Dumb Numbers - Scars


in Nashville, TN.
















Upon moving to Los Angeles from Philly, I found the change to be disorienting, coming from this very deeply communal vibe of music and art and neighborhood friendship (with a bit of darkness and some solid middle fingers) in contrast to this sunlit and flower-strewn city of beach culture and music work and everyone scattered a drive apart. Although I welcomed the change and the wintertime technicolor, Los Angeles felt alien in a way, but when I met my friends in Gun Outfit and heard them play, I saw a layer that could be home.
Gun Outfit reminds me of the best parts of playing music: the clear freedom and beauty in trying something out, no preciousness or posing; the fun of collaborating with different people and jamming to see what happens but being thoughtful about it because it's your favorite thing. It's a language I love, and you can't fake it--it rings so true when you hear it.
So, I'm thrilled to be able to help present this compilation of some songs from past tapes put together just for this White Label Series, some re-worked or added onto—each with its own miniaturized history in there—and the sound of human connectedness and harmonies, new but familiar. Although it's released in this strange time when we can't really hang out except at a distance, this record feels like the opposite of a sterile quarantine, feels like the best warm company.
Mary Lattimore
-Curator



I met many incredible musicians during my time working at the Brooklyn art space Silent Barn. One of them was Thelma, the songwriting moniker of Natasha Jean Jacobs. When I heard her 2019 sophomore album, I was immediately struck: The Only Thing is a beautiful, strange, swelling synth-pop record, with shredding string arrangements and eclectic, expressive vocals. I was struck, too, by its sharp lyrics, some of which chronicle the inherent heaviness of living in a body, of invisible and internalized pains. Yet there also seemed to be an intriguing droll humor to these songs.
The Only Thing quickly became one of my favorite albums of the year. It wasn’t until after a few months of listening on repeat that I learned more about the struggles Jacobs faced in making and releasing it—about how during the process, she faced a number of medical emergencies including being diagnosed with a rare soft tissue disease that made it hard for her to even hold a guitar anymore. As a result, she wrote the skeleton of this record with one hand on a tiny synth while in recovery from surgery. “It was the first time I was able to enjoy making music in a few years,” she wrote in 2019. “I was reunited with the feeling that making music is The Only Thing that makes me feel a very particular and necessary sense of being alive.”
Her medical condition also led to challenges finding label support for the record, due to her decreased ability to tour. She ended up self-releasing the album on cassette instead, and perhaps was better off for it. But hearing this part of The Only Thing’s story was a reminder of how the demanding touring expectations of today’s music economy can take a toll on the body and how, as Jacobs has discussed, ableist attitudes create a spectrum of barriers in all corners of the industry. I’m glad that the White Label Series can give these songs a vinyl pressing outside of those unfair and often invisibilized pressures.
- Liz Pelly

Struggle and isolation often spawn great art. In this strange moment of history, we can't help but see the potential for creation... With all of our artist's sidelined from touring and regular life plans, we decided to commission the artists of Joyful Noise to record a new song from within their quarantine environment.
Released today, Safe In Sound - Home Recordings From Quarantine features songs from 20 diverse artists, each written and recorded while isolated at home during the COVID-19 pandemic.
The 2xLP collection features new songs from a wide variety of artists, including Swamp Dogg, Deerhoof, Kishi Bashi & El Ten Eleven, C.J. Boyd & Will Oldham, Helvetia, The Ophelias, Kramer, Rob Crow & his kids, Thor Harris, Mike Adams At His Honest Weight, No Joy & Josh Kastner, Jad Fair & Hifiklub, Tall Tall Trees, SUUNS, Good Fuck, Dumb Numbers, Sound of Ceres, Magic Sword, and Ohmme.
The album is now available in its entirety via Joyful Noise website or Bandcamp. Available for download, and limited edition 2xLP White Vinyl (w/ instant download). 100% of the money goes to the artists, or to a charity of their choice.
Thank you for supporting.
<3 JNR
VIDEOS MADE FROM QUARANTINE
SHARE PLAYLIST:


All pre-orders come with first single "Why Should I Wait?" feat. The Dream Syndicate instant digital download.
FULL BIO:
Psychic Temple mastermind Chris Schlarb believes that “there is no double album that would not be improved by removing its worst songs and making it a single album.” But with his new 2xLP release, Houses of the Holy, Schlarb sets out to prove himself wrong.
In 2016, Schlarb opened BIG EGO, a commercial recording studio in the same Long Beach neighborhood where he grew up. There he produced everyone from Terry Reid and James Gadson to Swamp Dogg and Jim Keltner. A year later, he began work on Houses of the Holy: his own attempt at solving the double album puzzle.
In the modern history of rock music, the double album stands as the ultimate creative indulgence, a moment for an artist to make their grand statement amid the excess of four sides of vinyl. And yet, there is not one double LP that escapes the curse of filler: “Wah-Wah” on George Harrison’s All Things Must Pass; “Night Flight” on Led Zeppelin’s Physical Graffiti; “Piggies” on The Beatles’ White Album; “Angel” on Fleetwood Mac’s Tusk.
Schlarb’s solution: take four existing bands and lead them into the realm of Psychic Temple.
Side A, recorded in the Joshua Tree desert with Cherry Glazerr, is five whiskey-fueled songs of love, madness, and suicide. Side B delivers the legendary Chicago Underground Trio, reunited after nearly 20 years, who wrap their unmistakable sound around songs written by Schlarb, Jerry David DeCicca and James Jackson Toth.
On the precipice of entering their fourth decade as one the world's great rock bands, The Dream Syndicate explode when plugged into the Psychic Temple Universe, evidenced on Side C. As euphoric closer, the words of Side D is a euphoric closer, featuring the words of cosmic street poet Xololanxinxo, supported by the album's largest ensemble: full orchestra, double rhythm section, and gospel choir.
To hear Schlarb tell it, these four sides are the only Houses of the Holy that one ever need visit.



