title":"Dark Evergreen Vinyl + Digital (Download in WAV, AIFF \u0026 MP3)","offer_id":50304888308022,"sku":"JNR491-Yesness-LP-C1","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Download in MP3 \/ AIFF \/ WAV)","offer_id":50309277548854,"sku":"JNR491-Yesness-DIGITAL","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":50309277483318,"sku":"JNR491-Yesness-VIP","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR491CoverArtFinal.jpg?v=1726589343"},{"product_id":"least-i-have-you","title":"Least I Have You","description":"\u003cdiv class=\"section group\"\u003e\n\u003cdiv valign=\"top\" style=\"vertical-align: top;\" class=\"col span_1_of_2\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eWATCH\/LISTEN\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_yYk0Ht4tp8?si=rYT1Ui6u7Y-GCEZZ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/track\/0nhiacC1vCpE2VJKZlLId7?utm_source=generator\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCredits \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWritten and performed by CocoRosie\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBianca Casady: Vocals, piano, drum machine, keyboard\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSierra Casady: Vocals, piano, drum machine, keyboard\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eGreg Saunier: Drums - additional\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRecorded and engineered by Manuel Calderon and Nico Kalwill \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMixed by Nico Kalwill\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMastered by Chris Gehringer\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col span_1_of_2\" style=\"vertical-align: top;\" valign=\"top\"\u003e\n\u003cdiv style=\"width: 100%; margin: 0px; padding: 8px 0px 6px 8px; background-color: #a9a9a9; color: #ffffff; font-family: 'Oswald', sans-serif; font-size: 24px; font-weight: 300; line-height: 100%; text-transform: uppercase;\"\u003eDescription\u003c\/div\u003e\n\u003cdiv style=\"margin: 0px; padding: 15px 0px 0px 0px;\"\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW252573024 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW252573024 BCX0\" paraeid=\"{35270d98-0e48-4ce6-bcda-9768048d946a}{176}\" paraid=\"2067730803\"\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eThe entire \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW252573024 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e project\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e—\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003ewhich has, above all else, been a conduit for sisters Bianca and Sierra Casady\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003es connection\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e—\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003ehas been leading up to these words: \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"AR-SA\" data-contrast=\"none\" xml:lang=\"AR-SA\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e“\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eif no one in the world understands, \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eat \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eleast I have you\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e”\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e. They are the chorus of their latest song \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e‘\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eLEAST I HAVE YOU\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e, as well as the spiritual reward for Sierra and Bianca\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003es twenty year-long stint of carrying one another\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003es pain and transmuting it into trashy treasure. In another artist\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003es mouth they might scan as trite, but in the sisters\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e’ \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003ethey are revelatory. \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW252573024 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e has a unique talent for turning the kitsch primordial, the platitudinous into fresh truths. And no one has earned those nakedly sentimental words as much as the Casady sisters.  \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e‘\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eLeast I Have You\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e’ \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eis the hardest-earned and purest distillation of the \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW252573024 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e project yet.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":4278190080,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":0,\"335559739\":0,\"335559740\":276}' class=\"EOP SCXW252573024 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":4278190080,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":0,\"335559739\":0,\"335559740\":276}' class=\"EOP SCXW252573024 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW252573024 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW252573024 BCX0\" paraeid=\"{35270d98-0e48-4ce6-bcda-9768048d946a}{242}\" paraid=\"140311835\"\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eThe song\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003es musical arc mirrors the sisters\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e’ \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003erelationship: it begins combatively, with the sound of gun-toting guitar squalls and beats like Street Fighter punches, before leveling out into tentative euphoria, cautiously crawling towards the ecstatic union of that chorus. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":4278190080,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":0,\"335559739\":0,\"335559740\":276}' class=\"EOP SCXW252573024 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":4278190080,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":0,\"335559739\":0,\"335559740\":276}' class=\"EOP SCXW252573024 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW252573024 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW252573024 BCX0\" paraeid=\"{19e39ab2-c197-4af8-8a20-e1487d6066b2}{5}\" paraid=\"1495454877\"\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"AR-SA\" data-contrast=\"none\" xml:lang=\"AR-SA\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e“\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eUp until this song, we used to take our pain out on each other,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"AR-SA\" data-contrast=\"none\" xml:lang=\"AR-SA\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e” \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003esays Sierra.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"AR-SA\" data-contrast=\"none\" xml:lang=\"AR-SA\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e “\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eUntil we allowed our sisterhood to become the antidote to the damage that came in our younger years.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"AR-SA\" data-contrast=\"none\" xml:lang=\"AR-SA\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e” \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eThe song, Bianca adds, came\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"AR-SA\" data-contrast=\"none\" xml:lang=\"AR-SA\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e “\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003ejust in a simple way.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"AR-SA\" data-contrast=\"none\" xml:lang=\"AR-SA\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e” “\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003eIt's vulnerable. It's cute. It's cliche. It's all these things I don't think we would have been able to approach in the past.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW252573024 BCX0\" lang=\"AR-SA\" data-contrast=\"none\" xml:lang=\"AR-SA\"\u003e\u003cspan data-ccp-parastyle=\"Default\" class=\"NormalTextRun SCXW252573024 BCX0\"\u003e”\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":4278190080,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":0,\"335559739\":0,\"335559740\":240}' class=\"EOP SCXW252573024 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CocoRosie","offers":[{"title":"Digital (MP3 \/ WAV \/ AIFF)","offer_id":51008755499318,"sku":"JNR480dig1","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/LeastIHaveYou-SingleArt-Final.jpg?v=1728657023"},{"product_id":"in-heaven","title":"In Heaven","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp dir=\"auto\"\u003e\u003cem\u003eEraserhead\u003c\/em\u003e was a life-changing experience for me as a teenager. I related heavily to the character of Henry Spencer, feeling so lost and confused in the world. And like Henry, I also worked in a printing factory. I found a used copy of the soundtrack album and one of the first songs I ever recorded in my bedroom back in the ‘90s was a cover of \"\u003cspan\u003eIn Heaven\u003c\/span\u003e.\" I’d probably be embarrassed to hear it now 30 years later but fortunately Dale Crover, Thor Harris and Steve Patrick have helped me finish a new version which I’m not embarrassed by. \u003c\/p\u003e\n\u003cp\u003eI owe everything to David Lynch who inspired me as a young artist and later gave me much encouragement and support when I lived in Los Angeles. We had many show-and-tell sessions accompanied by many cups of coffee during my time in LA. It was a very special time. It’s almost impossible to express how  grateful I am to have someone I admire so much be so helpful and kind to me. \u003c\/p\u003e\n\u003cp\u003eAbout the recording: \u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eI was excited to get Dale and Thor together again as they are two of my all-time favourite drummers and percussionists (they were previously heard together on the Stranger EP by Dumb Numbers in 2017). They are both big fans of David Lynch and \u003cem\u003eEraserhead\u003c\/em\u003e so it didn’t take too much convincing to get them involved.\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eThe vocals were recorded in a 100 meter long echo chamber in the ceiling of a WW2 era textiles factory in Nijmegen. It’s really inspiring for me during the recording to be surrounded by natural reverb rather than adding it digitally afterwards.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eThe final part of the process was transferring the song to a 2 inch master tape and experimenting with pitching it down in the analog realm. Tyler and I experimented with different speeds and decided the song sounded best pitched down 6 semitones (half an octave). I wanted it to sound like one of those unofficial ‘slowed+reverb’ remixes on YouTube but achieved without the use of computers. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp dir=\"auto\"\u003e-\u003ci\u003eAdam Harding\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dumb Numbers","offers":[{"title":"Lathe-Cut 7\" + Digital (Limited to 150 hand-made copies)","offer_id":51221365031222,"sku":"JNR497_DN-lathe","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Digital (MP3\/WAV\/AIFF)","offer_id":51221365063990,"sku":"JNR497-Dig","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR497_DIGITALART.jpg?v=1730755204"},{"product_id":"peacemakers-unite","title":"Peacemakers Unite","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“Peacemakers Unite” builds from a radiant, if uneasy, theme. Merz sings in abstracted verses, searching for a means of finding peace, while his instrument interjects. His voice alternates between melismatic and whispering, trembling with the urgency of each word. Every pedal steel motion, as it oscillates between just a couple of notes, is punctuated by the rhythmic tapping of his feet, an echo that grounds this dreamy music in a sense of harsh reality. It is the red sunrise before a storm, the gentle awakening before delving deep into the wounds and darknesses that make a life in America.\u003c\/span\u003e\u003c\/p\u003e","brand":"New Orthodox","offers":[{"title":"Digital (MP3\/WAV\/AIFF)","offer_id":51340807274806,"sku":"Peacemakers-Unite_DIG","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/PeacemakersUniteSingleArt.png?v=1732735803"},{"product_id":"bull-market-on-corn","title":"Bull Market on Corn","description":"\u003cp\u003e\u003cspan\u003eOn \u003cstrong\u003e\u003cem\u003eBull Market on Corn\u003c\/em\u003e\u003c\/strong\u003e, New Orthodox (Nicholas Merz) makes music that responds to the American expanse with plain-spoken thought. The pedal steel player’s songs paint pictures of the fractured ideologies that shape life in this country through the melodic haze of his instrument, the comedy of his lyrics, and the surreal choreography that accompanies his performances. The music is both intimate and grand, charged and claustrophobic, taking the tools of country and spinning them out of context.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBull Market on Corn\u003c\/em\u003e marks the debut of the project \u003cstrong\u003eNew Orthodox\u003c\/strong\u003e, but represents a continuation of many of the themes that have colored Merz’s songwriting. The album was recorded with \u003cstrong\u003eSteve Albini\u003c\/strong\u003e, whose musical output, principled ethic, and honest production served as an early inspiration for Merz. With \u003cem\u003eBull Market\u003c\/em\u003e, he wanted to keep in extraneous sounds to provide perspective to the recording space; like the click of his foot as he plays, almost nod to some Shellac tracks. That attention to detail lends to the album’s intimacy, the close range from which it explores Merz’s playing and American life.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBull Market on Corn\u003c\/em\u003e also offers a deep exploration of the rich sound and history of the pedal steel. Pedal steel has been primarily used in country music — the tradition of the cradle of America. In his music, Merz takes this history and flips it on its head, transforming his instrument’s gentle twang into a resonant, echoing hum, or a growling, swarming buzz. His vocals, too, reimagine history, taking a forthright style of singing and filling it out with echoing melismas. It’s Merz’s way of playing with American musical idioms, putting a new spin on them to match the stark nature of his songwriting. Merz developed these songs while on tour, writing fragments and then discovering variations each night as he traveled. The performance is an important counterpart to the music itself. When he plays, he moves in dramatic yet constrained jolts, stilted yet completely choreographed and in-sync. It’s another way of conveying the surreal absurdity of his music, derived from the mechanics of the pedal steel.\u003c\/p\u003e\n\u003cp\u003eEach song on \u003cem\u003eBull Market\u003c\/em\u003e feels like a different fragment of the American experience. Tracks like “Glory” reflect on the male perspective of older generations, in fiery and sarcastic overtones; “Blue Marble” personifies the relationship between humans and our planet, the push\/pull and often decimation that occurs from one party to the other, in lamenting sighs. Elsewhere, he probes remembrances, like on “One Less Cop,” which draws from his mother’s life experiences and his memories of living in a trailer as a kid, or cuts right to pressing political issues, like “Industrial Complex,” which is a noisily urgent response to America’s prison system. It is vast territory to cover, but Merz’s work is in connecting the dots through the bellowing drone and long tail of history of his pedal steel, using the instrument to tell the story of the present through the lens of the past.\u003c\/p\u003e","brand":"New Orthodox","offers":[{"title":"VIP","offer_id":51355003617590,"sku":"JNR479_VIP","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Black Vinyl + Digital (Download in WAV \/ AIFF \/ MP3)","offer_id":51355003552054,"sku":"JNR479_LP","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Cassette + Digital (Download in WAV \/ AIFF \/ MP3)","offer_id":51362847228214,"sku":"JNR479_CASS","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Download in MP3 \/ AIFF \/ WAV)","offer_id":51355003584822,"sku":"JNR479_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR479_Cover_Art_Final.jpg?v=1759331174"},{"product_id":"dirt-live","title":"Dirt (Live)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFinom performing \"Dirt\" from the album \u003c\/span\u003e\u003cem\u003eNot God\u003c\/em\u003e\u003cspan\u003e. Recorded live at The Metro in Chicago on November 2nd, 2024.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"There's a starkness to this song that we started leaning into live, much more dramatically than on the record. There was just something really grounding about playing \"Dirt\" early in the set, letting the bass and drums create this deep groove that our voices could soar over. We wanted to really take a minute to depart from any maximalism and just let the words ring out and say what we want to say.  Especially in a room like the Metro where everyone is so up close with you but you still feel like you're in this big, storied place. We feel a swell of power whenever we sing 'Salt of the earth you were never, if I eat the dirt will it make me clever?' in three-part harmony.\" - Finom\u003c\/p\u003e","brand":"Finom","offers":[{"title":"Lathe-Cut 7\" + Digital (Limited to 150 hand-made, hand-numbered copies on white vinyl)","offer_id":51413267087670,"sku":"JNR482-2_Dirt_Lathe","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":51413267120438,"sku":"JNR482-2_digital","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/DirtLiveDigitalArtwork.jpg?v=1734385888"},{"product_id":"little-death-wishes","title":"Little Death Wishes","description":"\u003cdiv class=\"OutlineElement Ltr SCXW238142594 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW238142594 BCX0\"\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eFor just over twenty years, Bianca and Sierra Casady have transmuted the love, hardship, and ecstasy of sisterhood into some of the most daring, dangerous, and wildly original music our increasingly sanitized culture has known. \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e has been a project consistently at the musical vanguard, influencing countless musicians while inspiring and creating refuge for the \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"AR-SA\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e“\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"ES-ES\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003ecriminal \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003equeers\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e”\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"ContextualSpellingAndGrammarError SCXW238142594 BCX0\"\u003eof\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e the world. Above all, \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e has been a conduit for irrepressible artistic \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"ContextualSpellingAndGrammarError SCXW238142594 BCX0\"\u003eself realization\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":4278190080,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":240,\"335559739\":240,\"335559740\":276}' class=\"EOP SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW238142594 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW238142594 BCX0\"\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e\u003cem\u003eLittle Death Wishes\u003c\/em\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eis as open and tenderhearted as anything they\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eve ever created. The songs tell a kaleidoscopic story of \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003ethe generational hardship of women and the shattered realities of their lives, the \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eprecarious and precious nature of being human, of being done wrong by love, and a final wish to be unbroken. It boils everything \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e down to its most brutal essence: turning pain into knowledge, sisterhood into polemic, trash into treasure, and \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003erecalcifying\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e kitsch and \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003eclich\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"FR-FR\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"ContextualSpellingAndGrammarError SCXW238142594 BCX0\"\u003eé\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003einto fresh truths. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":16777215,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":0,\"335559739\":0,\"335559740\":276}' class=\"EOP SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW238142594 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW238142594 BCX0\"\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eThrough a process of unbridled experimentation, and a welcoming of happy accidents, which the musicians relate to more as magic, \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e crafts every aspect of their music from song writing to the complex and layered electronic production. Often starting with \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003ebeatmaking\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e, using whatever is at hand, cutting scraps into patterns until it makes them dance. The melodies are simple and to the point, frequently generated from whatever children\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003es keyboard is lying about. At this stage in their co-created process, they need little to make their heartfelt, grimy songs. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":16777215,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":0,\"335559739\":0,\"335559740\":276}' class=\"EOP SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":16777215,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":0,\"335559739\":0,\"335559740\":276}' class=\"EOP SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW238142594 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW238142594 BCX0\"\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eDuring their experimental-play sessions in making this record, often in a closet sized, bedroom-studio, they challenged their habituated modes and exchanged musical roles. Under Bianca\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003es direction, Sierra stepped into her sister\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003es beat-making post, chopping spoons and typewriters into sixteenths, making crusty high hats collaged with swinging funk samples, then straightening them back to make them fit. Unlike previous records, a good bulk of the album\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003es lyrics come from Sierra\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e—\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003ewe hear a less cerebral, more intuitive side of \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e because of it. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"AR-SA\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e“\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eWait for me,\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e” \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eshe sings in the song of the same name, calling out from a place below the depths of her being. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":16777215,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":0,\"335559739\":240,\"335559740\":276}' class=\"EOP SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW238142594 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW238142594 BCX0\"\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eLittle Death Wishes\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e exists in its own musical lexicon. It is both primordial and tawdry, a rich bricolage of dusted-over pop culture signifiers that the sisters contort into their own sense of temporality. Contributing to the \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003eavant\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003egarde\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e, yet unbeholden to contemporary trends, \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e collects musical detritus from other times, which they fashion into their own baroque, theatricalized creations. With the sisters\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e’ \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003ehands deep in every layer of their music, each song on \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e\u003cem\u003eLittle Death Wishe\u003c\/em\u003es\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e feels \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003etransportative\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e and transformative.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TabRun IPSelectionBlob BlobObject DragDrop SCXW238142594 BCX0\"\u003e\u003cspan class=\"TabChar SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003cspan aria-hidden=\"true\" class=\"TabLeaderChars SCXW238142594 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight EmptyTextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":4278190080,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":240,\"335559739\":240,\"335559740\":276}' class=\"EOP SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW238142594 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW238142594 BCX0\"\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eSinging on a soul record from the 70\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003es they dreamt of, \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"AR-SA\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e“\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003eNo Need \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"ContextualSpellingAndGrammarError SCXW238142594 BCX0\"\u003eFor\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e Money (when you\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e’\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003ere dead)\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e”\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e, a statement they hold close, speaks of an anti-materialistic, spiritual view which simultaneously critiques capitalism and greed as an egregiously destructive force in this world. Throughout\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003ethe album, the politics are quilted into the tragic love story of the lyrics\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e—\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003ein a crude style patchwork of garish stitches and a little glitter to seduce the listener into a world that gratingly goes against the status-quo. Consistent with their approach over their past 7 records and spanning two decades (released on legendary labels like Touch \u0026amp; Go and Sub Pop), they hold closely the voice of dissent and their role to stir things up and challenge the hypocrisy of our times with\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"AR-SA\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e“\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003ehaunted-house\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e” \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003ereflections both satirical and deeply personal. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TabRun IPSelectionBlob BlobObject DragDrop SCXW238142594 BCX0\"\u003e\u003cspan class=\"TabChar SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003cspan aria-hidden=\"true\" class=\"TabLeaderChars SCXW238142594 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun EmptyTextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":16777215,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":120,\"335559739\":240,\"335559740\":276}' class=\"EOP SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW238142594 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW238142594 BCX0\"\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"AR-SA\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e“\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW238142594 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e has been the center of our lives for such a long time now,\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e” \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003esays Bianca. In those years, the sisters have been infantilized and revered, fetishized and mirrored, \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003emisogynized\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e and adored; at times willfully misunderstood by the press\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e—\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003ewhich has failed to reduce the group into mere perverse whimsy. Despite it all, \u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"SpellingError SCXW238142594 BCX0\"\u003eCocoRosie\u003c\/span\u003e\u003cspan data-ccp-parastyle=\"Body\" class=\"NormalTextRun SCXW238142594 BCX0\"\u003e has continuously pursued the bravest and boldest routes, uplifting the rawest, unveiled, and most tender strands of humanity and nudging us towards the light.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"134245417\":true,\"134245418\":false,\"134245529\":false,\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335557856\":4278190080,\"335559685\":0,\"335559731\":0,\"335559737\":0,\"335559738\":240,\"335559739\":240,\"335559740\":276}' class=\"EOP SCXW238142594 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"CocoRosie","offers":[{"title":"Teardrop Aqua Vinyl + Digital (Download in MP3 \/ AIFF \/ WAV)","offer_id":51452401221942,"sku":"JNR480_C1","price":24.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Download in MP3 \/ AIFF \/ WAV)","offer_id":51452426584374,"sku":"JNR480_CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Download in MP3 \/ AIFF \/ WAV)","offer_id":51452401254710,"sku":"JNR480_dig","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":51452401287478,"sku":"JNR480_VIP","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR480CoverArtFinal.jpg?v=1735929050"},{"product_id":"dare-to-be-surprised","title":"Dare to Be Surprised","description":"\u003cdiv class=\"OutlineElement Ltr SCXW106503358 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW106503358 BCX0\"\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eIt’s easy to forget just how deeply weird the ’90s were. On a global scale, you had the\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335572071\":0,\"335572072\":0,\"335572073\":0,\"335572075\":0,\"335572076\":0,\"335572077\":0,\"335572079\":0,\"335572080\":0,\"335572081\":0,\"335572083\":0,\"335572084\":0,\"335572085\":0,\"335572087\":0,\"335572088\":0,\"335572089\":0,\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1],\"469789798\":\"nil\",\"469789802\":\"nil\",\"469789806\":\"nil\",\"469789810\":\"nil\",\"469789814\":\"nil\"}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003ecollapse of the Soviet Union and its Warsaw Pact satellites (Sputnik’s Down!). Hundreds of millions of people were thrown to the wolves of economic chaos and misery, and the Cold War that had provided the defining framework for understanding the world over the previous half century suddenly evaporated. Hapless theorists were left to speculate about “the end of history,” even. Confusing! At the local level it was a time when one could sit down with one’s father as he watched NASCAR on TV and hear “Natural On\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003ee” by my underground music friends the Folk Implosion — their song inescapably employed as bumper music before the next commercial break. Also confusing!\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335572071\":0,\"335572072\":0,\"335572073\":0,\"335572075\":0,\"335572076\":0,\"335572077\":0,\"335572079\":0,\"335572080\":0,\"335572081\":0,\"335572083\":0,\"335572084\":0,\"335572085\":0,\"335572087\":0,\"335572088\":0,\"335572089\":0,\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1],\"469789798\":\"nil\",\"469789802\":\"nil\",\"469789806\":\"nil\",\"469789810\":\"nil\",\"469789814\":\"nil\"}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW106503358 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW106503358 BCX0\"\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eOne gets the sense it was a little confusing for The Folk Implosion’s John Davis and Lou Barlow, too. They were in the middle of recording \u003cem\u003eDare to Be Surprised\u003c\/em\u003e, the follow-up to their 1994 debut album, \u003cem\u003eTake A Look Inside\u003c\/em\u003e, when it happened. The \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eKIDS\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003e stuff — the handful of songs and instrumental tracks they’d contributed to the soundtrack of the now infamous Harmony Korine\/Larry Clark film — had been something of a lark, but it was while recording it at Boston’s venerable Fort Apache that they met Wally Gagel. A happy accident: Gagel happened to be the house engineer on duty the day they showed up, but they found in him someone whose general sensibilities, and, critically, enthusiasm for new wave, matched their own.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335572071\":0,\"335572072\":0,\"335572073\":0,\"335572075\":0,\"335572076\":0,\"335572077\":0,\"335572079\":0,\"335572080\":0,\"335572081\":0,\"335572083\":0,\"335572084\":0,\"335572085\":0,\"335572087\":0,\"335572088\":0,\"335572089\":0,\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1],\"469789798\":\"nil\",\"469789802\":\"nil\",\"469789806\":\"nil\",\"469789810\":\"nil\",\"469789814\":\"nil\"}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW106503358 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW106503358 BCX0\"\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eThe results marked a shift from earlier Folk Implosion efforts. The partnership between\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335572071\":0,\"335572072\":0,\"335572073\":0,\"335572075\":0,\"335572076\":0,\"335572077\":0,\"335572079\":0,\"335572080\":0,\"335572081\":0,\"335572083\":0,\"335572084\":0,\"335572085\":0,\"335572087\":0,\"335572088\":0,\"335572089\":0,\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1],\"469789798\":\"nil\",\"469789802\":\"nil\",\"469789806\":\"nil\",\"469789810\":\"nil\",\"469789814\":\"nil\"}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eLou Barlow, already an indie-rock veteran with two of the era’s most influential bands in Dinosaur Jr and Sebadoh amongst his credits, and John Davis, the erstwhile librarian whose skeletal solo work paired elliptical guitar figures with lyrics that evoked the language poets, seemed at first like an opportunity to get silly with it in ways that \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003ewouldn’t have sat quite right with their other projects.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335572071\":0,\"335572072\":0,\"335572073\":0,\"335572075\":0,\"335572076\":0,\"335572077\":0,\"335572079\":0,\"335572080\":0,\"335572081\":0,\"335572083\":0,\"335572084\":0,\"335572085\":0,\"335572087\":0,\"335572088\":0,\"335572089\":0,\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1],\"469789798\":\"nil\",\"469789802\":\"nil\",\"469789806\":\"nil\",\"469789810\":\"nil\",\"469789814\":\"nil\"}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eWhat came out of Fort Apache was different: mannered, moody, dubby even (they\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1]}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003esampled Erik Satie, for crying out loud!). Lacking the budget to go back to the proper\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1]}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003estudio that the \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eKIDS \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003egig had afforded them, the Folk Implosion settled instead on Gagel’s small recording space in Boston’s South End. There were rules, rules born from frank conversations. No chords. No strumming. No indie rock! They whiled away\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1]}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eafternoons in the park writing lyrics, trading lines. And over a year of episodic sessions, a weekend here, a few days there, an album came together. When “Natural One” blew up it could’ve changed the calculus — the opportunity was there to scrap what they’d been working on and start over with major-label money — but they elected instead to stay the course, confident in the process.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1]}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW106503358 BCX0\"\u003e\n\u003cp data-ccp-padding-between=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-bottom=\"0px none #000000\" class=\"Paragraph SCXW106503358 BCX0\"\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eIt seems a bit of a shame from this remove that\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003e \u003cem\u003eDare to Be Surprised\u003c\/em\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003ewas destined to\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335572071\":0,\"335572072\":0,\"335572073\":0,\"335572075\":0,\"335572076\":0,\"335572077\":0,\"335572079\":0,\"335572080\":0,\"335572081\":0,\"335572083\":0,\"335572084\":0,\"335572085\":0,\"335572087\":0,\"335572088\":0,\"335572089\":0,\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1],\"469789798\":\"nil\",\"469789802\":\"nil\",\"469789806\":\"nil\",\"469789810\":\"nil\",\"469789814\":\"nil\"}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003elive in the shadow of the KIDS soundtrack’s success, but the ’90s were a weird time,\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335572071\":0,\"335572072\":0,\"335572073\":0,\"335572075\":0,\"335572076\":0,\"335572077\":0,\"335572079\":0,\"335572080\":0,\"335572081\":0,\"335572083\":0,\"335572084\":0,\"335572085\":0,\"335572087\":0,\"335572088\":0,\"335572089\":0,\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1],\"469789798\":\"nil\",\"469789802\":\"nil\",\"469789806\":\"nil\",\"469789810\":\"nil\",\"469789814\":\"nil\"}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eand it was sometimes hard to recognize things for what they were. What this was, it’s\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335572071\":0,\"335572072\":0,\"335572073\":0,\"335572075\":0,\"335572076\":0,\"335572077\":0,\"335572079\":0,\"335572080\":0,\"335572081\":0,\"335572083\":0,\"335572084\":0,\"335572085\":0,\"335572087\":0,\"335572088\":0,\"335572089\":0,\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1],\"469789798\":\"nil\",\"469789802\":\"nil\",\"469789806\":\"nil\",\"469789810\":\"nil\",\"469789814\":\"nil\"}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW106503358 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan class=\"NormalTextRun SCXW106503358 BCX0\"\u003eclear now, is the sound of a band truly finding its feet, and forging something genuinely new in the process.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"335572071\":0,\"335572072\":0,\"335572073\":0,\"335572075\":0,\"335572076\":0,\"335572077\":0,\"335572079\":0,\"335572080\":0,\"335572081\":0,\"335572083\":0,\"335572084\":0,\"335572085\":0,\"335572087\":0,\"335572088\":0,\"335572089\":0,\"469777462\":[720,1440,2160,2880,3600,4320,5040,5760,6480,7200,7920,8640,8660,8680,8700,8720,8740,8760,8780,8800,8820,8840,8860,8880,8900,8920,8940,8960,8980,9000,9020,9040,9060,9080,9100,9120,9140,9160,9180,9200,9220,9240,9260,9280,9300,9320,9340],\"469777927\":[0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0],\"469777928\":[1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1,1],\"469789798\":\"nil\",\"469789802\":\"nil\",\"469789806\":\"nil\",\"469789810\":\"nil\",\"469789814\":\"nil\"}' class=\"EOP SCXW106503358 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Folk Implosion","offers":[{"title":"VIP","offer_id":51514186432822,"sku":"JNR425_VIP","price":27.0,"currency_code":"USD","in_stock":true},{"title":"White Vinyl + Digital (Includes instant download in MP3 AIFF + WAV.)","offer_id":51514186334518,"sku":"JNR425_LP-C1","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Instant download in MP3, AIFF + WAV.)","offer_id":51514186367286,"sku":"JNR425_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR425_The-Folk-Implosion_Dare.jpg?v=1759331161"},{"product_id":"noble-and-godlike-in-ruin","title":"Noble and Godlike in Ruin","description":"\u003cp class=\"p1\"\u003eThough Deerhoof long ago established itself as one of the greatest rock groups ever to stride the earth—and if you think that’s hyperbole, you haven’t spent enough time listening to Deerhoof—the furiously inventive quartet releases new albums on the schedule of a young band still hungry for its first break. Each one presents a challenge to themselves, to discover some previously unknown combination of candy-coated hard-rock riffs and free-jazz percussive freakouts, sideways pop hooks and fearsome dissonance, trenchant social commentary and surrealist humor. And yet somehow, they’re also profoundly \u003ci\u003ereliable\u003c\/i\u003e, a strange but true descriptor for a band so creatively restless. No matter how far they follow their own curiosity and ambition, they never stray from some essential aspect of their identity. You never know what a new Deerhoof album might sound like, except that it will always sound like Deerhoof.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003eThey are defined by such paradoxes, as \u003ci\u003eNoble and Godlike in Ruin \u003c\/i\u003ereaffirms. \u003c\/span\u003eTheir latest album\u003ci\u003e \u003c\/i\u003eis either a portrait of a world descending into monstrous hate, dehumanization, and dollar signs, or a haunting self-portrait of band-as-monster: an intelligent, sensitive, hybrid creature, singing tirelessly of love, but increasingly alienated from that world.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe music is joyful and foreboding, cybernetic and deeply human, all at once. Strings that evoke avant-garde chamber music and classic horror-film soundtracks bounce off guitar and bass lines that chug on impervious to the creeping dread. The drums are sometimes filtered to sound almost electronic, but no computer could come up with rhythms so funky and dynamic, with each minute variation from one snare hit to the next conveying worlds of possibility. Though the subject matter may be bleak—how could it not be?—the songs carry an implicit note of defiant optimism in their refusal to bow to convention or received wisdom. There’s that famous Dylan Thomas line about raging against the dying of the light: \u003ci\u003eNoble and Godlike in Ruin \u003c\/i\u003efeels a little like that. \u003c\/p\u003e\n\u003cp class=\"p3\"\u003eDeerhoof seems to thrive on collapse, whether musical—in the moments on their latest LP when their songs crash and break apart, then reassemble in surprising and delightful new fashion—or, for that matter, societal. The last 31 years have not exactly been kind to the 90s “indie” ideals that nurtured Deerhoof’s early career, whose torch they still carry proudly. But judging from the ferocity and experimentalism of their upcoming LP, they are abandoning any semblance of prevailing music industry wisdom and just going harder.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFronting it all is Satomi Matsuzaki’s inimitable alto. A voice of solitude, whose plainspoken calm can seem strangely outside of the band’s maelstrom, even as she contributes to it with her jaggedly precise bass parts. As a first-generation immigrant to the US, she’s never tried to disguise her Japanese accent, or her deadpan, \u003ci\u003ekaraoke\u003c\/i\u003e-esque delivery. On \u003ci\u003eNoble and Godlike in Ruin\u003c\/i\u003e, her sense of remove feels alternately like an expression of loneliness and like a cool provocation to systems of oppression and control. “Kindness is all I needed from you,” she sings on the epic album closer “Immigrant Songs.” “But you think we’re in your house.” Not long after, the song detonates, its tightly wound art-pop giving way to several minutes of howling noise. \u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003ci\u003eNoble and Godlike in Ruin\u003c\/i\u003e’s production sheen is cinematic, almost orchestral, and the musicianship gleams as it twists between rock, punk, latin, classical, funk, and no-wave. It’s as if our protagonist keeps shattering the fourth wall that the instruments behind her keep scrambling to rebuild. Matching the whimsical to the revolutionary, the beautiful to the horrific, \u003ci\u003eNoble and Godlike in Ruin\u003c\/i\u003e provides a catharsis which liberates listeners from the inhumane world we’re forced to wrap our bamboozled, grief-stricken heads around.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn other words: Yes, it sounds like Deerhoof. This is simply the latest and fiercest in their long line of mystical, subversive noise-pop operas, riddled with literary references and double meanings. As long as there are structures of greed and domination on Earth, these mischievous beasts will be around to challenge and thumb their noses at them—and, maybe someday, to topple them once and for all. You can count on it.\u003c\/p\u003e","brand":"Deerhoof","offers":[{"title":"Test Tube Green Vinyl + Digital (Download in WAV \/ AIFF \/ MP3)","offer_id":51514324812086,"sku":"JNR496_LP-C1","price":24.0,"currency_code":"USD","in_stock":true},{"title":"CD + Digital (Download in WAV \/ AIFF \/ MP3)","offer_id":51514324844854,"sku":"JNR496_CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette + Digital (Download in WAV \/ AIFF \/ MP3)","offer_id":51514324877622,"sku":"JNR496_cass","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Download available in WAV \/ AIFF \/ MP3)","offer_id":51514324910390,"sku":"JNR496_digital","price":9.0,"currency_code":"USD","in_stock":true},{"title":"VIP","offer_id":51514324943158,"sku":"JNR496_VIP","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR496-Album-Motion-1x1_WEB.gif?v=1742307769"},{"product_id":"the-well-i-fell-into-demos","title":"The Well I Fell Into - Demos","description":"\u003cdiv class=\"OutlineElement Ltr SCXW238142594 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW238142594 BCX0\" data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eThe Well I Fell Into - Demos\u003c\/em\u003e LP contains the original tracks from our Artist Enabler Club, remastered in stereo and sequenced to match the “proper” album. This is a beautiful, naked version of \u003cem\u003eThe Well I Fell Into\u003c\/em\u003e, containing the earliest versions of the songs that we were fortunate enough to be able to pry from Yoni’s hands every month. Production is sparse. Here we hear the songs as they were originally imagined. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW238142594 BCX0\" data-ccp-border-bottom=\"0px none #000000\" data-ccp-padding-bottom=\"0px\" data-ccp-border-between=\"0px none #000000\" data-ccp-padding-between=\"0px\"\u003e\u003cspan\u003eHand-numbered limited edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"WHY?","offers":[{"title":"Limited Edition Digicam Wave Vinyl + Digital (Hand-numbered out of 500. Includes download in MP3 \/ AIFF \/ WAV)","offer_id":51514623000886,"sku":"JNR499_LP","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Download in MP3 \/ AIFF \/ WAV)","offer_id":51514623066422,"sku":"JNR499_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR499_Cover_Art_Final.jpg?v=1738162890"},{"product_id":"i-dont-miss-you","title":"I Don't Miss You","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“This song was written during a period of my life when I was casually dating, which is a style of romance that does not come naturally to me (my tendency is to take things way too seriously for way too long). The people entering and exiting my life were fascinating and complete worlds unto themselves, and the brevity of our connections felt like the world was holding a mirror to me and breathing on it- alternately reflective and opaque. Of course I miss them. I miss everyone I’ve ever met!” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Wendy Eisenberg\u003c\/span\u003e\u003c\/p\u003e","brand":"Wendy Eisenberg","offers":[{"title":"Lathe-Cut 7\" + Digital (Limited to 150 hand-made, hand-numbered copies)","offer_id":51578536329526,"sku":"JNR506_lathe","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":51578536362294,"sku":null,"price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR506SingleArt.jpg?v=1739223947"},{"product_id":"sparrow-sparrow-f-w-overrated-species-anyhow","title":"Sparrow Sparrow f\/w Overrated Species Anyhow","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVISIT \u003c\/span\u003e\u003ca href=\"http:\/\/deerhoof.website\"\u003e\u003cspan\u003eDEERHOOF.WEBSITE\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e to watch us cut the new Deerhoof single live in real time!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe stream will last for two hours and the lathe-cut will be available to purchase for a period of 24 hours (from 4PM 2\/25 - 4PM 2\/26 E.S.T.). During that 24 hour period all lathe-cut + download purchases on Bandcamp or the Joyful Noise website will be donated to the Trevor Project, the leading organization focusing on suicide prevention in LGBTQ+ youth. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cspan\u003eSparrow Sparrow” is being released as a “double”—that is, a single with two songs, like you may remember from back in the days of physical media—along with “Overrated Species Anyhow.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“Overrated Species Anyhow” is an achingly beautiful lament and celebration of “animals” “savages” and “aliens,” Satomi Matsuzaki’s austere folksong matching perfectly to a veritable wilderness of heavenly choirs and chirping birds. Like Jean Ritchie backed by John Williams, and every bit as disturbing as that sounds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn “Sparrow Sparrow,” the “animals, savages and aliens” turn out to be more sensitive and intelligent than expected. Deerhoof’s meticulous racket seems to flow directly out of Satomi’s nimble vocal phrasing, or vice versa. She shifts her emphasis, and the rest of the band subtly adjusts their rhythm to accommodate it; or they veer from one cubist dance-rock groove to another and she fits in immediately. The connections between each element—Matsuzaki’s own depth-charge bass lines, Greg Saunier’s monster drum beat evoking a Purdie shuffle chopped up and sampled in an MPC, John Dieterich and Ed Rodriguez’s guitars like a layer of crumpled aluminum foil draped over the rhythm section, reflecting light at unpredictable angles—are so natural and intuitive that it almost sounds simple.\u003c\/span\u003e\u003c\/p\u003e","brand":"Deerhoof","offers":[{"title":"Digital","offer_id":51612967108918,"sku":"JNR496-7_DIG","price":1.0,"currency_code":"USD","in_stock":true},{"title":"Lathe-Cut 7\" + Digital (Hand-numbered copies)","offer_id":51612967076150,"sku":"JNR496-7_DH_Sparrow_Lathe","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/SparrowSparrowSingleArtFinal.jpg?v=1739997546"},{"product_id":"heathen-spirituals","title":"Heathen Spirituals","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLike a scene from a dream, Thor Harris stood upon a crowded stage, 13 players deep: tapping, plucking, bowing, blowing lyric-less love songs to a grand auditorium of 325 shining red seats – without a soul sitting in any of them. This was the creation of \u003c\/span\u003e\u003cem\u003eHeathen Spirituals\u003c\/em\u003e\u003cspan\u003e, the fifth recorded work by Harris’ adventurous instrumental ensemble Thor \u0026amp; Friends and the first that accurately resembles the skyward repetition of the Austin-based group’s live performances.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt’s a century-old concept: cutting a record in an empty music hall. Masterminded by intrepid producer and lifelong Harris collaborator Craig Ross (Patty Griffin, Spoon), Thor \u0026amp; Friends’ roster of musically accomplished misfits spent two days wired up, playing free-flowing meditational pieces on unamplified orchestral instruments inside Jessen Auditorium, a stunning Art Deco relic from the early days of the University of Texas’ Butler School of Music – the esteemed institution that Harris dropped out from decades ago. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA craftsman, artistically and otherwise, Thor Harris is master plumber, carpenter, and woodworker. In musical contexts, his name is often followed by the five words: “known for his work with,” having been a member of avant rock godheads SWANS and high-minded indie favorites Shearwater, while also factoring into important recordings by Bill Callahan, Devendra Banhart, and Shahzad Ismaily. In many circles, Harris is equally well-known for being an openhearted mental health advocate with a devilish sense of humor and a penchant for entertaining social commentary (Harris’ “How to Punch a Nazi” instructional video got him famously banned from Twitter in 2017). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHeathen Spirituals\u003c\/em\u003e, arriving May 16th, 2025, on Joyful Noise Recordings, contains three original pieces with a 35-minute runtime. The rhythmic repetition of opening seance “Anne Sexton’s Glasses” evokes a cognitive crescendo, while the spellbinding “Christmas Eve at the Wizard’s House” evokes a sense of weightlessness, sucking the listener up into the firmament then floating them back down. The crashing, choir-backed “Heathen Spiritual,” meanwhile, stirs a gorgeous requiem for a dying planet. In glorious fidelity, the sessions capture the instinctual purity of Thor \u0026amp; Friends’ live performances, which thrive on skyward repetition.\u003c\/p\u003e","brand":"Thor \u0026 Friends","offers":[{"title":"VIP","offer_id":51705625542966,"sku":"JNR494_VIP_Thor","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Ice Clear Vinyl + Digital (Download in WAV \/ AIFF \/ MP3)","offer_id":51705625575734,"sku":"JNR494_LP-C1_Thor","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Download available in WAV \/ AIFF \/ MP3)","offer_id":51705625674038,"sku":"JNR494_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR494CoverArtFinal.jpg?v=1759331150"},{"product_id":"bad-dogs","title":"Bad Dogs","description":"\u003cdiv class=\"OutlineElement Ltr SCXW43418939 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW43418939 BCX0\"\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eThough they may not have intended to do so, Naptown’s trinity, also known as 81355 (pronounced BLESS), rang out as revolutionaries with their 2021 debut record \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eThis Time I’ll be of Use\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e. When Oreo Jones, Sirius Blvck, and \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW43418939 BCX0\"\u003eSedcairn\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e come together, genre evaporates into enthralling poeticism and sonic hypnosis. Their sophomore LP \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eBad Dogs \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eacts as an expansive continuation of 81355’s signature sound: an angelic, gritty, enthralling urban hymnal for the disillusioned mind. Oscillating between mesmeric live instrumentation and limitless lyrical exposure, \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e\u003cem\u003eBad Dogs\u003c\/em\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eis an anthem of endurance which echoes long after the record ends.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW43418939 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW43418939 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW43418939 BCX0\"\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eThe floorboards of 81355 stretch far back into the history of Naptown’s creative scene. Jones (\u003cspan\u003eSean Michael Smith) \u003c\/span\u003eand \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW43418939 BCX0\"\u003eBlvck\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e (\u003cspan\u003eNiq Askren) \u003c\/span\u003estruck a match as one of Indy’s most influential hip-hop collectives, Ghost Gun Summer, before they brought on \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW43418939 BCX0\"\u003eSedcairn\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e (Moose Adamson) in 2020. Before Adamson infused 81355 with his melodic soundscapes, he produced \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW43418939 BCX0\"\u003eGrampall\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW43418939 BCX0\"\u003eJookabox\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e, an underground indie meets jangle pop project also released by Joyful Noise. Though they may be known primarily for their musical notoriety, the members of 81355 are steadfa\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003est in their commitment to community uplift and collective creative expansion. Sean, alongside his partner Jane Sun Kim, produces and curates \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW43418939 BCX0\"\u003eChreece\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e, the largest Midwestern Hip-Hop festival hosted in the heart of Naptown. \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW43418939 BCX0\"\u003eNiq\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e is pivotal in the empowerment and advancement of Indy Hunger Network, a local non profit that addresses food insecurity across Indianapolis. Moose is a key contributor to Joyful Noise, an Indy based independent label cutting records for local artists of all genres. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW43418939 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW43418939 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW43418939 BCX0\"\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eAs the texturally emotive punctum of its cover art (painted by Stockholm based artist Julia de Ruvo) conveys, the heart of \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e\u003cem\u003eBad Dogs\u003c\/em\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003edraws its perseverance from the wild reservation dogs pulsing through the rust hued indigenous lands of New Mexico and beyond. Untethered in their roaming, sacred in their fierce communal belonging yet undefined by physical place. A vital essence mirrored by that of 81355: boundaryless, primal creative cultivation that defies what some may attempt to categorize as hip hop or progressive rap. \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW43418939 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW43418939 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW43418939 BCX0\"\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eBad Dogs\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e cracks deeper into this essence by initiating a more collaborative approach to 81355’s recording process and the LP’s overall production. For the first time, the project’s live band is part of the production, with Sharlene Birdsong on bass guitar, Dimitri Morris on guitar, and Pat Okerson on drums. The \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eBad Dogs\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e listening experience also seeps into visual realms: a short film titled \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eSleep Study\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e (a nod to Indianapolis’ “Naptown” moniker) will be released in tandem, soundtracked by\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003ethe record and produced, st\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003earring, and written by 81355 alongside friends and fellow artists from the Naptown community. \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003eSleep Study\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW43418939 BCX0\" lang=\"EN\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e\u003cem\u003e’s\u003c\/em\u003e \u003c\/span\u003e\u003cspan class=\"SpellingError SCXW43418939 BCX0\"\u003eafrofuturistic\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW43418939 BCX0\"\u003e sci-fi undertones explore the toxifying implications of the algorithm phenomenon, postmodern brain rot, and late stage capitalism. Though timeless, nomadic, and unrestrained in their exploration, 81355 remains rooted in honoring their Indianapolis community and uplifting the raw Midwestern storytelling authentic to their sound.  \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW43418939 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"81355","offers":[{"title":"VIP","offer_id":51817544646966,"sku":"JNR495_VIP","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Chocolate Rain Vinyl + Digital (Download in WAV \/ AIFF \/ MP3)","offer_id":51817544679734,"sku":"JNR495_LP-C1","price":24.0,"currency_code":"USD","in_stock":true},{"title":"Digital (Download available in WAV \/ AIFF \/ MP3)","offer_id":51817544778038,"sku":"JNR495_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/JNR495_Cover_Art_Final.jpg?v=1759331137"},{"product_id":"wont-be-kicked-out-the-garden","title":"WON'T BE KICKED OUT THE GARDEN","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWON’T BE KICKED OUT THE GARDEN\u003c\/span\u003e\u003cspan\u003e is a psychological, romantic comedy-drama about holding onto love in a world on edge. Harkening to the original sin, your narrator, joy, is possessed by chaos and impulses of the id—she is\/they are the rebel child expelled from paradise, the fallen angel. joy dips in and out of fantasies, fragments into sparring personalities, goes on a discordant bender in Berlin, glides on the heels of saxophones, takes a folk-baroque flight to the moon, and wrestles with dying synthesizer dreams before being called back to Earth by kin, where the only way to return to one’s body is through feeling the pain of grief. There, joy is faced with the trial of re-membering love before the world was split by the binary of good and evil. Your author is inspired by the writing of Ursula K. Le Guin: “To be whole is to be part; true voyage is return.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eProduced and mixed by Greg Saunier of Deerhoof (save the vocals and three songs produced by joy), the album was made with main collaborators Laura Fisher and Alex Brownstein, who traveled to Tucson to record with Saunier, as well as with artists Sarah McTaggart (vocals, the earth cries through me), Jermaine Butler (drums, book of longing), Byron Asher (saxophone, easy), Anuraag Pendyal (piano, welcome home), Kenny Zhao (vocals, the fool), and Saunier (drums and slide guitar, owed to spring and the fool). \u003c\/span\u003e\u003c\/p\u003e","brand":"jess joy","offers":[{"title":"Digital (Download in MP3 \/ AIFF \/ WAV)","offer_id":51848502313270,"sku":"JNR507_digital","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0844\/5451\/files\/WONT_BE_KICKED_OUT_THE_GARDEN_Album_Cover_3000x3000_4web.png?v=1746116887"}],"url":"https:\/\/www.joyfulnoiserecordings.com\/collections\/vip-latest-downloads.oembed?page=5","provider":"Joyful Noise Recordings","version":"1.0","type":"link"}