Kramer

Kramer - Words & Music, Book One

Catalog #: Shimmy-2006    Release Date: 06/18/21

$ 20.00  

  • Kramer - Words & Music, Book One
  • Kramer - Words & Music, Book One

*Physical vinyl colors are each unique due to the nature of the format.
Expect a variation of our mock-up.

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NOTE: If you ordered the 2020 Artist in Residence Box, you will already be receiving this LP on "Highlighter Yellow" vinyl. If you'd like another copy on "Paper White" vinyl, you can pre-order above.

Track Listing
  1. Gregory Corso - Army
  2. Tina May Hall - The Extinction Museum: Exhibit #357
  3. Tina May Hall - The Extinction Museum: Exhibit #100
  4. Sam Lipsyte - Excerpt from Home Land
  5. Christine Schutt - An Unseen Hand Passed Over Their Bodies
  6. Gary Lutz - It Collects In Me
  7. Allen Ginsberg - At Appolinaire’s Grave
  8. Dawn Raffel - Fresh, Blood
  9. Jason Schwartz - Jackal Pattern
  10. Kathryn Scanlan - Vagrants
  11. Scott McClanahan - James
  12. Terry Southern - Surrealist Dialogue
  13. Terry Southern - A Proclamation

 

    Description

    About 40 years ago, in a record shop on Long Island during a weekend visit there to see my parents, i found a double-LP that looked like something i should definitely buy. It was called "BIG EGO", by the The DIAL-a-POEM POETS. On the cover was a picture of John Giorno (a great poet Ed Sanders had turned me on to) on a NYC rooftop with Philip Glass, Meredith Monk, and two kids. It cost $2.


    I bought it and rushed back to my parents house, where i still had my old turntable in the basement, not far from my Jimi Hendrix and Zappa Crappa posters, and my framed portrait of John Cage.


    My copy of Eno's "DIscreet Music" was still on the turntable, having been left there years before,when i'd fled Long Island for good. I lifted it from the platter, gently slid it back into its sleeve,like a priceless religious artifact, and put Side A of the Dial-a-Poem LP on.

    I almost lost my mind while listening to it. The next day i went back to the same record shop looking for more DIAL-A-POEM LP's. i found two. One had a long list of names on the back, some famous, and some i'd never heard of before. I bought both LP's, and an hour later, for the first time in my life, i was exposed to the art of Laurie Anderson, whom i'd never heard of before. This was 1978.

    Her contribution was a piece called "Time To Go". It changed my life. Or at least, that’s how I remember it. I was just a kid, so there were a lot of moments like that, around then. Nowadays, these moments can be had in seconds, with a click of the cursor:

    https://www.youtube.com/watch?v=zc40jbEDLsg

    That evening, as i sat alone by my imaginary campfire (ie; that record player in my parents basement), i promised myself that someday, somehow, i would embark upon a WORDS & MUSIC project that might move people the same way i was moved when i first heard Laurie, and Robert Wilson & Christopher Knowles, and Burroughs, and Ginsberg, and Corso, and Anne Waldman, and John Ashbery, and the great Charles Olson, and so many others. Words, for the very first time, had wielded the same power as music.

    And it was visceral. Just like music. It ran deep. It was a FEELING.

    John Giorno died in 2019, but he kept poetry alive like nobody's business. I was lucky enough to have spent some time with him in the early 1980's, when i was briefly a member of The Fugs, and often found myself surrounded by those Ginsberg called, "...the greatest minds of my generation".

    Ed Sanders (who'd ushered me into that scene) once told me that when he came to NYC, it was easy to go to a cafe, or to St Marks Church, and hear Burroughs, Corso, Ginsberg, and all the greats, reading their poetry. He said that even if you were just a bum on the street, you could just walk right up to them, and start a conversation. They were totally accessible, if they were in the right mood at that particular moment. So i was shocked when Sanders told me he didn't approach any of them, not even once, til he'd been going to their readings for nearly ten years.

    "For almost a decade, I went to every reading, every lecture, every panel discussion. But I never went near them. Never approached them. Not even once", Sanders told me. "For ten years, all I did, was listen."

    It took me four decades, but ... better late than never. I finally made WORDS & MUSIC, Book One. Hope you enjoy the listen. Here's the line-up:

    GREGORY CORSO
    Army
    Recorded in Chicago, January 1959
    (Big Table Benefit Reading)
    from The Happy Birthday Of Death
    published by New Directions (1960)

    TINA MAY HALL
    1 - The Extinction Museum: Exhibit #357 (twenty-three wax cylinders of Tennyson reading “The Charge of the Light Brigade” c.1890) - first appeared in Big Other
    2 - The Extinction Museum: Exhibit #100 (embalmed whale rigged to the side of the ship where it floats in a lifelike manner) - first appeared in The Collagist

    SAM LIPSYTE
    Excerpt from Home Land
    published by Picador/Farrar Straus and Giroux (2004)

    CHRISTINE SCHUTT
    An Unseen Hand Passed Over Their Bodies
    from Nightwork, Stories
    originally published by Alfred A. Knopf, Inc., 1996
    First paperback edition, Dalkey Archive Press, 2000

    GARY LUTZ
    It Collects In Me
    originally published in Stories In The Worst Way (Knopf, 1996)
    Courtesy of Tyrant Books (2019)

    ALLEN GINSBERG
    At Appolinaire’s Grave
    Recorded at The Library of Congress
    2/27/1959, Washington D.C.
    From HOWL and Other Poems
    published by City Lights (1959)

    DAWN RAFFEL
    Flesh, Blood
    first published in Hunger Mountain, and in
    Further Adventures in the Restless Universe
    Dzanc Books (c) 2010 by Dawn Raffel

    JASON SCHWARTZ
    Jackal Pattern
    published in Evergreen Review (2020)

    KATHRYN SCANLAN
    Vagrants
    excerpt from The Dominant Animal
    published by Farrar, Straus & Giroux (2020)

    SCOTT McCLANAHAN
    James
    from the unpublished novel RAINELLE (2020)

    TERRY SOUTHERN
    1 - Surrealist Dialogue
    by Terry Southern 

    2 - A Proclamation
    excerpt from Tristan Tzara's "Dada Manifesto” (July 14, 1918)
    translation by Terry Southern

    Text and spoken-word performances by Terry Southern (c. 1952, Paris)
    Original sound recordings of Terry Southern provided by Nile Southern
    (c) + (p) 2020 The Terry Southern Literary Trust

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